Our eyes met. After a startled moment I blinked and collected myself.
“I’m Aurora Teagarden,” I said, and waited for the inevitable. Sure enough, sleek, dark Mrs. Bartell snig- gered before she could stop herself. “My mother is de- layed, which she very much regrets, and she asked me to meet you here so you could begin looking. There’s so much to see in this house.”
There, I’d done my mother proud.
Mr. Bartell was about five-ten, forty-fiveish, prema- turely white-headed, with a tough, interesting face, and was wearing a suit even I could tell was a major invest- ment. His eyes, which I was trying hard to avoid, were the lightest brown I’d ever seen. “I’m Martin Bartell,
8
~ Charlaine Harris ~
Miss Teagarden,” he said in an unaccented Voice of Command, “and this is my sister, Barbara Lampton.” “Barby,” said Barbara Lampton with a girlish smile. Ms. Lampton was maybe forty, broad in the beam but camouflaging it very skillfully, and not altogether happy at being in Lawrenceton, Georgia, pop. 15,000. I raised my eyebrows only very slightly (after all, my mother wanted to sell this house). A Barby was laugh- ing at an Aurora? And she wasn’t Mrs. Bartell, after all. But was she really his sister?
“Nice to meet you,” I said neutrally. “Now, I’m not really showing you this house, I’m not a licensed Real- tor, but I do have the fact sheet here in case you have any questions, and I am familiar with the layout and history of the house.”
So saying, I turned and led the way before Martin Bartell could ask why this was any different from show- ing the house.
“Barby” commented on the marble-topped table and the silk flowers, and I explained about the furniture. To the right of the foyer, through a doorway, was a very sizable formal living room and a small formal din- ing room, and to the left the same space was divided into two large rooms, a “family room” and a room that could be used for just about anything. Martin Bartell examined everything very carefully and asked several questions I was quite unable to answer, and a few I was.
I was careful always to be looking down at the fact sheet when he turned to ask me something. “You could use this back room for your gym equip- ment,” Barby remarked.
~ Three Bedrooms, One Corpse ~
9
So that was where the athletic movement and the mus- cles came from.
They wandered farther back and looked through the kitchen with its informal dining nook, then into the formal dining room, which lay between the kitchen and the living room.
Was his sister going to live with him? What would he do in a house this large? He would need a maid, for sure. I tried to think of whom I could call who might know of a reliable person. I tried not to picture myself in one of those “French maid” outfits sold in the back of those strange confession magazines. (A junior-high girl left one in the library one time.) All the time we were walking and looking, I kept in front of him, behind him, anywhere but facing him. Instead of taking the kitchen stairs, I maneuvered Martin Bartell and Barby back to the main staircase. I had always loved that broad staircase. I glanced at my watch. Where was Mother? The upstairs was really the climax of the house, or at least I’d always thought so, and she should be the one to show it. Mr. Bartell seemed con- tent with me so far, but having me instead of Mother was like having hamburger when you’d been promised steak. Though I had a very strong feeling Martin Bartell didn’t think so.
This was turning out to be a complicated morning. This man was at least fifteen years older than I, be- longed to a world I hadn’t the faintest inkling of, and was silently bringing to my attention the fact that for some time now I had been dating a minister who didn’t believe in premarital sex. And before Father Aubrey Scott, I hadn’t dated anyone at all for months.
10
~ Charlaine Harris ~
Well, I couldn’t keep them standing in the foyer while I reviewed my sex life (lack of ). I mentally cracked a whip at my hormones and told myself I was probably imagining these waves of interest that washed over me. “Up these stairs is one of the nicest rooms in the house,” I said determinedly. “The master bedroom.” I looked at Mr. Bartell’s chin instead of his eyes. I started up, and they followed obligingly. He was right behind me as I mounted the stairs. I took a few deep breaths and tried to compose myself. Really, this was too stupid. “There are only three bedrooms in this house,” I ex- plained, “but all of them are marvelous, really almost suites. Each has a dressing room, a walk-in closet, and a private bathroom.”
