Wicked After Midnight(58)

“You don’t want to displease him, miss,” he said, his voice low and rich like coffee. When he opened the door and bowed, I went in alone, my nerves on fire and shining out my eyes.

From what I understood from the papers I’d read in Sangland and the few discussions I’d had in Franchia, Lenoir was an amalgamation of several Impressionist painters from my world. At the very least, his body of work included things I remembered as the work of Édouard Manet, Claude Monet, Toulouse Lautrec, and Pierre-Auguste Renoir. But the man himself was said to be a mystery and a wealthy man. He was the only artist in Sang who couldn’t be bought, who chose his own commissions and pursuits. And now he had chosen me.

My heart was beating so loudly that I imagined it echoing against the copper as I took the winding stairs upward. Was Lenoir already here, waiting for me, or would it be like last night, when I had a few moments to compose myself? There was no way to know, although Auguste’s brief primping made me suspect that I was already being judged by the timbre of my footsteps. I was more nervous than I should have been, probably because while I had confidence in my skills as a contortionist and dancer, I had never felt glamorous or seductive. Lenoir painted only the most beautiful girls, the stars, and I felt a little like a fraud. But I quickly smothered that little voice of doubt in my heart and put on my best smile as I entered the chamber.

He was there on the couch, watching me with the sharp eyes of a hawk.

No. That’s not true. Hawks have kind of stupid, round, golden eyes. Lenoir’s eyes were too smart, too dark, already narrowed as if measuring me for a frame. His Van Dyke and hair were ink-black, with one streak of distinguished white. But it didn’t lessen the man; quite the opposite. There was a confident, smooth stillness about him that drew me in like a vacuum. A sexy vacuum. I breathed in deep and barely held myself from hunching over into attack mode.

Lenoir smelled of Bludman, which meant I’d finally found my link to Cherie.

He tipped his head, just the tiniest gesture, and his mouth quirked up in a sly grin. I gasped when I saw his fangs, and with that gulp of air came the full power of his scent. Not Cherie, then; I had smelled his own blud.

“And now you know my secret.”

His voice was butter and bourbon, sipped in a lightless room. The accent was mostly Sanglish but rich and royal. He stood, his shadow-gray suit as crisp as if he’d just had it starched for the first time. He was all angles and corners as he bent at the waist and reached for my hand. My bare fingers were dark against his white kidskin glove, and I shivered when his mustache and lips brushed the back of my hand.

I bobbed my head and looked up through my eyelashes. “We’re all filled with secrets, monsieur. But you have surprised me, which is one point in your favor.”

He grinned in a way that reminded me very much of Criminy Stain, except that a bit of playful good humor lurked always behind Crim’s wickedness. I suspected Lenoir held all of the danger and none of the amusement that made my mentor so very lovable. And yet I couldn’t help mimicking the smile. We were both dangerous things, weren’t we?

“So you’re saying you owe me, then, mademoiselle? Fine. I accept the debt. I wish to paint you.”

“I’m flattered, monsieur.”

“Don’t be. You knew I’d come for you. They all do.”

“All of whom?”

“Coyness doesn’t become you, Demi. The girls I paint know I will come for them because that’s exactly what they want. After I paint you, you’ll be immortal, your name on every man’s tongue. You’re a rising star, but I will turn you into the sun.”

“Sounds hot.”

His grin widened, went darker, if that was possible. “Oh, little one. You have no idea.” He returned to the couch, taking up a sketchbook and leaning back. “Stand there, one hand on the table. Don’t look at me. Look at . . . oh, say, that painting.”

Bemused, I did as I was told. He shook his head in annoyance and walked to me quickly, his gloved hands businesslike and cold as they posed my arms and changed the angle of my torso. I’d felt like an object ever since arriving in Paris, but under his posing, I felt less like a morsel or a doll and more like a vase of flowers that just wouldn’t cooperate. When he’d finally contorted me into the correct pose, he returned to the couch and began sketching, the pencil’s rasp harsh in the silence.

“I thought Bludmen weren’t allowed in Mortmartre,” I murmured through mostly closed lips.

“And yet here we are, you and I. The thing is, once you’re in, it’s awfully hard to get you back out. And if you were here all along and have never taken off your gloves and can’t be seen to smile very often under your mustache, no one ever looks closely enough to tell. It’s the beauty of daimons; since we’re no danger to them, they don’t really notice the difference.”