The Dark Tower-Part 3#-4#-5#(58)

"What will you do about the one you call his Red Father, if he really does command Can'-Ka No Rey?"

Roland shook his head, although he had discussed this probability with Susannah. He thought they might be able to circle the Tower from a distance and come then to its base from a direction that was blind to the balcony on which the Crimson King was trapped. Then they could work their way around to the door beneath him. They wouldn't know if that was possible until they could actually see the Tower and the lay of the land, of course.

"Well, there'll be water if God wills it," said the robot formerly known as Stuttering Bill, "or so the old people did say.

And mayhap I'll see you again, in the clearing at the end of the path, if nowhere else. If robots are allowed to go there. I hope it's so, for there's many I've known that I'd see again."

He sounded so forlorn that Susannah went to him and raised her arms to be picked up, not thinking about the absurdity of wanting to hug a robot. But he did and she did-quite fervendy, too. Bill made up for the malicious Andy, back in Calla Bryn Sturgis, and was worth hugging for diat, if nothing else. As his arms closed around her, it occurred to Susannah that Bill could break her in two with those titanium-steel arms if he wanted to. But he didn't. He was gentle.

"Long days and pleasant nights, Bill," she said. "May you do well, and we all say so."

"Thank you, madam," he said and put her down. "I say thudda-thank, diumma-thank, thukka-" Wheep! And he struck his head, producing a bright clang. "I say thank ya kindly." He paused. "I did fix the stutter, say true, but as I may have told you,

I am not entirely without emotions."

FIVE

Patrick surprised them both by walking for almost four hours beside Susannah's electric scooter before tiring and climbing into Ho Fat II. They listened for the horn warning them that Bill had seen Mordred (or that the instruments in the Federal had detected him), but did not hear i t …  and the wind was blowing their way. By sunset, they had left the last of the snow. The land continued to flatten out, casting their shadows long before them.

When they finally stopped for the night, Roland gathered enough brush for a fire and Patrick, who had dozed off, woke up long enough to eat an enormous meal of Vienna sausage and baked beans. (Susannah, watching the beans disappear into Patrick's tongueless mouth, reminded herself to spread her hides upwind of him when she finally laid down her weary head.) She and Oy also ate heartily, but Roland hardly touched his own food.

When dinner was done, Patrick took up his pad to draw, frowned at his pencil, and then held out a hand to Susannah.

She knew what he wanted, and took the glass canning jar from the litde bag of personals she kept slung over her shoulder. She held onto this because there was only the one pencil sharpener, and she was afraid that Patrick might lose it. Of course Roland could sharpen the Eberhard-Fabers with his knife, but it would change the quality of the points somewhat. She tipped the jar, spilling erasers and paperclips and the required object into her cupped palm. Then she handed it to Patrick, who sharpened his pencil with a few quick twists, handed it back, and immediately fell to his work. For a moment Susannah looked at the pink erasers and wondered again why Dandelo had bothered to cut them off. As a way of teasing the boy? If so, it hadn't worked.

Later in life, perhaps, when die sublime connections between his brain and his fingers rusted a little (when the small but undeniably brilliant world of his talent had moved on), he might require erasers. For now even his mistakes continued to be inspirations.

He didn't draw long. When Susannah saw him nodding over his pad in the orange glare of the fading sunset, she took it from his unprotesting fingers, bedded him down in the back of the cart (propped level with the front end on a convenient boulder jutting from the ground), covered him with hides, and kissed his cheek.

Sleepily, Patrick reached up and touched the sore below her own cheek. She winced, then held steady at his gende touch.

The sore had clotted over again, but it throbbed painfully.

Even smiling hurt her these days. The hand fell away and Patrick slept.

The stars had come out. Roland was looking raptly up at them.

"What do you see?" she asked him.

"What do you see?" he asked in turn.

She looked at the brightening celestial landscape. "Well,"

she said, "there's Old Star and Old Mother, but they seem to have moved west. And that there-oh my goodness!" She placed her hands on his stubbly cheeks (he never seemed to grow an actual beard, only a bristly scruff) and turned it. "That wasn't there back when we left from the Western Sea, I know it wasn't. That one's in our world, Roland-we call it the Big Dipper!"