“Oh, that sounds wonderful,” said Barby. Maybe they really were brother and sister? “The master bedroom, which is behind these double doors at the head of the stairs, has two walk-in closets. The blue bedroom is the door on the right end of the landing, and the rose bedroom is the one on the left. The extra door to the left is to a small room the Andertons used as a homework and TV room for the children. It would be a good office, or sewing room, or . . .” I trailed off. The room was useful, okay? And it would be much more suitable for Martin Bartell’s exercise equipment than a downstairs, public, room. “The extra door to the right leads to the stairs that come up from the kitchen.” All the bedroom doors were closed, which seemed a little odd.
On the other hand, the situation gave me a great dramatic moment. I turned both knobs simultaneously, swept open the master bedroom doors, and instantly
~ Three Bedrooms, One Corpse ~
1 1
moved to one side to give Mother’s clients an unob- structed view while I glanced back to get their reaction. “Oh, my God!” said Barby.
It wasn’t what I’d expected.
Martin Bartell looked very grim.
Slowly and reluctantly, I turned to see what they were staring at.
The woman in the middle of the huge bed was sitting propped up against the headboard, with the white silk sheets pulled up to her waist. Her bare breasts shocked the eyes first; then her face, dark and swollen. The teased and disheveled black hair had been smoothed back to some semblance of normality. Her wrists, positioned at her sides, had some leather thongs around them. “That’s Tonia Lee Greenhouse,” remarked my mother from behind her clients. “Aurora, please go make sure Tonia Lee is dead.”
That’s my mother. Always say “please,” even when you’re asking someone to check the vital signs of an obvious corpse. I had touched a dead person before, but it was not an experience I wanted to repeat. How- ever, I had taken a step forward before a strong hand closed around my wrist.
“I’ll do it,” Martin Bartell said unexpectedly. “I’ve seen dead people before. Barby, go downstairs and sit in that big front room.”
Without a word, Barby did as she was told. The Voice of Command even worked on a sister. Mr. Bartell, his shoulders stiff, strode across the wide ex- panse of peach carpet and leaned across the huge bed to put his fingers to the neck of the very deceased Tonia Lee Greenhouse.
12
~ Charlaine Harris ~
“As you can tell, she’s definitely dead and has been for a while,” Mr. Bartell said matter-of-factly enough. His nose wrinkled, and I knew he was getting a much stronger whiff than I of the very unpleasant smell ema- nating from the bed. “Are the phones hooked up?” “I’ll see,” said Mother briefly. “I’ll try the one down- stairs.” She spoke as if she’d decided that on a whim, but when I turned to look at her, her face was completely white. She turned with great dignity, and as she went down the stairs, she began to shake visibly—as though an earthquake only she could feel was rocking the staircase. My feet had grown roots into the thick carpet. Though I wished myself somewhere else, I seemed to lack the energy to take me there.
“Who was this woman?” asked Mr. Bartell, still bending over the bed but with his hands behind him. He was scrutinizing her neck with some detachment. “Tonia Lee Greenhouse, half of Greenhouse Re- alty,” I said. It was a little surprising to hear my own voice. “She showed this house yesterday. She had to get the key from my mother’s office, but it was back there this morning.”
“That’s very remarkable,” Mr. Bartell said unem- phatically.
And it surely was.
I stood there rooted, thinking how atypically everyone was behaving. I would have put money on Barby Lamp- ton screaming hysterically, and she hadn’t squeaked after her first exclamation. Martin Bartell hadn’t gotten angry with us for showing him a house with a corpse in it. My mother hadn’t ordered me to go downstairs to call the police, she’d done it herself. And instead of finding a soli-
~ Three Bedrooms, One Corpse ~
1 3
tary corner and brooding, I was standing stock-still watching a middle-aged businessman examine a naked corpse. I wished passionately I could cover up Tonia Lee’s bosom. I stared at Tonia Lee’s clothes, folded on the end of the bed. The red dress and black slip were folded so neatly, so oddly, in tiny perfect triangles. I brooded over this for some moments. I would have sworn Tonia Lee would be a tosser rather than a folder. And any dress subjected to that treatment would be a solid mass of wrinkles when it was shaken out. “This lady was married?”
I nodded.
“Wonder if her husband reported her missing last night?” Mr. Bartell asked, as if the answer would be in- teresting, no more. He straightened up and walked back over to me, his hands in his pockets as though he were passing the time until an appointment. My brain was not moving so very quickly. I finally realized he was doing his best not to touch anything in the room.