The red light went on over the door at just past 10 P.M., and Stu felt light perspiration break on his arms and face. It was this way every time the red light went on, because one of these times Elder would be alone. He would be alone because he wouldn't want witnesses. There would be a furnace somewhere to cremate plague victims. Elder would bundle him into it. Snip. No more loose ends.
Elder stepped through the door. Alone.
Stu was sitting on his hospital bed, one hand resting on the back of his chair. At the sight of Elder he felt the familiar sickening drop in his belly. He felt the familiar urge to spill out a flood of loose, pleading words, in spite of his knowledge that such pleas would avail him nothing. There was no mercy in the face behind the white-suit's transparent visor.
Now everything seemed very clear to him, very colorful, very slow. He could almost hear his eyes rolling in their bed of lubrication as he followed Elder's progress into the room. He was a big man, stocky, and his white-suit was stretched too tight over him. The hole at the end of the pistol he held looked tunnel-size.
"How are you feeling?" Elder asked, and even through the tinny speaker Stu could hear the nasal quality of Elder's voice. Elder was sick.
"Just the same," Stu said, surprised at the evenness of his voice. "Say, when do I get out of here?"
"Very soon now," Elder said. He was pointing the gun in Stu's general direction, not precisely at him, but not precisely away, either. He uttered a muffled sneeze. "You don't talk much, do you?"
Stu shrugged.
"I like that in a man," Elder said. "Your big talkers, they're your whimperers and whiners and belly-achers. I just got the word on you about twenty minutes ago, Mr. Redman. They're not such hot orders, but I think you'll do okay."
"What orders?"
"Well, I've been ordered to-"
Stu's eyes flicked past Elder's shoulder, toward the high, riveted sill of the airlock door. "Christ Jesus!" he exclaimed. "That's a fucking rat, what kind of place are you running with rats in it?"
Elder turned, and for a moment Stu was almost too surprised by the unexpected success of his ruse to go on. Then he slid off the bed and grasped the back of his chair in both hands as Elder began to pivot toward him again. Elder's eyes were wide and suddenly alarmed. Stu lifted the chair over his head and stepped forward, swinging it down, getting every ounce of his one-eighty behind it.
"Get back there!" Elder cried. "Don't-"
The chair crashed down on his right arm. The gun went off, disintegrating the Baggie, and the bullet screamed off the floor. Then the gun fell to the carpet, where it discharged again.
Stu was afraid he could count on only one more blow with the chair before Elder fully recovered himself. He determined to make it a good one. He brought it around in a high hard arc, a Henry Aaron home run swing. Elder tried to get his broken right arm up and couldn't. The legs of the chair crashed into the hood of the white-suit. The plastic faceplate splintered in Elder's eyes and nose. He screamed and fell backward.
He rolled onto all fours and scrambled for the gun lying on the carpet. Stu swung the chair one last time, bringing it down on the back of Elder's head. Elder collapsed. Panting, Stu reached down and grabbed the gun. He stepped away, pointing it at the prone body, but Elder didn't move.
For a moment a nightmarish thought tormented him: What if Elder's orders had not been to kill him but to release him? But that made no sense, did it? If his orders had been to release him, why the talk about no whimpering and whining? Why would he have termed the orders "not so hot"?
No-Elder had been sent here to kill him.
Stu looked at the prone body, trembling all over. If Elder got up now, Stu thought he would probably miss him with all five bullets at point-blank range. But he didn't think Elder was going to get up. Not now, not ever.
Suddenly the need to get out of there was so strong that he almost bolted blindly through the airlock door and into whatever lay beyond. He had been locked up for over a week, and all he wanted now was to breathe fresh air and then get far, far away from this terrible place.
But it had to be done carefully.
Stu walked to the airlock, stepped in, and pushed a button marked CYCLE. An air-pump went on, ran briefly, and the outer door opened. Beyond it was a small room furnished only with a desk. On it was a thin stack of medical charts … and his clothes. The ones he had been wearing on the airplane from Braintree to Atlanta. The cold finger of dread touched him again. Those things would have gone into the crematorium with him, no doubt. His charts, his clothes. So long, Stuart Redman. Stuart Redman would have become an unperson. In fact-
There was a slight noise behind him and Stu turned around fast. Elder was staggering toward him, crouched over, his hands swinging loosely. A jagged splinter of plastic was lodged in one oozing eye. Elder was smiling.
