"Berlepsch, I think. Tann, Schlitz, and Buchenau for sure. The ones who let the Irishmen use their soldiers. So those castles should be where you will find your various officials. Of course, some of them have more than one castle, and they might use storage barns or other buildings." Von Ilten was looking very anxious.
"None of the others?" the little lawyer asked.
"Not as far as I have been able to determine."
"Damn it, I'm not an invalid," Joel Matowski said. "Just a bit bunged up there and there. I'm riding out with the rest of them."
"How about," Gus Szymanski suggested, "that before you ride out you make a little tour giving speeches to the different groups. First Fulda Barracks. Then the 'Hearts and Minds' team. Then the militia. They'll fan out and cover the villages."
Joel gave a pretty dramatic speech. Ballet didn't require words, but it was really heavy on interpretive gestures.
Shortly after Joel finished the third repeat, he fainted. The Barracktown school teacher held him on his horse, took him to St. Severi's and put him in the sacristy for the little artist to look after. It was either that or the nuns, since the up-timers' "EMT" was going to accompany the other soldiers, and Biehr didn't think that nuns would be a good idea. Not that he had ever met one, but Calvinists had their doubts about nuns just on general principles.
Then Biehr hurried back to the barracks. The regiment would be marching out and he needed to be there to direct the anthem. When the men rode or marched, they would just sing the melody, but for when they were in barracks, he had set it up as a chorale and divided them into tenors, baritones, and basses.
Sergeant Hartke had not gone along with Biehr's suggestion that he should reassign the men to the different companies on the basis of which part they sang, although it would make scheduling rehearsals easier. In fact, Sergeant Hartke's answer had been unreasonably brusque. Biehr thought with frustration that sometimes he just needed to work with them on one part. He saw no obvious reason that all the tenors should not be musketeers and all the baritones pikemen.
He was vaguely dissatisfied, but he had done his best with the translation. Major Utt, of course, had as usual been overly busy. The only guidance he had given was, "Leave out the line about 'we feebly struggle; they in glory shine.' It projects the wrong image."
Butler, Deveroux, and MacDonald interviewed Fred Pence and Johnny Furbee at Berlepsch's. They had planned to put the next three days to good use, riding from one castle to another and interviewing the captives the other parties had picked up. All of a sudden, though, every country road and cow path in Fulda was crawling with people. Soldiers, militiamen, farmers, kids, and a terrifying squadron of women. People who were, clearly, looking for other people.
By mutual consent, they picked up Gruyard from Schlitz's and headed back toward Bonn. They were, after all, practical men, in this for money rather than glory.
Fulda, August 1634
"No, I am not too proud to ask for help. I am also not too stupid to ask for help. I do not care whether some galloping Rambo thinks I am a wimp because I ask for help. Somebody go down to Würzburg with this letter and get us some help. Now."
Andrea had been on her feet for almost twenty-four hours for the second time in three days. Her hair, which usually got a half-hour of attention every morning before she let it appear in public, had gone limp. She had tried to pull it back into a pony tail. It was too short. Exasperated, she had parted it and put it into two pigtails, one behind each ear, tied with pink ribbons. There were three pencils and a pen stuck into various parts of it.
Wes's speech-writer-cum-gofer looked at her. The hairdo's effect was remarkable. The closest classical analogy that came to his mind was Medusa.
"I will take it myself," he said. "I don't know anybody else who knows the road and is still in town. They're all out looking for the others."
Würzburg, August 1634
Steve Salatto frowned. "Has Andrea gone off her rocker?"
He meant it as a rhetorical question.
Louis Baril, which was the speech-writer's name if anyone had ever been able to remember it, took it as serious. "It is quite true," he said. "All of it. At least, to the best of our knowledge in Fulda."
"If I send a half dozen people up to Fulda, who's going to be available to help Anita in Bamberg?"
Louis realized that the second question was rhetorical. He shrugged.
"By the time I can get anyone up there, they will probably have already straightened things out. But I guess that the onus is on my shoulders."
He looked at the man. Not much more than a boy, really. "The day's half gone. Are you prepared to start back this evening, or do you need to wait for morning?"