The Angel of Terror(59)

"My friend," he said between his teeth, "there is something in this matter which is bad for me."

"Let me go," she breathed and struck at his face.

For a full minute they struggled, and then the door opened and Mr. Briggerland came in, and at the sight of his livid face, Mordon released his hold.

"You swine!" hissed the big man. His fist shot out and Mordon went down with a crash to the ground. For a moment he was stunned, and then with a snarl he turned over on his side and whipped a revolver from his hip pocket. Before he could fire, the girl had gripped the pistol and wrenched it from his hand.

"Get up," said Briggerland sternly. "Now explain to me, my friend, what you mean by this disgraceful attack upon mademoiselle."

The man rose and dusted himself mechanically and there was that in his face which boded no good to Mr. Briggerland.

Before he could speak Jean intervened.

"Father," she said quietly, "you have no right to strike François."

"François," spluttered Briggerland, his dark face purple with rage.

"François," she repeated calmly. "It is right that you should know that François and I will be married next week."

Mr. Briggerland's jaw dropped.

"What?" he almost shrieked.

She nodded.

"We are going to be married next week," she said, "and the little scene you witnessed has nothing whatever to do with you."

The effect of these words on Mordon was magical. The malignant frown which had distorted his face cleared away. He looked from Jean to Briggerland as though it were impossible to believe the evidence of his ears.

"François and I love one another," Jean went on in her even voice. "We have quarrelled to-night on a matter which has nothing to do with anybody save ourselves."

"You're—going—to—marry—him—next—week?" said Mr. Briggerland dully. "By God, you'll do nothing of the sort!"

She raised her hand.

"It is too late for you to interfere, father," she said quietly. "François and I shall go our way and face our own fate. I'm sorry you disapprove, because you have always been a very loving father to me."

That was the first hint Mr. Briggerland had received that there might be some other explanation for her words, and he became calmer.

"Very well," he said, "I can only tell you that I strongly disapprove of the action you have taken and that I shall do nothing whatever to further your reckless scheme. But I must insist upon your coming back to the house now. I cannot have my daughter talked about."

She nodded.

"I will see you to-morrow morning early, François," she said. "Perhaps you will drive me into Nice before breakfast. I have some purchases to make."

He bowed, and reached out his hand for the revolver which she had taken from him.

She looked at the ornate weapon, its silver-plated metal parts, the graceful ivory handle.

"I'm not going to trust you with this to-night," she said with her rare smile. "Good night, François."

He took her hand and kissed it.

"Good night, Jean," he said in a tremulous voice. For a moment their eyes met, and then she turned as though she dared not trust herself and followed her father down the stairs.

They were half-way to the house when she laid her hand on Briggerland's arm.

"Keep this," she said. It was François' revolver. "It is probably loaded and I thought I saw some silver initials inlaid in the ivory handle. If I know François Mordon, they are his."

"What do you want me to do with it?" he said as he slipped the weapon in his pocket.

She laughed.

"On your way to bed, come in to my room," she said. "I've quite a lot to tell you," and she sailed into the drawing-room to interrupt Mrs. Cole-Mortimer, who was teaching a weary Lydia the elements of bezique.

"Where have you been, Jean?" asked Lydia, putting down her cards.

"I have been arranging a novel experience for you, but I'm not so sure that it will be as interesting as it might—it all depends upon the state of your young heart," said Jean, pulling up a chair.

"My young heart is very healthy," laughed Lydia. "What is the interesting experience?"

"Are you in love?" challenged Jean, searching in a big chintz bag where she kept her handiwork for a piece of unfinished sewing. (Jean's domesticity was always a source of wonder to Lydia.)

"In love—good heavens, no."

"So much the better," nodded Jean, "that sounds as though the experience will be fascinating."

She waited until she had threaded the fine needle before she explained.