"Beaumont," she said, "I didn't think you were going to pick up."
"I wasn't. Funny thing how I did anyway."
"Funny thing," she said, and I heard her light a cigarette and realized my hands were shaking.
"See, I'm thinking maybe I had a little push," I said. "That about the size of it?"
"Wouldn't have been necessary if you'd have just answered the damn phone in the first place."
"You already know Fong's dead, don't you?" And, I swear to fuck, nothing makes me feel like more of a jackass than asking questions I know the answers to.
"Don't you worry about Fong. I'm sure he had all his ducks in a row and was right as rain with Buddha. I need you to pay attention-"
"Harpootlian had him killed, didn't she? And you knew he'd be dead when I showed up."
She didn't reply straightaway, and I thought I could hear a radio playing in the background. "You knew," I said again, only this time it wasn't a query.
"Listen," she said. "You're a courier. I was told you're a courier we can trust, elsewise I never would have handed you this job."
"You didn't hand me the job. Your boss did."
"You're splitting hairs, Miss Beaumont."
"Yeah, well, there's a fucking dead celestial in the room with me. It's giving me the fidgets."
"So how about you shut up and listen, and I'll have you out of there in a jiffy?" And that's what I did, I shut up, either because I knew it was the path of least resistance, or because whatever spell she'd used to persuade me to answer the phone was still working.
"On Fong's desk, there's a funny little porcelain statue of a cat."
"You mean the Maneki Neko?"
"If that's what it's called, that's what I mean. Now break it open. There's a key inside."
I tried not to, just to see if I was being played as badly as I suspected I was being played. I gritted my teeth, dug in my heels, and tried hard not to break that damn cat.
"You're wasting time. Auntie H didn't mention you were such a crybaby."
"Auntie H and I have an agreement when it comes to free will. To my free will."
"Break the goddamn cat," Ellen Andrews growled, and that's exactly what I did. In fact, I slammed it down directly on top of Fong's head. Bits of brightly painted porcelain flew everywhere, and a rusty barrel key tumbled out and landed at my feet. "Now pick it up," she said. "The key fits the bottom left-hand drawer of Fong's desk. Open it."
This time, I didn't even try to resist her. I was getting a headache from the last futile attempt. I unlocked the drawer and pulled it open. Inside, there was nothing but the yellowed sheet of newspaper lining the drawer, three golf balls, a couple of old racing forms, and a finely carved wooden box lacquered almost the same shade of red as Jimmy Fong's blood. I didn't need to be told I'd been sent to retrieve the box-or, more specifically, whatever was inside the box.
"Yeah, I got it," I told Ellen Andrews.
"Good girl. Now, you have maybe twelve minutes before the cops show. Go out the same way you came in." Then she gave me a Riverside Drive address, and said there'd be a car waiting for me at the corner of Canal and Mulberry, a green Chevrolet coupe. "Just give the driver that address. He'll see you get where you're going."
"Yeah," I said, sliding the desk drawer shut again and locking it. I pocketed the key. "But, sister, you and me are gonna have a talk."
"Wouldn't miss it for the world, Nat," she said, and hung up. I shut my eyes, wondering if I really had twelve minutes before the bulls arrived, and if they were even on their way, wondering what would happen if I endeavored not to make the rendezvous with the green coupe. I stood there, trying to decide whether Harpootlian would have gone back on her word and given this bitch permission to turn her hoodoo tricks on me, and if aspirin would do anything at all for the dull throb behind my eyes. Then I looked at Fong one last time, at the knife jutting out of his back, his thin gray hair powdered with porcelain dust from the shattered "Lucky Cat." And then I stopped asking questions and did as I'd been told.
The car was there, just like she'd told me it would be. There was a young colored man behind the wheel, and when I climbed in the back, he asked me where we were headed.
"I'm guessing Hell," I said, "sooner or later."
"Got that right," he laughed, and winked at me from the rearview mirror. "But I was thinking more in terms of the immediate here and now."
So I recited the address I'd been given me over the phone, 435 Riverside.
"That's the Colosseum," he said.
"It is if you say so," I replied. "Just get me there."
