Another round of applause shook the hall as the conductor mounted the stage. Smithback marveled at the enthusiasm of the guests—they had hardly had time to get lubricated. Glancing around while munching a blini, he was surprised at the number of notable faces: senators, captains of industry, movie stars, pillars of society, foreign dignitaries, and of course, the full spread of museum trustees and assorted bigwigs. If somebody nuked the joint, he reflected ghoulishly, the repercussions wouldn’t be just national—they’d be global.
The lights dimmed and the conductor raised his baton, the audience falling into silence. Then the orchestra began a dolorous motif as Radamès sang:
The fatal stone above has sealed my doom,
Here is my tomb! The light of day
I shall never see again… Nor shall I see Aïda.
Aïda, my love, where are you? May you live happily,
My hideous fate forever unknown!
But what is that sound? A slithering serpent? A ghoulish vision?
No! A dim human form I see.
By the gods! Aïda!
And now the diva sang out:
Yes, it is I.
Smithback, a confirmed opera-hater, made an effort to shut out the shrieking voice while he returned his attention to the loaded tables. Shouldering his way through the crowd, he took advantage of the temporary lull in the feeding frenzy to scoop up half a dozen oysters; on top of this, he laid two thick slabs cut from an ancient, moldy round of French cheese, added a stack of paper-thin slices of prosciutto and two slices of tongue. Balancing the tottery stack, he moved to the next table and snagged a second flute of champagne, asking the bartender to top it off for efficiency’s sake so he wouldn’t have to return as quickly for a refill. Then he made his way to one of the candlelit tables to enjoy his booty.
A free feed like this came only rarely, and Smithback was determined to make the most of it.
47
Eli Glinn was waiting for the morgue vehicle at the anonymous door to the EES building. Sending someone to deal with the vehicle, he whisked Pendergast off for a shower and change of clothes and assigned D’Agosta to a robotically silent, white-coated technician. The technician had D’Agosta wait while he made a few brief phone calls; then he led the way through the cavernous, echoing space that comprised the heart of the Effective Engineering Solutions building. The large room was quiet, as one would expect at half past seven on a weeknight: even so, several scientists could be seen scribbling on whiteboards or peering at computer monitors, amidst an air of studious efficiency. As he walked past the lab tables, the scientific equipment, and the models, he wondered just how many of the employees knew that their building currently harbored one of the fed’s top fugitives.
D’Agosta followed the technician into a waiting elevator in the rear wall. The man inserted a key into a control panel and pressed the down button. The car descended for a surprisingly long interval before the doors opened onto a pale blue corridor. Motioning D’Agosta to follow, the technician strode down it, stopping at last before a door. He smiled, nodded, then turned and walked back in the direction of the elevator.
D’Agosta stared at the retreating form. Then he glanced back at the unmarked door. After a moment, he gave a tentative knock.
It was immediately opened by a short, cheerful-looking man with a florid face and a closely cropped beard. He ushered D’Agosta in and closed the door behind him.
“You are Lieutenant D’Agosta, yes?” he asked in an accent D’Agosta assumed to be German. “Please have a seat. I am Dr. Rolf Krasner.”
The office had the spare, clinical air of a doctor’s consultation room, with gray carpets, white walls, and anonymous furnishings. A rosewood table stood in the middle, brilliantly polished. In its center sat what looked like a technical manual—thick as the Manhattan telephone book and bound in black plastic. Eli Glinn had already wheeled himself into position at the far side of the table. He nodded silently to D’Agosta and gestured toward an empty chair.
As D’Agosta seated himself, a door in the back of the room opened and Pendergast appeared. His wounds had been freshly dressed and his hair, still damp from being washed, had been combed back. He was dressed, most incongruously, in a white turtleneck and gray wool pants, which—different as they were from his habitual black suit—almost had the effect of a disguise.
D’Agosta rose instinctively.
Pendergast’s eyes met his, and after a moment he smiled. “I fear I neglected to express my gratitude to you for freeing me from prison.”
“You know you don’t have to do that,” said D’Agosta, coloring.
“But I will. Thank you very much, my dear Vincent.” He spoke softly, taking D’Agosta’s hand in his own and giving it a curt shake. D’Agosta felt strangely moved by this man who sometimes found even the simplest human courtesies awkward.