He nodded. "And once, according to the oldest books in my father's library, it was in the sky of our world, as well. Lydia's Dipper, it was called. And now here it is again." He turned to her, smiling. "Another sign of life and renewal. How the Crimson King must hate to look up from his entrapment and see it riding the sky again!"

SIX

Not long after, Susannah slept. And dreamed.

SEVEN

She's in Central Park again, under a bright gray sky from which the first few snowflakes are once more drifting; carolers nearby are singing not "Silent Night" or "What Child Is This "but the Rice Song: "Rice be a green-o, See what we seen-o, Seen-o the green-o, Come-comecommala!"

She takes off her cap, afraid it will have changed somehow, but it still says MERRY CHRISTMAS! and

(no twins here)

she is comforted.

She looks around and there stand Eddie and Jake, grinning at her.

Their heads are bare; she has gotten their hats. She has combined their hats.

Eddie is wearing a sweatshirt that says I DRINK NOZZ-A-LA!

Jake is wearing one that says I DRIVE THE TAKURO SPIRIT!

None of this is precisely new. What she sees behind them, standing near a carriage-path leading back to Fifth Avenue, most certainly is. It's a door about six and a half feet high, and made of solid ironwood, from the look of it. The doorknob's of solid gold, andfiligtved with a shape the lady gunslinger finally recognizes: two crossed pencils. Eberhard-Faber#2's, she has no doubt. And the erasers have been cut off.

Eddie holds out a cup of hot chocolate. It's the perfect kind mit schlag on top, and a little sprinkling of nutmeg dotting the cream.

"Here," he says, "I brought you hot chocolate."

She ignores the outstretched cup. She's fascinated by the door. "It's like the ones along the beach, isn't it?" she asks.

"Yes," Eddie says.

"No, "Jake says at the same time.

"You'llfigure it out," they say together, and grin at each other, delighted.

She walks past them. Writ upon the doors through which Roland dreiu them were THE PRISONER and THE LADY OF SHADOWS and THE PUSHER. Writ upon this one is ^j^s?\ 1 S ^. And below that:

"THE ARTIST

She turns back to them and they are gone.

Central Park is gone.

She is looking at the ruination of Lud, gazing upon the waste lands.

On a cold and bitter breeze she hears four whispered words: "Time's almost up …  hurry … "

EIGHT

She woke in a kind of panic, thinking I have to leave him …  and best I do it before I can s 'much as see his Dark Tower on the horizon.

But where do I go1? And how can I leave him to face both Mordred and the Crimson King with only Patrick to help him?

This idea caused her to reflect on a bitter certainty: come a showdown, Oy would almost certainly be more valuable to Roland than Patrick. The bumbler had proved his mettle on more than one occasion and would have been worthy of the title gunslinger, had he but a gun to sling and a hand to sling it with. Patrick, though …  Patrick was a …  well, a pencil-slinger.

Faster than blue blazes, but you couldn't kill much with an Eberhard-

Faber unless it was very sharp.

She'd sat up. Roland, leaning against the far side of her little scooter and keeping the watch, hadn't noticed. And she didn't wanthxm to notice. That would lead to questions. She lay back down, pulling her hides around her and thinking of their first hunt. She remembered how the yearling buck had swerved and run right at her, and how she'd decapitated it with the Oriza. She remembered the whisding sound in the chilly air, the one that resulted when the wind blew through the little attachment on die bottom of die plate, the attachment diat looked so much like Patrick's pencil sharpener. She diought her mind was trying to make some sort of connection here, but she was too tired to know what it might be. And maybe she was trying too hard, as well. If so, what was she to do about that?

There was at least one thing she did know, from her time in Calla Bryn Sturgis. The meaning of die symbols writ upon the door was UNFOUND.

Time's almost up. Hurry …

The next day her tears began.

NINE

There were still plenty of bushes behind which she could go to do her necessary (and cry her tears, when she could no longer hold them back), but the land continued to flatten and open.

Around noon of their second full day on the road, Susannah saw what she at first thought was a cloud-shadow moving across the land far up ahead, only the sky above was solid blue from horizon to horizon. Then die great dark patch began to veer in a very un-cloudlike way. She caught her breadi and brought her little electric scooter to a stop.

"Roland!" she said. "Yonder's a herd of buffalo, or maybe they're bison! Sure as death n taxes!"