The driver nodded and pulled away from the curb. As he navigated the slick, wet streets, I sat listening to the rain against the Chevy's hard top and the music coming from the Motorola. In particular, I can remember hearing the Dorsey brothers, "Chasing Shadows." I suppose you'd call that a harbinger, if you go in for that sort of thing. Me, I do my best not to. In this business, you start jumping at everything that might be an omen or a portent, you end up doing nothing else. Ironically, rubbing shoulders with the supernatural has made me a great believer in coincidence.
Anyway, the driver drove, the radio played, and I sat staring at the red-lacquered box I'd stolen from a dead man's locked desk drawer. I thought it might be mahogany, but it was impossible to be sure, what with all that cinnabar-tinted varnish. I know enough about Chinese mythology that I recognized the strange creature carved into the top-a qilin, a stout, antlered beast with cloven hooves, the scales of a dragon, and a long leonine tail. Much of its body was wreathed in flame, and its gaping jaws revealed teeth like daggers. For the Chinese, the qilin is a harbinger of good fortune, though it certainly hadn't worked out that way for Jimmy Fong. The box was heavier than it looked, most likely because of whatever was stashed inside. There was no latch, and as I examined it more closely, I realized there was no sign whatsoever of hinges or even a seam to indicate it actually had a lid.
"Unless I got it backwards," the driver said, "Miss Andrews didn't say nothing about trying to open that box, now, did she?"
I looked up, startled, feeling like the proverbial kid caught with her hand in the cookie jar. He glanced at me in the mirror; then his eyes drifted back to the road.
"She didn't say one way or the other," I told him.
"Then how about we err on the side of caution?"
"So you didn't know where you're taking me, but you know I shouldn't open this box? How's that work?"
"Ain't the world just full of mysteries?" he said.
For a minute or so, I silently watched the headlights of the oncoming traffic and the metronomic sweep of the windshield wipers. Then I asked the driver how long he'd worked for Ellen Andrews.
"Not very," he said. "Never laid eyes on the lady before this afternoon. Why you want to know?"
"No particular reason," I said, looking back down at the box and the qilin etched in the wood. I decided I was better off not asking any more questions, better off getting this over and done with, and never mind what did and didn't quite add up. "Just trying to make conversation, that all."
Which got him to talking about the Chicago stockyards and Cleveland and how it was he'd eventually wound up in New York City. He never told me his name, and I didn't ask. The trip uptown seemed to take forever, and the longer I sat with that box in my lap, the heavier it felt. I finally moved it, putting it down on the seat beside me. By the time we reached our destination, the rain had stopped and the setting sun was showing through the clouds, glittering off the dripping trees in Riverside Park and the waters of the wide gray Hudson. He pulled over, and I reached for my wallet.
"No, ma'am," he said, shaking his head. "Miss Andrews, she's already seen to your fare."
"Then I hope you won't mind if I see to your tip," I said, and I gave him five dollars. He thanked me, and I took the wooden box and stepped out onto the wet sidewalk.
"She's up on the eleventh," he told me, nodding towards the apartments. Then he drove off, and I turned to face the imposing brick and limestone façade of the building the driver had called the Colosseum. I rarely find myself any farther north than the Upper West Side, so this was pretty much terra incognita for me.
The doorman gave me directions, after giving me and Fong's box the hairy eyeball, and I quickly made my way to the elevators, hurrying through that ritzy marble sepulcher passing itself off as a lobby. When the operator asked which floor I needed, I told him the eleventh, and he shook his head and muttered something under his breath. I almost asked him to speak up, but thought better of it. Didn't I already have plenty enough on my mind without entertaining the opinions of elevator boys? Sure, I did. I had a murdered Chinaman, a mysterious box, and this pushy little sorceress calling herself Ellen Andrews. I also had an especially disagreeable feeling about this job, and the sooner it was settled, the better. I kept my eyes on the brass needle as it haltingly swung from left to right, counting off the floors, and when the doors parted, she was there waiting for me. She slipped the boy a sawbuck, and he stuffed it into his jacket pocket and left us alone.