"Don't move," Stu said. He pointed the gun, steadying it with both hands-and still the barrel jittered.
Elder gave no sign that he had heard. He kept coming.
Wincing, Stu pulled the trigger. The pistol bucked in his hands and Elder stopped. The smile had turned into a grimace, as if he had been struck with a sudden gas pain. There was now a small hole in the breast of his white-suit. For a moment he stood, swaying, and then he crashed forward. For a moment Stu could only stare at him, frozen, and then he blundered into the room where his personal effects were piled on the desk.
He tried the door at the far end of the office, and it opened. Beyond the door was a hallway lit by muted fluorescents. Halfway down to the elevator bank, an abandoned gurney cart stood by what was probably the nurses' station. He could hear faint groaning. Someone was coughing, a harsh, ratcheting sound that seemed to have no end.
He went back into the room, gathered his clothes up, and put them under one arm. Then he went out, closed the door behind him, and started down the hall. His hand was sweating against the grip of Elder's gun. When he reached the gurney he looked behind him, unnerved by the silence and the emptiness. The cougher had stopped. Stu kept expecting to see Elder-creeping or crawling after him, intent on carrying out his final directive. He found himself longing for the closed and known dimensions of his room.
The groaning began again, louder this time. At the elevators another corridor ran at right angles to this one, and leaning against the wall was a man Stu recognized as one of his nurses. His face was swelled and blackened, his chest rising and falling in quick spurts. As Stu looked at him, he began to groan again. Behind him, curled in a fetal position, was a dead man. Farther down the hall there were another three bodies, one of them female. The male nurse-Vic, Stu remembered, his name is Vic-began to cough again.
"Jesus," Vic said. "Jesus, what are you doing out? You're not supposed to be out."
"Elder came to take care of me and I took care of him instead," Stu said. "I was lucky he was sick."
"Sweet bleeding Jesus, you better believe you was lucky," Vic said, and another coughing fit, this one weaker, tore loose from his chest. "That hurts, man, you wouldn't believe how that hurts. What a fuckup this turned out to be. Bleeding Christ."
"Listen, can I do anything for you?" Stu asked awkwardly.
"If you're serious, you can put that gun in my ear and pull the trigger. I'm ripping myself to pieces inside." He began to cough again, and then to groan helplessly.
But Stu couldn't do that, and as Vic's hollow groans continued, Stu's nerve broke. He ran for the elevators, away from the blackish face like the moon in partial eclipse, half expecting Vic to call after him in that strident and helplessly righteous voice that the sick always seem to use when they need something from the well. But Vic only went on groaning and that was somehow worse.
The elevator door had shut and the car was already moving downward when it occurred to Stu that it might be booby-trapped. That would be just their speed. Poison gas, maybe, or a cutout circuit that would disengage the cables and send the elevator careering down the shaft to crash at the bottom. He stepped into the middle of the car and looked around nervously for hidden vents or loopholes. Claustrophobia caressed him with a rubber hand and suddenly the elevator seemed no more than telephone-booth-size, then coffin-size. Premature burial, anyone?
He reached out a finger to push the STOP button, and then wondered what good that would do if he was between floors. Before he could answer the question, the elevator slid to a smooth, normal stop.
What if there are men with guns out there?
But the only sentinel when the door slid back was a dead woman in a nurse's uniform. She was curled up in a fetal position by a door marked LADIES.
Stu stared at her so long that the door began to slide shut again. He put his arm out and the door bounced obediently back. He stepped out. The hallway led down to a T-junction and he walked toward it, giving the dead nurse a wide berth.
There was a noise behind him and he whirled, bringing the gun up, but it was only the elevator door sliding shut for the second time. He looked at it for a moment, swallowed hard, then walked on. The rubber hand was back, playing tunes on the base of his spine, telling him to hell with this walk-don't-run bit, let's get out quick before someone … something … can get us. The echoes of his footfalls in this semidark corridor of the administration wing were too much like macabre company-Coming to play, Stuart? Very good. Doors with frosted glass panels marched past him, each with its own tale to tell: DR. SLOANE. RECORDS AND TRANSCRIPTS. MR. BALLINGER. MICROFILM. COPYFILE. MRS. WIGGS. Perhaps of the cabbage patch, Stu thought.