World War Z(60)

Ghouls don’t blink, I don’t know why. Maybe because they use their senses equally, their brains don’t value sight as much. Maybe because they don’t have as much bodily fluid they can’t keep using it to coat the eyes. Who knows, but they don’t blink and quislings do. That’s how you spotted them; back up a few paces, and wait a few seconds. Darkness was easier, you just shone a beam in their faces. If they didn’t blink, you took them down.

And if they did?

Well, our orders were to capture quislings if possible, and use deadly force only in self-defense. It sounded crazy, still does, but we rounded up a few, hog-tied them, turned them over to police or National Guard. I’m not sure what they did with them. I’ve heard stories about Walla Walla, you know, the prison where hundreds of them were fed and clothed and even medically cared for. [His eyes flick to the ceiling.]

You don’t agree.

Hey, I’m not going there. You want to open that can of worms, read the papers. Every year some lawyer or priest or politician tries to stoke that fire for whatever side best suits them. Personally, I don’t care. I don’t have any feelings toward them one way or the other. I think the saddest thing about them is that they gave up so much and in the end lost anyway.

Why is that?

’Cause even though we can’t tell the difference between them, the real zombies can. Remember early in the war, when everybody was trying to work on a way to turn the living dead against one another? There was all this “documented proof” about infighting—eyewitness accounts and even footage of one zombie attacking another. Stupid. It was zombies attacking quislings, but you never would have known that to look at it. Quislings don’t scream. They just lie there, not even trying to fight, writhing in that slow, robotic way, eaten alive by the very creatures they’re trying to be.

MALIBU, CALIFORNIA

[I don’t need a photograph to recognize Roy Elliot. We meet for coffee on the restored Malibu Pier Fortress. Those around us also instantly recognize him, but, unlike prewar days, keep a respectful distance.]



ADS, that was my enemy: Asymptomatic Demise Syndrome, or, Apocalyptic Despair Syndrome, depending on who you were talking to. Whatever the label, it killed as many people in those early stalemate months as hunger, disease, interhuman violence, or the living dead. No one understood what was happening at first. We’d stabilized the Rockies, we’d sanitized the safe zones, and still we were losing upwards of a hundred or so people a day. It wasn’t suicide, we had plenty of those. No, this was different. Some people had minimal wounds or easily treatable ailments; some were in perfect health. They would simply go to sleep one night and not wake up the next morning. The problem was psychological, a case of just giving up, not wanting to see tomorrow because you knew it could only bring more suffering. Losing faith, the will to endure, it happens in all wars. It happens in peacetime, too, just not on this scale. It was helplessness, or at least, the perception of helplessness. I understood that feeling. I directed movies all my adult life. They called me the boy genius, the wunderkind who couldn’t fail, even though I’d done so often.

Suddenly I was a nobody, an F-6. The world was going to hell and all my vaunted talents were powerless to stop it. When I heard about ADS, the government was trying to keep it quiet—I had to find out from a contact at Cedars-Sinai. When I heard about it, something snapped. Like the time I made my first Super 8 short and screened it for my parents. This I can do, I realized. This enemy I can fight!

And the rest is history.

[Laughs.] I wish. I went straight to the government, they turned me down.

Really? I would think, given your career…

What career? They wanted soldiers and farmers, real jobs, remember? It was like “Hey, sorry, no dice, but can I get your autograph?” Now, I’m not the surrendering type. When I believe in my ability to do something, there is no such word as no. I explained to the DeStRes rep that it wouldn’t cost Uncle Sam a dime. I’d use my own equipment, my own people, all I’d need from them was access to the military. “Let me show the people what you’re doing to stop this,” I told him. “Let me give them something to believe in.” Again, I was refused. The military had more important missions right now than “posing for the camera.”

Did you go over his head?

To who? There were no boats to Hawaii and Sinclair was racing up and down the West Coast. Anybody in any position to help was either physically unavailable or far too distracted with more “important” matters.

Couldn’t you have become a freelance journalist, gotten a government press pass?