The House of the Vampire(10)

"Ah, perhaps I had. But tell me, where do you hail from?"

"Clarke called me up on the telephone—long-distance, you know. I suppose it was meant as a surprise for you. And you certainly looked surprised—not even pleasantly. I am really head-over-heels at work. But you know how it is. Sometimes a little imp whispers into my ears daring me to do a thing which I know is foolish. But what of it? My legs are strong enough not to permit my follies to overtake me."

"It was certainly good of you to come. In fact, you make me very glad. I feel that I need you to-night—I don't know why. The feeling came suddenly—suddenly as you. I only know I need you. How long can you stay?"

"I must leave you to-morrow morning. I have to hustle somewhat. You know my examinations are taking place in a day or two and I've got to cram up a lot of things."

"Still," remarked Ernest, "your visit will repay you for the loss of time. Clarke will read to us to-night his masterpiece."

"What is it?"

"I don't know. I only know it's the real thing. It's worth all the wisdom bald-headed professors may administer to you in concentrated doses at five thousand a year."

"Come now," Jack could not help saying, "is your memory giving way? Don't you remember your own days in college—especially the mathematical examinations? You know that your marks came always pretty near the absolute zero."

"Jack," cried Ernest in honest indignation, "not the last time. The last time I didn't flunk."

"No, because your sonnet on Cartesian geometry roused even the math-fiend to compassion. And don't you remember Professor Squeeler, whose heart seemed to leap with delight whenever he could tell you that, in spite of incessant toil on your part, he had again flunked you in physics with fifty-nine and a half per cent.?"

"And he wouldn't raise the mark to sixty! God forgive him,—I cannot."

Here their exchange of reminiscences was interrupted. There was a stir. The little potentates of conversation hastened to their seats, before their minions had wholly deserted them.

The king was moving to his throne!

Assuredly Reginald Clarke had the bearing of a king. Leisurely he took his seat under the canopy.

A hush fell on the audience; not a fan stirred as he slowly unfolded his manuscript.









XI


The music of Reginald Clarke's intonation captivated every ear. Voluptuously, in measured cadence, it rose and fell; now full and strong like the sound of an organ, now soft and clear like the tinkling of bells. His voice detracted by its very tunefulness from what he said. The powerful spell charmed even Ernest's accustomed ear. The first page gracefully glided from Reginald's hand to the carpet before the boy dimly realised that he was intimately familiar with every word that fell from Reginald's lips. When the second page slipped with seeming carelessness from the reader's hand, a sudden shudder ran through the boy's frame. It was as if an icy hand had gripped his heart. There could be no doubt of it. This was more than mere coincidence. It was plagiarism. He wanted to cry out. But the room swam before his eyes. Surely he must be dreaming. It was a dream. The faces of the audience, the lights, Reginald, Jack—all phantasmagoria of a dream.

Perhaps he had been ill for a long time. Perhaps Clarke was reading the play for him. He did not remember having written it. But he probably had fallen sick after its completion. What strange pranks our memories will play us! But no! He was not dreaming, and he had not been ill.

He could endure the horrible uncertainty no longer. His overstrung nerves must find relaxation in some way or break with a twang. He turned to his friend who was listening with rapt attention.

"Jack, Jack!" he whispered.

"What is it?"

"That is my play!"

"You mean that you inspired it?"

"No, I have written it, or rather, was going to write it."

"Wake up, Ernest! You are mad!"

"No, in all seriousness. It is mine. I told you—don't you remember—when we returned from Coney Island—that I was writing a play."

"Ah, but not this play."

"Yes, this play. I conceived it, I practically wrote it."

"The more's the pity that Clarke had preconceived it."

"But it is mine!"

"Did you tell him a word about it?"

"No, to be sure."

"Did you leave the manuscript in your room?"

"I had, in fact, not written a line of it. No, I had not begun the actual writing."

"Why should a man of Clarke's reputation plagiarise your plays, written or unwritten?"

"I can see no reason. But—"

"Tut, tut."

For already this whispered conversation had elicited a look like a stab from a lady before them.