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Wicked After Midnight(80)

By:Delilah S.Dawson


“It’s clear, bébé. If you’d care to join me?”

I clicked the lighter shut, tucked it into my pocket, and started climbing. On Earth, I couldn’t imagine how terrifying this entire outing would be: navigating a treacherous city after midnight with a strange and dangerous man, followed by tromping through the sewers and climbing thirty feet into the air over stone and into a government building. But considering who I was and where I was, it was an exciting trip. And that’s when it hit me: I was about to have unfettered access to the greatest art museum in the entire world of Sang.

I had to hold in the squeal as Vale gently took my arms and helped drag me onto the tiles above. I stood and dusted off my leggings . . . and looked directly into a urinal.

“You weren’t kidding.”

“It gets better, I promise you.”

Taking my elbow, he led me out into a wide hall. I sucked in a deep breath, considering how many atoms of paint and oil and genius I might be taking into my body forever with each lungful of air. I wasn’t sure exactly how much this Louvre had in common with the one on Earth, but it was close enough to make me drunk on art-nerd giddiness.

“Where do we start? Is there a map? Do you have Impressionists here yet?”

“Let me see your ticket again, and I will tell you.”

Vale flicked on the lighter, and I handed him the crumpled paper. The building around us was utterly silent and beautiful in its moonlit austerity, and it took every ounce of self-control I possessed to stop myself from running down the long hall, doing cartwheels and whooping with joy.

“This way.”

When Vale took off, I followed. There was scant light from the moon outside, and I wished to see more, but he didn’t ask for his lighter again. Bumbling around in a high-profile building with fire probably wasn’t the best way to remain unnoticed, after all. I didn’t know much about the layout of this Louvre or the one in my original world, so I just tried to take in as much as the shadows allowed, soaking in the sculptures, paintings, and ancient wonders when I wasn’t watching Vale’s butt. He walked with determination, moving through the Louvre as if he owned the place, and I liked that. It didn’t hurt that he was bringing me closer to what I hoped would be a clue about Cherie.

“The gallery should be through here . . .”

He turned left, and I followed so closely that when he drew up short, I ran into him. Normally, I think he would have rather enjoyed having my front plastered to his back, but this time, he was so tense and alert that he didn’t even notice.

We stood in the doorway to a portrait gallery, surrounded by daimons frowning, laughing, dancing, and seated astride screaming bludmares. Almost one entire wall was a version of La Grande Jatte but with daimons mixed among the humans and a clockwork monkey playing with the puppies in front. I hurried over to read the card and see if Seurat existed in Sang and was surprised to learn that it was the first painting created solely by automaton in a style entirely new.

“Bébé, you need to see this.”

Vale was a dark and stalwart shadow before a wall of dancing girls, many of them doppelgängers of paintings from my own world but with the twist that these girls were daimons instead of humans. The canvases were in all shapes and sizes, each in a heavy gilt frame. Vale flicked open the lighter, and a hand to my pocket told me that yet again, I’d been pickpocketed without my knowledge. He raised the flame, and I nearly barfed duke blood onto the dainty tiles of the Louvre.

The image of Limone didn’t look like Lenoir’s work, and the brass plaque on the frame was blank. In my world, this masterpiece by Toulouse Lautrec showed the Moulin Rouge, so this evil twin most likely showed the inside of the Moulin Bleu of Sang. In the bottom right corner, lit in lurid absinthe-green, was an image of Limone so true to life that I could feel hatred and disgust radiating from it in waves. I stepped closer, but Vale threw an arm out to hold me back.

“When was the last time someone saw Limone?” I asked.

“The day after she pushed you.”

“She went to the Moulin Bleu, didn’t she?”

He nodded. “There’s dark magic at work here,” he said, and I gulped and shivered but didn’t move forward again.

I could feel Limone’s cold presence in the room with me, and I spun suddenly, certain that I would feel her hard hands pushing me off into space. But the gallery was empty, peopled only with whispering shadows. I looked from portrait to portrait, trying to sense if perhaps it was only my history with Limone and the perfection of her likeness that was freaking me out. I saw faces I half recognized, a maroon girl stretching in a tutu and a pink-skinned girl laughing. But I couldn’t remember their names or when I’d seen them last.