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To Wed a Rake(3)

By:Eloisa James


“The boxing does it,” the earl replied, unperturbed. He was seated at his writing desk, wearing only black pantaloons. “At any rate, I didn’t ask you here. I’ve a mountain of correspondence to get through, and I’m expecting my secretary any moment.”

“I’ll take myself off. Were you foolish enough to invest in Hensing’s canal scheme?”

“No. It sounded intriguing, but the man’s a fool.”

“I suppose that’s why your estate keeps growing, while my living shrinks,” Lockwood said. “But don’t you think there’s a chance he’ll make a go of it?”

“Unlikely,” Kerr stated, not even looking up as his pen scratched over a leaf of stationery.

But Lockwood paused at the door to the chamber and turned back, driven by insatiable curiosity. Kerr had finished sanding his letter and was reaching for a new sheet of foolscap. “So, are you going to marry, then? To be specific, are you going to marry Madeline Benoit, as all London appears to believe?”

Kerr narrowed his eyes. “You think less of me than I deserve.”

They’d been friends since Oxford, and yet Lockwood flinched slightly at the expression in Kerr’s eyes. “I merely thought—”

“I heard about your bet in White’s. You’ll lose that money, as you’ll lose any blunt you put into Hensing’s canal. I shall fulfill my obligations to Miss Loudan,” Kerr said, turning back to his sheet as if he had no further interest in the conversation.

A grin spread across Lockwood’s face. Kerr looked up and frowned. “What are you smirking about?”

“You just made up for Hensing’s canal. I placed a bet in White’s that you’d marry Mademoiselle Benoit, but that was only to give Etherege enough courage to take my bet on the other side ... that you would honor your betrothal.”

“Etherege must have thought you were drunk,” Kerr observed. “Why the hell would you bet one way in White’s and place the opposite bet with him?”

“I gather he didn’t notice that the bet in White’s was for a shilling or two. He put a good four hundred pounds on your propensity to marry the mademoiselle, thinking I was too castaway to remember my own opinion.”

Kerr snorted. “Meet me at Miss Bridget’s tonight?”

Miss Bridget was a Frenchwoman who ran a house that was not precisely one of ill repute but damn near close, to Lockwood’s mind. “I see that your taste for Frenchwomen is much like the English taste for food: predicated on quantity rather than quality,” he remarked.

Kerr smiled faintly. “I thought it would amuse the ton to see me with a woman other than Madeline. We’ll take one of Miss Bridget’s young friends to the opera.”

Lockwood laughed. “That’ll put the cat amongst the pigeons. plthe pig”

Kerr turned back to his papers.





“Quite.”





Chapter Three





March 22, 1817



Mrs. Broughton to The Hon. Emma Loudan, St. Albans, Hertfordshire



Dear Miss Loudan,

Thank you so much for your gracious response to my letter; to be sure, I trembled before I took pen in hand. I should most dislike to be thought a gossipmonger, or some such, and yet I have every sympathy with your difficult position. I consider it my honor—if not my pleasure—to offer you such tidbits of news as might interest you. I hasten, then, to reassure you that it is no longer believed that the Earl of Kerr intends to marry Mademoiselle Benoit. Last night he and some friends made an appearance at the Royal Opera House accompanied by a group of young Frenchwomen. Everyone noted that Kerr paid particular attention to one of them, and since she cannot be considered a possibility for matrimony, the consensus is that your fiancé has a propensity for women of Gallic origin. This is a most unseemly topic, and I feel reprehensible for even bringing it to the attention of an unmarried lady. But my loyalty to Miss Proudfoot’s School rises above manners.

Yours with all esteem,

Mrs. Broughton

Emma Loudan, daughter of Viscount Howitt, was painstakingly painting bees, one after another. Bees, she thought to herself, are profoundly uninspiring insects: after one has painted one round yellow body and then another, one has learned all there is to know about bee painting. But there was no relief in sight: Titania and Bottom both mentioned bees in A Midsummer Night’s Dream, and Mr. Tey had decided that bees must swarm over every backdrop, and never mind that the audience would think the insects were flying marigolds. Emma sighed and dipped her brush into yellow paint.

She was just putting a finishing touch on one of three beehives when the door opened.