Delphi Complete Works of H. P. Lovecraft(587)
The vaulted exhibition room was ghoulish in its desertion, but he strode quickly through it and rapped at the door of the office and workroom. Response was slow in coming, though there were footsteps inside. Finally, in response to a second knock, the lock rattled, and the ancient six-panelled portal creaked reluctantly open to reveal the slouching, feverish-eyed form of George Rogers. From the first it was clear that the showman was in an unusual mood. There was a curious mixture of reluctance and actual gloating in his welcome, and his talk at once veered to extravagances of the most hideous and incredible sort.
Surviving elder gods — nameless sacrifices — the other than artificial nature of some of the alcove horrors — all the usual boasts, but uttered in a tone of peculiarly increasing confidence. Obviously, Jones reflected, the poor fellow’s madness was gaining on him. From time to time Rogers would send furtive glances toward the heavy, padlocked inner door at the end of the room, or toward a piece of coarse burlap on the floor not far from it, beneath which some small object appeared to be lying. Jones grew more nervous as the moments passed, and began to feel as hesitant about mentioning the afternoon’s oddities as he had formerly been anxious to do so.
Rogers’ sepulchrally resonant bass almost cracked under the excitement of his fevered rambling.
“Do you remember,” he shouted, “what I told you about that ruined city in Indo-China where the Tcho-Tchos lived? You had to admit I’d been there when you saw the photographs, even if you did think I made that oblong swimmer in darkness out of wax. If you’d seen it writhing in the underground pools as I did. . . .
“Well, this is bigger still. I never told you about this, because I wanted to work out the later parts before making any claim. When you see the snapshots you’ll know the geography couldn’t have been faked, and I fancy I have another way of proving that It isn’t any waxed concoction of mine. You’ve never seen it, for the experiments wouldn’t let me keep It on exhibition.”
The showman glanced queerly at the padlocked door.
“It all comes from that long ritual in the eighth Pnakotic fragment. When I got it figured out I saw it could have only one meaning. There were things in the north before the land of Lomar — before mankind existed — and this was one of them. It took us all the way to Alaska, and up the Noatak from Fort Morton, but the thing was there as we knew it would be. Great Cyclopean ruins, acres of them. There was less left than we had hoped for, but after three million years what could one expect? And weren’t the Esquimau legends all in the right direction? We couldn’t get one of the beggars to go with us, and had to sledge all the way back to Nome for Americans. Orabona was no good up in that climate — it made him sullen and hateful.
“I’ll tell you later how we found It. When we got the ice blasted out of the pylons of the central ruin the stairway was just as we knew it would be. Some carvings still there, and it was no trouble keeping the Yankees from following us in. Orabona shivered like a leaf — you’d never think it from the damned insolent way he struts around here. He knew enough of the Elder Lore to be properly afraid. The eternal light was gone, but our torches shewed enough. We saw the bones of others who had been before us — aeons ago, when the climate was warm. Some of these bones were of things you couldn’t even imagine. At the third level down we found the ivory throne the fragments said so much about — and I may as well tell you it wasn’t empty.
“The thing on that throne didn’t move — and we knew then that It needed the nourishment of sacrifice. But we didn’t want to wake It then. Better to get It to London first. Orabona and I went to the surface for the big box, but when we had packed it we couldn’t get It up the three flights of steps. These steps weren’t made for human beings, and their size bothered us. Anyway, it was devilish heavy. We had to have the Americans down to get It out. They weren’t anxious to go into the place, but of course the worst thing was safely inside the box. We told them it was a batch of ivory carvings — archaeological stuff; and after seeing the carved throne they probably believed us. It’s a wonder they didn’t suspect hidden treasure and demand a share. They must have told queer tales around Nome later on; though I doubt if they ever went back to those ruins, even for the ivory throne.”
Rogers paused, felt around in his desk, and produced an envelope of good-sized photographic prints. Extracting one and laying it face down before him, he handed the rest to Jones. The set was certainly an odd one: ice-clad hills, dog sledges, men in furs, and vast tumbled ruins against a background of snow — ruins whose bizarre outlines and enormous stone blocks could hardly be accounted for. One flashlight view shewed an incredible interior chamber with wild carvings and a curious throne whose proportion could not have been designed for a human occupant. The carvings on the gigantic masonry — high walls and peculiar vaulting overhead — were mainly symbolic, and involved both wholly unknown designs and certain hieroglyphs darkly cited in obscene legends. Over the throne loomed the same dreadful symbol which was now painted on the workroom wall above the padlocked plank door. Jones darted a nervous glance at the closed portal. Assuredly, Rogers had been to strange places and had seen strange things. Yet this mad interior picture might easily be a fraud — taken from a very clever stage setting. One must not be too credulous. But Rogers was continuing: