Each time he expected to see the spider with the red mark on its belly bearing down on him and saw nothing but the hobs, dancing orange in the distance. Heard nothing but the sough of die wind.
But he waits. He bides. And if I sleep-when I sleep-he'll be on us.
Around three in the morning he roused himself by willpower alone from a doze that was on the very verge of tumbling him into deeper sleep. He looked around desperately, rubbing his eyes with the heels of his palms hard enough to make mirks and fouders and sankofites explode across his field of vision. The fire had burned very low. Patrick lay about twenty feet from it, at the twisted base of a cottonwood tree. From where Roland sat, the boy was no more than a hide-covered hump. Of Oy there was no immediate sign. Roland called to the bumbler and got no response. The gunslinger was about to try his feet when he saw Jake's old friend a little beyond the edge of the failing firelight-or at least the gleam of his goldringed eyes. Those eyes looked at Roland for a moment, then disappeared, probably when Oy put his snout back down on his paws.
He's tired, too, Roland thought, and why not?
The question of what would become of Oy after tomorrow tried to rise to the surface of the gunslinger's troubled, tired mind, and Roland pushed it away. He got up (in his weariness his hands slipped down to his formerly troublesome hip, as if expecting to find the pain still there), went to Patrick, and shook him awake. It took some doing, but at last the boy's eyes opened. That wasn't good enough for Roland. He grasped Patrick's shoulders and pulled him up to a sitting position.
When the boy tried to slump back down again, Roland shook him. Hard. He looked at Roland with dazed incomprehension.
"Help me build up the fire, Patrick."
Doing that should wake him up at least a little. And once the fire was burning bright again, Patrick would have to stand a brief watch. Roland didn't like the idea, knew full well that leaving Patrick in charge of the night would be dangerous, but trying to watch the rest of it on his own would be even more dangerous.
He needed sleep. An hour or two would be enough, and surely Patrick could stay awake that long.
Patrick was willing enough to gather up some sticks and put them on the fire, although he moved like a bougie-a reanimated corpse. And when the fire was blazing, he slumped back down in his former place with his arms between his bony knees, already more asleep than awake. Roland thought he might actually have to slap the boy to bring him around, and would later wish-bitterly-that he had done just that.
"Patrick, listen to me." He shook Patrick by the shoulders hard enough to make his long hair fly, but some of it flopped back into his eyes. Roland brushed it away. "I need you to stay awake and watch. Just for an hour … just until … look up,
Patrick! Look! Gods, don't you dare go to sleep on me again! Do you see that? The brightest star of all those close to us!"
It was Old Mother Roland was pointing to, and Patrick nodded at once. There was a gleam of interest in his eye now, and the gunslinger thought that was encouraging. It was Patrick's "I
want to draw" look. And if he sat drawing Old Mother as she shone in the widest fork of the biggest dead cottonwood, then the chances were good that he'd stay awake. Maybe until dawn, if he got fully involved.
"Here, Patrick." He made the boy sit against the base of the tree. It was bony and knobby and-Roland hoped-uncomfortable enough to prohibit sleep. All these movements felt to Roland like the sort you made underwater. Oh, he was tired. So tired. "Do you still see the star?"
Patrick nodded eagerly. He seemed to have thrown off his sleepiness, and the gunslinger thanked the gods for this favor.
"When it goes behind that thick branch and you can't see it or draw it anymore without getting up … you call me. Wake me up, no matter how hard it is. Do you understand?"
Patrick nodded at once, but Roland had now traveled with him long enough to know that such a nod meant little or nothing.
Eager to please, that's what he was. If you asked him if nine and nine made nineteen, he would nod with the same instant enthusiasm.
"When you can't see it anymore from where you're sitting … " His own words seemed to be coming from far away, now. He'd just have to hope that Patrick understood. The tongueless boy had taken out his pad, at least, and a freshly sharpened pencil.
That's my best protection, Roland's mind muttered as he stumbled back to his little pile of hides between the campfire and Ho Fat II. He ivon'tfall asleep while he's drawing, will he?
He hoped not, but supposed he didn't really know. And it didn't matter, because he, Roland of Gilead, was going to sleep in any case. He'd done the best he could, and it would have to be enough.
