"And what do you expect me to do?"
Jack smiled.
"I don't expect you to do anything," he said frankly. "You are not exactly supporting my views with enthusiasm."
The chief rose, a signal that the interview was at an end.
"I'd like to help you if you had any real need for help," he said. "But when you come to me and tell me that Miss Briggerland, a girl whose innocence shows in her face, is a heartless criminal and murderess, and a conspirator—why, Mr. Glover, what do you expect me to say?"
"I expect you to give adequate protection to Mrs. Meredith," said Jack sharply. "I expect you, sir, to remember that I've warned you that Mrs. Meredith may die one of those accidental deaths in which Mr. and Miss Briggerland specialise. I'm going to put my warning in black and white, and if anything happens to Lydia Meredith, there is going to be serious trouble on the Thames Embankment."
The chief touched a bell, and a constable came in.
"Show Mr. Glover the way out," he said stiffly.
Jack had calmed down considerably by the time he reached the Thames Embankment, and was inclined to be annoyed with himself for losing his temper.
He stopped a newsboy, took a paper from his hand, and, hailing a cab, drove to his office.
There was little in the early edition save the sporting news, but on the front page a paragraph arrested his eye.
"DANGEROUS LUNATIC AT LARGE."
"The Medical Superintendent at Norwood Asylum reports that Dr. Algernon John Thun, an inmate of the asylum, escaped last night, and is believed to be at large in the neighbourhood. Search parties have been organised, but no trace of the man has been found. He is known to have homicidal tendencies, a fact which renders his immediate recapture a very urgent necessity."
There followed a description of the wanted man. Jack turned to another part of the paper, and dismissed the paragraph from his mind.
His partner, however, was to bring the matter up at lunch. Norwood Asylum was near Dulwich, and Mr. Rennett was pardonably concerned.
"The womenfolk at my house are scared to death," he said at lunch. "They won't go out at night, and they keep all the doors locked. How did your interview with the commissioner go on?"
"We parted the worst of friends," said Jack, "and, Rennett, the next man who talks to me about Jean Briggerland's beautiful face is going to be killed dead through it, even though I have to take a leaf from her book and employ the grisly Jaggs to do it."
Chapter 14
That night the "grisly Jaggs" was later than usual. Lydia heard him shuffling along the passage, and presently the door of his room closed with a click. She was sitting at the piano, and had stopped playing at the sound of his knock, and when Mrs. Morgan came in to announce his arrival, she closed the piano and swung round on the music stool, a look of determination on her delicate face.
"He's come, miss."
"And for the last time," said Lydia ominously. "Mrs. Morgan, I can't stand that weird old gentleman any longer. He has got on my nerves so that I could scream when I think of him."
"He's not a bad old gentleman," excused Mrs. Morgan.
"I'm not so worried about his moral character, and I dare say that it is perfectly blameless," said Lydia determinedly, "but I have written a note to Mr. Glover to tell him that I really must dispense with his services."
"What's he here for, miss?" asked Mrs. Morgan.
Her curiosity had been aroused, but this was the first time she had given it expression.
"He's here because——" Lydia hesitated, "well, because Mr. Glover thinks I ought to have a man in the house to look after me."
"Why, miss?" asked the startled woman.
"You'd better ask Mr. Glover that question," said Lydia grimly.
She was beginning to chafe under the sense of restraint. She was being "school-marmed" she thought. No girl likes the ostentatious protection of the big brother or the head mistress. The soul of the schoolgirl yearns to break from the "crocodile" in which she is marched to church and to school, and this sensation of being marshalled and ordered about, and of living her life according to a third person's programme, and that third person a man, irked her horribly.
Old Jaggs was the outward and visible sign of Jack Glover's unwarranted authority, and slowly there was creeping into her mind a suspicion that Jean Briggerland might not have been mistaken when she spoke of Jack's penchant for "ordering people about."
Life was growing bigger for her. She had broken down the barriers which had confined her to a narrow promenade between office and home. The hours which she had had to devote to work were now entirely free, and she could sketch or paint whenever the fancy took her—which was not very often, though she promised herself a period of hard work when once she was settled down.