Athelstan waited until Sir John returned from his ‘devotions’ in the buttery; he asked him to search out the surveyor of the King’s works in the Tower and make enquiries about the door to Eli’s chamber. Athelstan now concentrated on drawing up what he called his bill of indictment. Cranston returned with the answer Athelstan already expected. He quietly congratulated himself and continued his summation, steeling his will against the heinous consequences of his conclusions. Once finished, Athelstan revised his ‘billa’. He did this time and again then turned to the coroner.
‘Now,’ he said quietly. Cranston, sitting on the edge of his bed, put down the book of plays and stared at the friar.
‘Now what, Brother? Soon it will be dark.’
‘And we must be gone, Sir John, the sooner the better from this benighted place. Do not cause any alarm or provoke the suspicions of Magister Thibault or his henchmen. Quietly seek out the Straw Men and bring them to me, please.’ Cranston dressed and swept out through the door. Athelstan prepared the chamber, placing a stool in the centre of the room between the two beds. He cleared the chancery table, pushing the sheets and scraps into his chancery satchel, and waited. Cranston returned with the four woebegone players. Athelstan could only secretly marvel at the sheer skill of the assassin’s acting. He greeted all of them, warmly asking Samson, Gideon and Judith to leave and wait in the refectory until he’d finished asking Rachael a few questions about Master Samuel. All three looked puzzled but shrugged and left. Athelstan waved at the stool, asking Rachael to sit while he took her cloak, offered her wine and complimented her warmly on her fresh gown of dark murrey. The young woman, her glorious red hair falling thickly either side of her lovely white face, watched intently, her green eyes slightly slanted, hard and unblinking despite the smile on her pretty lips.
‘Mistress Rachael?’
‘Brother Athelstan?’
‘When did we first meet?’
‘Why, Brother, here in the Tower, Saint John’s Chapel.’ She rounded her eyes. ‘Remember?’
‘Oh, I do. As I remember the plump whore in the Roundhoop all dressed, or rather disguised, in her orange wig and tawdry finery. That was you, wasn’t it? Yes, that’s when we truly first met.’
‘Brother, why should I be there?’
‘To meet your lover, Boaz.’
The smile on the woman’s lips faded.
‘Boaz,’ Athelstan continued evenly. ‘That was his name. Your lover, a former member of the Straw Men who had grown sickened of what he saw and heard. He’d become tired of being Samuel’s lackey who, in turn, was that of Magister Thibault, My Lord of Gaunt’s Master of Secrets. A true serpent, Thibault, using a troupe of strolling mummers to spy on the villages and communities they entertained.’
‘I told you that they also . . .’
‘Oh, by the way, I don’t believe that Samuel had anything to do with the Upright Men. He was always Gaunt’s man; that was your lie to distract me. The Upright Men left your company alone, satisfied to have two of their following in it – you and Boaz.’
‘My confession to you,’ she glanced sharply at Cranston, ‘was under the seal of the Sacrament.’
‘And it remains so. I am just commenting on the possibility that Boaz was an Upright Man who slipped away to join his comrades. He and you formed a pact. He would leave while you would remain with the troupe to keep everything under watch. The Upright Men would be pleased with that. You truly loved Boaz, didn’t you? He took his name from the Book of Ruth in the Old Testament. In that story Boaz falls deeply in love with the Moabite woman, Ruth, and she with him. They met when Ruth was gleaning Boaz’s fields behind his reapers. In both your eyes, their story was being re-enacted in your lives. You were his Ruth, weren’t you?’ Athelstan stared at this young woman, a true killer, yet her great tragedy was that a fiercely fatal and frustrated love had turned her so.
‘You both played your part in a deadly masque even as you staged the Bible story here and there and, above all, in the convent of Saint Bavin’s at Ghent where the woman Eleanor, now Thibault’s prisoner in Beauchamp Tower, was sheltering. She had seen the play before but was much taken by your interpretation. Indeed, she identified herself with one of the characters, Naomi, Ruth’s mother-in-law. Like Naomi, Eleanor changed her name to Mara, meaning “bitterness” because God,’ Athelstan touched the side of his face, ‘had marred her skin. She had also become the plaything of those who wished to meddle in My Lord of Gaunt’s murky and very dangerous pool of politics.’