"An hour," he muttered, and his voice was far and wee in his own ears. "Wake me in an hour … when the star … when Old Mother goes behind … "
But Roland was unable to finish. He didn't even know what he was saying anymore. Exhaustion grabbed him and bore him swifdy away into dreamless sleep.
SEVEN
Mordred saw it all through the far-seeing glass eyes. His fever had soared, and in its bright flame, his own exhaustion had at least temporarily departed. He watched with avid interest as the gunslinger woke the mute boy-the Artist-and bullied him into helping him build up the fire. He watched, rooting for the mute to finish this chore and then go back to sleep before the gunslinger could stop him. That didn't happen, unfortunately.
They had camped near a grove of dead cottonwoods, and Roland led the Artist to the biggest tree. Here he pointed up at the sky. It was strewn with stars, but Mordred reckoned Old White Gunslinger Daddy was pointing to Old Mother, because she was the brightest. At last the Artist, who didn't seem to be rolling a full barrow (at least not in the brains department) seemed to understand. He got out his pad and had already set to sketching as Old White Daddy stumbled a little way off, still muttering instructions and orders to which the Artist was pretty clearly paying absolutely no attention at all. Old White Daddy collapsed so suddenly that for a moment Mordred feared that perhaps the strip of jerky that served the son of a bitch as a heart had finally given up beating. Then Roland stirred in the grass, resetding himself, and Mordred, lying on a knoll about ninety yards west of the dry streambed, felt his own heartbeat slow. And deep though the Old White Gunslinger Daddy's exhaustion might be, his training and his long lineage, going all the way back to the Eld himself, would be enough to wake him with his gun in his hand the second the Artist gave one of his wordless but devilishly loud cries. Cramps seized Mordred, the deepest yet. He doubled over, fighting to hold his human shape, fighting not to scream, fighting not to die. He heard another of those long flabbering noises from below and felt more of the lumpy brown stew begin coursing down his legs. But his preternaturally keen nose smelled more than excreta in this new mess; this time he smelled blood as well as shit. He thought the pain would never end, that it would go on deepening until it tore him in two, but at last it began to let up. His looked at his left hand and was not entirely surprised to see that the fingers had blackened and fused together. They would never come back to human again, those fingers; he believed he had but only one more change left in him. Mordred wiped sweat from his brow with his right hand and raised the bin-doculars to his eyes again, praying to his Red Daddy that the stupid mutie boy would be asleep. But he was not. He was leaning against the cottonwood tree and looking up between the branches and drawing Old Mother.
That was the moment when Mordred Deschain came closest to despair. like Roland, he thought drawing was the one thing that would likely keep the idiot boy awake. Therefore, why not give in to the change while he had the heat of this latest fever-spike to fuel him with its destructive energy? Why not take his chance?
It was Roland he wanted, after all, not the boy; surely he could, in his spider form, sweep down on the gunslinger rapidly enough to grab him and pull him against the spider's craving mouth. Old White Daddy might get off one shot, possibly even two, but Mordred thought he could take one or two, if the flying bits of lead didn't find the white node on the spider's back: his dual body's brain. And once I pull him in, I'll never let him go until he's sucked dry, nothing but a dust-mummy like the other one, Mia.
He relaxed, ready to let the change sweep over him, and then another voice spoke from the center of his mind. It was the voice of his Red Daddy, the one who was imprisoned on the side of the Dark Tower and needed Mordred alive, at least one more day, in order to set him free.
Wait a little longer, this voice counseled. Wait a little more. I might have another trick up my sleeve. Wait … wait just a little longer …
Mordred waited. And after a moment or two, he felt the pulse from the Dark Tower change.
EIGHT
Patrick felt that change, too. The pulse became soothing. And there were words in it, ones that blunted his eagerness to draw.
He made another line, paused, then put his pencil aside and only looked up at Old Mother, who seemed to pulse in time with the words he heard in his head, words Roland would have recognized.
Only these were sung in an old man's voice, quavering but sweet:
"Baby-bunting, darling one,
Now another day is done.
May your dreams be sweet and merry,
May you dream of fields and berries.
Baby-bunting, baby-dear,