Too Many Murders(8)
“Oh, come on, Carmine!” Patsy objected. “Where blackmail is concerned, there’s always physical evidence, even if it’s no more than a written description of an incident.”
“Not here,” said Carmine, straightening. “I’m convinced that Motor Mouth acted with total security. Now that Pugh’s dead, no threat remains. The blackmail evidence died with him.”
“Cop instinct?” Patsy asked.
Halfway to the door, Carmine paused. “How are you coping with the chaos?”
“First off, no outside referrals for the moment. The last of our already autopsied cases will have gone to their funeral homes by ten tonight, and that will give us room to accommodate the murder victims plus whatever I couldn’t deflect,” Patrick said. “I’m sending Gus and his boys to the North Holloman labs to do outside cases there until my crisis evaporates.”
“Poor Gus! North Holloman is a dump.” Carmine resumed his progress. “Meeting in Silvestri’s office nine tomorrow, okay?”
The lights of Holloman’s east shore were twinkling in and out of the wealth of trees for which Holloman was famous as Carmine parked his Ford Fairlane on East Circle shortly before nine that night. Strictly speaking, the vehicle was a police unmarked, with a souped-up V-8 engine and cop springs and shocks, but it didn’t look the part; since attaining captain’s rank, Carmine got a last year’s model every year, so it bore none of the stigmata of the usual cop unmarked. He took the sloping, curving flagged path down to his front door, tried the knob, and let himself in. Desdemona didn’t bother locking doors, correctly reasoning that it would be a very rare criminal who entered Captain Delmonico’s residence. Reasoning like that wouldn’t have held water in a larger city, but everyone in Holloman knew where Carmine lived, which had its disadvantages but also its advantages.
His women were assembled in the kitchen, a large one permitting them to dine in it if they had no guests, thus saving the formal dining room and Carmine’s exquisite Lalique table with matching chandelier for more festive occasions. The kitchen was pure white and clinically clean; in the matter of domestic decor Carmine’s second wife had deferred to his taste as better than her own, and never rued that decision.
She stood at the extra-high counter putting the finishing touches on a dish of lasagna, while her stepdaughter tackled the salad enthusiastically. The counters needed to be forty-six inches high, for Desdemona Delmonico stood six foot three in bare feet; that they were not even higher was a concession to Sophia, a mere five foot seven, and to the economics of offering something usable if ever the family decided to sell. Desdemona’s hair was a little tangled from running her hands through it, as she was a learner-cook who still suffered paroxysms of anxiety over her cuisine, though lasagna was fairly safe. Carmine’s mother and sisters had taken her in hand, so what she learned tended to be southern Italian. Very alien to Desdemona, English to her fingertips, but she had her occasional victories too. A visiting friend from Lincoln had taught her to make a traditional roast dinner and a Lancashire hot pot, both devoured by her husband and his family with great pleasure. Fancy never eating potatoes peeled and roasted around the joint! To Desdemona, it was a terrible omission. Not to mention gravy made on pan drippings.
When she turned to greet Carmine it could be seen that she was rather plain of face, between the overlarge nose and the prominent chin, but when her face broke into smiles it lit up most attractively, and the eyes were truly beautiful, big, calm, the color of thick ice. Motherhood had endowed her with a bosom, all that had been lacking to render her figure splendid, if hugely tall. As her well-shaped legs were proportionately very long, men tended to think her rather dishy. Not a verdict they would have delivered during Desdemona’s days managing the Hug; marriage had done wonders for her.
She went at once to Carmine and bent her face four inches to kiss him, while Sophia hopped from foot to foot, waiting her turn.
At sixteen going on seventeen, his daughter was undeniably lovely; she took after her mother, Sandra, who had aspired to a Hollywood career. Sophia was naturally blonde, blue-eyed, fine-featured, and her figure was everything a young girl could have hoped for. But while her mother was a cokehead still living on the West Coast, Sophia had a brain, considerable ambition, and more common sense than either her father or her stepfather, the famed producer Myron Mendel Mandelbaum, had ever hoped for in Sandra’s child. She had moved from L.A. and the depressing influence of her mother when Carmine and Desdemona married nine months ago, and occupied a teenaged girl’s idea of heaven: a square tower three floors high complete with a widow’s walk. Shrewd enough to realize that its location made it nigh impossible for her to sneak people in or sneak out herself, Sophia had decided that its advantages far outweighed such minor stuff, for she was not by nature a rebel. Though her suite had a little kitchen, she was almost invariably to be found eating with her father and stepmother, with whom she got on very well.