Delphi Complete Works of H. P. Lovecraft(588)

“Well, we shipped the box from Nome and got to London without any trouble. That was the first time we’d ever brought back anything that had a chance of coming alive. I didn’t put It on display, because there were more important things to do for It. It needed the nourishment of sacrifice, for It was a god. Of course I couldn’t get It the sort of sacrifices which It used to have in Its day, for such things don’t exist now. But there were other things which might do. The blood is the life, you know. Even the lemurs and elementals that are older than the earth will come when the blood of men or beasts is offered under the right conditions.”

The expression on the narrator’s face was growing very alarming and repulsive, so that Jones fidgeted involuntarily in his chair. Rogers seemed to notice his guest’s nervousness, and continued with a distinctly evil smile.

“It was last year that I got It, and ever since then I’ve been trying rites and sacrifices. Orabona hasn’t been much help, for he was always against the idea of waking It. He hates It — probably because he’s afraid of what It will come to mean. He carries a pistol all the time to protect himself — fool, as if there were human protection against It! If I ever see him draw that pistol, I’ll strangle him. He wanted me to kill It and make an effigy of It. But I’ve stuck by my plans, and I’m coming out on top in spite of all the cowards like Orabona and damned sniggering sceptics like you, Jones! I’ve chanted the rites and made certain sacrifices, and last week the transition came. The sacrifice was — received and enjoyed!”

Rogers actually licked his lips, while Jones held himself uneasily rigid. The showman paused and rose, crossing the room to the piece of burlap at which he had glanced so often. Bending down, he took hold of one corner as he spoke again.

“You’ve laughed enough at my work — now it’s time for you to get some facts. Orabona tells me you heard a dog screaming around here this afternoon. Do you know what that meant?”

Jones started. For all his curiosity he would have been glad to get out without further light on the point which had so puzzled him. But Rogers was inexorable, and began to lift the square of burlap. Beneath it lay a crushed, almost shapeless mass which Jones was slow to classify. Was it a once-living thing which some agency had flattened, sucked dry of blood, punctured in a thousand places, and wrung into a limp, broken-boned heap of grotesqueness? After a moment Jones realised what it must be. It was what was left of a dog — a dog, perhaps of considerable size and whitish colour. Its breed was past recognition, for distortion had come in nameless and hideous ways. Most of the hair was burned off as by some pungent acid, and the exposed, bloodless skin was riddled by innumerable circular wounds or incisions. The form of torture necessary to cause such results was past imagining.

Electrified with a pure loathing which conquered his mounting disgust, Jones sprang up with a cry.

“You damned sadist — you madman — you do a thing like this and dare to speak to a decent man!”

Rogers dropped the burlap with a malignant sneer and faced his oncoming guest. His words held an unnatural calm.

“Why, you fool, do you think I did this? Let us admit that the results are unbeautiful from our limited human standpoint. What of it? It is not human and does not pretend to be. To sacrifice is merely to offer. I gave the dog to It. What happened is Its work, not mine. It needed the nourishment of the offering, and took it in Its own way. But let me shew you what It looks like.”

As Jones stood hesitating, the speaker returned to his desk and took up the photograph he had laid face down without shewing. Now he extended it with a curious look. Jones took it and glanced at it in an almost mechanical way. After a moment the visitor’s glance became sharper and more absorbed, for the utterly satanic force of the object depicted had an almost hypnotic effect. Certainly, Rogers had outdone himself in modelling the eldritch nightmare which the camera had caught. The thing was a work of sheer, infernal genius, and Jones wondered how the public would react when it was placed on exhibition. So hideous a thing had no right to exist — probably the mere contemplation of it, after it was done, had completed the unhinging of its maker’s mind and led him to worship it with brutal sacrifices. Only a stout sanity could resist the insidious suggestion that the blasphemy was — or had once been — some morbid and exotic form of actual life.

The thing in the picture squatted or was balanced on what appeared to be a clever reproduction of the monstrously carved throne in the other curious photograph. To describe it with any ordinary vocabulary would be impossible, for nothing even roughly corresponding to it has ever come within the imagination of sane mankind. It represented something meant perhaps to be roughly connected with the vertebrates of this planet — though one could not be too sure of that. Its bulk was Cyclopean, for even squatted it towered to almost twice the height of Orabona, who was shewn beside it. Looking sharply, one might trace its approximations toward the bodily features of the higher vertebrates.