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The Angel of Terror(34)

By:Edgar Wallace


Jean glanced at it thoughtfully as she crossed into the dressing-room.

"Whatever happened last night, Lydia?"

Lydia turned at the voice.

"Oh, the bed you mean," she made a little face. "Heaven knows. It occurred to me this morning that some person, out of mistaken kindness, had started to disinfect the room—it was only this morning that I recalled the little boy who was ill—and had overdone it."

"They've certainly overdone it," said Jean grimly. "I wonder what poor Mrs. Cole-Mortimer will say. You haven't the slightest idea——"

"Not the slightest idea," said Lydia, answering the unspoken question.

"I'll see Mrs. Cole-Mortimer and get her to change your bed—there's another room you could have," suggested Jean.

She went back to her own apartment, bathed and dressed leisurely.

She found her father in the garden reading the Nicoise, under the shade of a bush, for the sun was not warm, but at that hour, blinding.

"I've changed my plans," she said without preliminary.

He looked up over his glasses.

"I didn't know you had any," he said with heavy humour.

"I intended going back to London and taking you with me," she said unexpectedly.

"Back to London?" he said incredulously. "I thought you were staying on for a month."

"I probably shall now," she said, pulling up a basket-chair and sitting by his side. "Give me a cigarette."

"You're smoking a lot lately," he said as he handed his case to her.

"I know I am."

"Have your nerves gone wrong?"

She looked at him out of the corner of her eye and her lips curled.

"It wouldn't be remarkable if I inherited a little of your yellow streak," she said coolly, and he growled something under his breath. "No, my nerves are all right, but a cigarette helps me to think."

"A yellow streak, have I?" Mr. Briggerland was annoyed. "And I've been out since five o'clock this morning——" he stopped.

"Doing—what?" she asked curiously.

"Never mind," he said with a lofty gesture.

Thus they sat, busy with their own thoughts, for a quarter of an hour.

"Jean."

"Yes," she said without turning her head.

"Don't you think we'd better give this up and get back to London? Lord Stoker is pretty keen on you."

"I'm not pretty keen on him," she said decidedly. "He has his regimental pay and £500 a year, two estates, mortgaged, no brains and a title—what is the use of his title to me? As much use as a coat of paint! Beside which, I am essentially democratic."

He chuckled, and there was another silence.

"Do you think the lawyer is keen on the girl?"

"Jack Glover?"

Mr. Briggerland nodded.

"I imagine he is," said Jean thoughtfully. "I like Jack—he's clever. He has all the moral qualities which one admires so much in the abstract. I could love Jack myself."

"Could he love you?" bantered her father.

"He couldn't," she said shortly. "Jack would be a happy man if he saw me stand in Jim Meredith's place in the Old Bailey. No, I have no illusion about Jack's affections."

"He's after Lydia's money I suppose," said Mr. Briggerland, stroking his bald head.

"Don't be a fool," was the calm reply. "That kind of man doesn't worry about a girl's money. I wish Lydia was dead," she added without malice. "It would make things so easy and smooth."

Her father swallowed something.

"You shock me sometimes, Jean," he said, a statement which amused her.

"You're such a half-and-half man," she said with a note of contempt in her voice. "You were quite willing to benefit by Jim Meredith's death; you killed him as cold-bloodedly as you killed poor little Bulford, and yet you must whine and snivel whenever your deeds are put into plain language. What does it matter if Lydia dies now or in fifty years time?" she asked. "It would be different if she were immortal. You people attach so much importance to human life—the ancients, and the Japanese amongst the modern, are the only people who have the matter in true perspective. It is no more cruel to kill a human being than it is to cut the throat of a pig to provide you with bacon. There's hardly a dish at your table which doesn't represent wilful murder, and yet you never think of it, but because the man animal can talk and dresses himself or herself in queer animal and vegetable fabrics, and decorates the body with bits of metal and pieces of glittering quartz, you give its life a value which you deny to the cattle within your gates! Killing is a matter of expediency. Permissible if you call it war, terrible if you call it murder. To me it is just killing. If you are caught in the act of killing they kill you, and people say it is right to do so. The sacredness of human life is a slogan invented by cowards who fear death—as you do."