"Fine," I say. "You want to help me?"
"Yes."
"Make sure nobody else steps foot in this house."
She smiles slightly. "That I can do."
One week.
I give myself a week this time, seven days to rest and recuperate. I take the antibiotics when I'm supposed to and give Karissa some leeway. By the seventh day, I'm feeling much more like myself, my strength coming back, the infection cleared. The wound still hurts a bit when I move, but it's healing. Before long, I'll barely notice it's even there.
But for now, I still remember.
For now, I won't forget.
I won't forget how it got there.
Won't forget what I have to do about it…
You can only make one first impression.
My father stressed that when I was a kid. Stand up straight. Don't slouch. Hold your head high. Don't scowl. It takes less than a second for someone to make up their mind about you. Just a glance. The blink of an eye.
It's something I grew up remembering. People see me how I want them to. But as important as it is, making a good first impression, it's the last impression that matters most, I think. They might not remember what they first thought about you. Feelings evolve. People change their minds. But they'll never forget the last moments. They're eternal.
Last words.
They say when Al Capone was on his deathbed, he begged the ghost of Jimmy Clark to leave him in peace. Capone was a troubled man, haunted by the past, tortured by the memory of a man he ordered slaughtered in a garage years before.
I wonder if that'll be me.
I wonder if it'll all catch up to me someday.
Will my carefully controlled world be ripped apart because something finally broke me at the end?
I hope I'll be more like Frank Gusenberg, as he lay in a hospital bed, fourteen bullets pumped into him from Capone's men.
"Who shot you?" the officer asked.
"Nobody shot me," the man said before taking his last breath.
I think about it a lot.
I choose my words carefully.
Don't say it unless you mean it.
You never know when it might be the last thing you ever say.
The old meatpacking plant is abandoned, deep in a rundown neighborhood in Queens. Slaughterhouse Number Five, Ray jokingly calls the place. It's seen more death than a soldier in war. Although the outside of the structure is still sound, the bricks all in tact, the inside is demolished.
Back to work I go.
A man hangs from a meat hook on a rafter by chains around his wrists, dangling so low to the ground that his shoes scrape the concrete. He's battered and bloodied, a fucked up, snot-sobbing mess. I don't know his name. I don't even know what he did to end up in this place. But he's here, and when you end up in his position, there's only one way out of it.
In a body bag.
"Any last words?" I ask.
The man blinks slowly as if drugged, but I know there's nothing in his system. No, his body is just shutting down on him. Who knows how long he's been here. I got a call from Ray this morning, asking me to end the suffering.
So there's this guy...
He stares at me like he's seeing an angel of death, and I guess in a way that's what I am.
I'll take his life as payment for his sins.
With a gloved hand, I reach into my coat and pull out the cheap .22 caliber pistol, already loaded, definitely not registered in my name. The great state of New York will tell you I don't own any weapons.
I point it at him, giving him time to come up with something to say.
His silence is deafening.
"Last chance," I tell him. "Make it profound."
He spits on the ground, a mixture of blood and saliva, before muttering, "Fuck you."
Admirable last words, although a bit cliché. Not the first time someone's said them to me in this place. I aim the gun and pull the trigger, the gunshot echoing loud as the bullet rips through his skull, ending him right away. His feet drag the cruddy ground as his body sways from the impact.
I drop the gun and walk out, discarding it there. It can't be traced back to me. Nobody will ever know I was even here.
I've said it before.
I'll say it again.
I'm not a good man.
I never will be.
I drive around for a while afterward to purge the adrenaline before making my way back to Brooklyn. It's still early, so I'm surprised to find Karissa moving around already, showered and dressed.
She's in the kitchen, wearing a pair of cutoff jeans shorts and one of my white undershirts overtop of a bright pink bikini top, the strings tied around the back of her neck. Her hair is pulled back into a loose ponytail, her skin free of makeup as she stands beside the refrigerator and shoves some bottles of water into a little foam cooler.
"Going somewhere?" I ask.
She swings toward me, smiling widely.
The sight of her smile makes my chest ache.
She's in an awfully good mood this morning for some reason, but whatever it is, I'll take it. Whatever makes her happy, I'm on board.