Delphi Complete Works of H. P. Lovecraft(424)
My descent became swifter rather than slower, and I avoided studying the terrible bas-reliefs and intaglios that had unnerved me. All at once I saw an arched opening ahead, and realised that the prodigious staircase had ended at last. But with that realisation came horror in mounting magnitude, for before me there yawned a vast vaulted crypt of all-too-familiar outline — a great circular space answering in every least particular to the carving-lined chamber described in the Zamacona manuscript.
It was indeed the place. There could be no mistake. And if any room for doubt yet remained, that room was abolished by what I saw directly across the great vault. It was a second arched opening, commencing a long, narrow passage and having at its mouth two huge opposite niches bearing loathsome and titanic images of shockingly familiar pattern. There in the dark unclean Yig and hideous Tulu squatted eternally, glaring at each other across the passage as they had glared since the earliest youth of the human world.
From this point onward I ask no credence for what I tell — for what I think I saw. It is too utterly unnatural, too utterly monstrous and incredible, to be any part of sane human experience or objective reality. My torch, though casting a powerful beam ahead, naturally could not furnish any general illumination of the Cyclopean crypt; so I now began moving it about to explore the giant walls little by little. As I did so, I saw to my horror that the space was by no means vacant, but was instead littered with odd furniture and utensils and heaps of packages which bespoke a populous recent occupancy — no nitrous reliques of the past, but queerly shaped objects and supplies in modern, every-day use. As my torch rested on each article or group of articles, however, the distinctness of the outlines soon began to grow blurred; until in the end I could scarcely tell whether the things belonged to the realm of matter or to the realm of spirit.
All this while the adverse winds blew against me with increasing fury, and the unseen hands plucked malevolently at me and snatched at the strange magnetic talisman I wore. Wild conceits surged through my mind. I thought of the manuscript and what it said about the garrison stationed in this place — twelve dead slave y’m-bhi and six living but partly dematerialised freemen — that was in 1545 — three hundred and eighty-three years ago. . . . What since then? Zamacona had predicted change . . . subtle disintegration . . . more dematerialisation . . . weaker and weaker . . . was it Grey Eagle’s talisman that held them at bay — their sacred Tulu-metal — and were they feebly trying to pluck it off so that they might do to me what they had done to those who had come before? . . . It occurred to me with shuddering force that I was building my speculations out of a full belief in the Zamacona manuscript — this must not be — I must get a grip on myself —
But, curse it, every time I tried to get a grip I saw some fresh sight to shatter my poise still further. This time, just as my will power was driving the half-seen paraphernalia into obscurity, my glance and torch-beam had to light on two things of very different nature; two things of the eminently real and sane world; yet they did more to unseat my shaky reason than anything I had seen before — because I knew what they were, and knew how profoundly, in the course of Nature, they ought not to be there. They were my own missing pick and shovel, side by side, and leaning neatly against the blasphemously carved wall of that hellish crypt. God in heaven — and I had babbled to myself about daring jokers from Binger!
That was the last straw. After that the cursed hypnotism of the manuscript got at me, and I actually saw the half-transparent shapes of the things that were pushing and plucking; pushing and plucking — those leprous palaeogean things with something of humanity still clinging to them — the complete forms, and the forms that were morbidly and perversely incomplete . . . all these, and hideous other entities — the four-footed blasphemies with ape-like face and projecting horn . . . and not a sound so far in all that nitrous hell of inner earth. . . .
Then there was a sound — a flopping; a padding; a dull, advancing sound which heralded beyond question a being as structurally material as the pickaxe and the shovel — something wholly unlike the shadow-shapes that ringed me in, yet equally remote from any sort of life as life is understood on the earth’s wholesome surface. My shattered brain tried to prepare me for what was coming, but could not frame any adequate image. I could only say over and over again to myself, “It is of the abyss, but it is not dematerialised.” The padding grew more distinct, and from the mechanical cast of the tread I knew it was a dead thing that stalked in the darkness. Then — oh, God, I saw it in the full beam of my torch; saw it framed like a sentinel in the narrow passage between the nightmare idols of the serpent Yig and the octopus Tulu. . . .