One rapped on a door, one tapped with a knock, did he knock Paul de Kock with a loud proud knocker with a cock carracarracarra cock. Cockcock.
Tap.
QUI SDEGNO, Ben, said Father Cowley.
No, Ben, Tom Kernan interfered. THE CROPPY BOY. Our native Doric.
Ay do, Ben, Mr Dedalus said. Good men and true.
Do, do, they begged in one.
I'll go. Here, Pat, return. Come. He came, he came, he did not stay. To me. How much?
What key? Six sharps?
F sharp major, Ben Dollard said.
Bob Cowley's outstretched talons griped the black deepsounding chords.
Must go prince Bloom told Richie prince. No, Richie said. Yes, must. Got money somewhere. He's on for a razzle backache spree. Much? He seehears lipspeech. One and nine. Penny for yourself. Here. Give him twopence tip. Deaf, bothered. But perhaps he has wife and family waiting, waiting Patty come home. Hee hee hee hee. Deaf wait while they wait.
But wait. But hear. Chords dark. Lugugugubrious. Low. In a cave of the dark middle earth. Embedded ore. Lumpmusic.
The voice of dark age, of unlove, earth's fatigue made grave approach and painful, come from afar, from hoary mountains, called on good men and true. The priest he sought. With him would he speak a word.
Tap.
Ben Dollard's voice. Base barreltone. Doing his level best to say it. Croak of vast manless moonless womoonless marsh. Other comedown. Big ships' chandler's business he did once. Remember: rosiny ropes, ships' lanterns. Failed to the tune of ten thousand pounds. Now in the Iveagh home. Cubicle number so and so. Number one Bass did that for him.
The priest's at home. A false priest's servant bade him welcome. Step in. The holy father. With bows a traitor servant. Curlycues of chords.
Ruin them. Wreck their lives. Then build them cubicles to end their days in. Hushaby. Lullaby. Die, dog. Little dog, die.
The voice of warning, solemn warning, told them the youth had entered a lonely hall, told them how solemn fell his footsteps there, told them the gloomy chamber, the vested priest sitting to shrive.
Decent soul. Bit addled now. Thinks he'll win in ANSWERS, poets' picture puzzle. We hand you crisp five pound note. Bird sitting hatching in a nest. Lay of the last minstrel he thought it was. See blank tee what domestic animal? Tee dash ar most courageous mariner. Good voice he has still. No eunuch yet with all his belongings.
Listen. Bloom listened. Richie Goulding listened. And by the door deaf Pat, bald Pat, tipped Pat, listened. The chords harped slower.
The voice of penance and of grief came slow, embellished, tremulous. Ben's contrite beard confessed. IN NOMINE DOMINI, in God's name he knelt. He beat his hand upon his breast, confessing: MEA CULPA.
Latin again. That holds them like birdlime. Priest with the communion corpus for those women. Chap in the mortuary, coffin or coffey, CORPUSNOMINE. Wonder where that rat is by now. Scrape.
Tap.
They listened. Tankards and miss Kennedy. George Lidwell, eyelid well expressive, fullbusted satin. Kernan. Si.
The sighing voice of sorrow sang. His sins. Since Easter he had cursed three times. You bitch's bast. And once at masstime he had gone to play. Once by the churchyard he had passed and for his mother's rest he had not prayed. A boy. A croppy boy.
Bronze, listening, by the beerpull gazed far away. Soulfully. Doesn't half know I'm. Molly great dab at seeing anyone looking.
Bronze gazed far sideways. Mirror there. Is that best side of her face? They always know. Knock at the door. Last tip to titivate.
Cockcarracarra.
What do they think when they hear music? Way to catch rattlesnakes. Night Michael Gunn gave us the box. Tuning up. Shah of Persia liked that best. Remind him of home sweet home. Wiped his nose in curtain too. Custom his country perhaps. That's music too. Not as bad as it sounds. Tootling. Brasses braying asses through uptrunks. Doublebasses helpless, gashes in their sides. Woodwinds mooing cows. Semigrand open crocodile music hath jaws. Woodwind like Goodwin's name.
She looked fine. Her crocus dress she wore lowcut, belongings on show. Clove her breath was always in theatre when she bent to ask a question. Told her what Spinoza says in that book of poor papa's. Hypnotised, listening. Eyes like that. She bent. Chap in dresscircle staring down into her with his operaglass for all he was worth. Beauty of music you must hear twice. Nature woman half a look. God made the country man the tune. Met him pike hoses. Philosophy. O rocks!
All gone. All fallen. At the siege of Ross his father, at Gorey all his brothers fell. To Wexford, we are the boys of Wexford, he would. Last of his name and race.
I too. Last of my race. Milly young student. Well, my fault perhaps. No son. Rudy. Too late now. Or if not? If not? If still?
He bore no hate.
Hate. Love. Those are names. Rudy. Soon I am old. Big Ben his voice unfolded. Great voice Richie Goulding said, a flush struggling in his pale, to Bloom soon old. But when was young?