[He smiles, holds his hands up in thanks.]
Ten percent drop throughout the entire western safe zone. I was already on the road by then, shooting more stories. Anacapa was already wrapped, and we were halfway through Mission District. By the time Dos Palmos hit screens, and ADS was down 23 percent…only then did the government finally take an interest in me.
Additional resources?
[Laughs.] No. I’d never asked for help and they sure weren’t going to give it. But I did finally get access to the military and that opened up a whole new world.
Is that when you made Fire of the Gods?
[Nods.] The army had two functioning laser weapons programs: Zeus and MTHEL. Zeus was originally designed for munitions clearing, zapping land mines and unexploded bombs. It was small and light enough to be mounted in a specialized Humvee. The gunner sighted a target through a coaxial camera in the turret. He placed the aim point on the intended surface, then fired a pulse beam through the same optical aperture. Is that too technical?
Not at all.
I’m sorry. I became extremely immersed in the project. The beam was a weaponized version of solid-state, industrial lasers, the kind used to cut steel in factories. It could either burn through a bomb’s outer casing or heat it to a point that detonated the explosive package. The same principle worked for zombies. On higher settings it punched right through their foreheads. On lower settings, it literally boiled their brain till it exploded through the ears, nose, and eyes. The footage we shot was dazzling, but Zeus was a popgun next to MTHEL.
The acronym stands for Mobile Tactical High Energy Laser, codesigned by the United States and Israel to take out small incoming projectiles. When Israel declared self-quarantine, and when so many terrorist groups were lobbing mortar rounds and rockets across the security wall, MTHEL was what knocked them down. About the size and shape of a World War II searchlight, it was, in fact, a deuterium fluoride laser, much more powerful than the solid state on Zeus. The effects were devastating. It blasted flesh from bones that then heated white before shattering into dust. When played at regular speed, it was magnificent, but at slo-mo…fire of the gods.
Is it true that the number of ADS cases were halved a month after the movie’s release?
I think that might be an overstatement, but people were lined up on their off-hours. Some saw it every night. The poster campaign showed a close-up of a zombie being atomized. The image was lifted right from a frame in the movie, the one classic shot when the morning fog actually allowed you to see the beam. The caption underneath read simply “Next.” It single-handedly saved the program.
Your program.
No, Zeus and MTHEL.
They were in jeopardy?
MTHEL was due to close a month after shooting. Zeus had already been chopped. We had to beg, borrow, and steal, literally, to get it reactivated just for our cameras. DeStRes had deemed both as a gross waste of resources.
Were they?
Inexcusably so. The “M” in MTHEL’s “Mobile” really meant a convoy of specialized vehicles, all of which were delicate, none truly all-terrain and each one completely dependent on the other. MTHEL also required both tremendous power and copious amounts of highly unstable, highly toxic chemicals for the lasering process.
Zeus was a little more economical. It was easier to cool, easier to maintain, and because it was Humvee-mounted, it could go anywhere it was needed. The problem was, why would it be needed? Even on high power, the gunner still had to hold a beam in place, on a moving target, mind you, for several seconds. A good sharpshooter could get the job done in half the time with twice the kills. That erased the potential for rapid fire, which was exactly what you needed in swarm attacks. In fact, both units had a squad of riflemen permanently assigned to them, people protecting a machine that is designed to protect people.
They were that bad?
Not for their original role. MTHEL kept Israel safe from terrorist bombardment, and Zeus actually came out of retirement to clear unexploded ordnance during the army’s advance. As purpose-built weapons, they were outstanding. As zombie killers, they were hopeless duds.
So why did you film them?
Because Americans worship technology. It’s an inherent trait in the national zeitgeist. Whether we realize it or not, even the most indefatigable Luddite can’t deny our country’s technoprowess. We split the atom, we reached the moon, we’ve filled every household and business with more gadgets and gizmos than early sci-fi writers could have ever dreamed of. I don’t know if that’s a good thing, I’m in no place to judge. But I do know that just like all those ex-atheists in foxholes, most Americans were still praying for the God of science to save them.