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The State of the Art(41)

By:Iain M. Banks


too, which I let have some effect, and by the time I

was finished I was feeling reasonably together

again, and quite well disposed to the locals.I even

remembered to pay without being asked (I don't

think you-ever quite get used to buying ), and went out into the bright sunshine.I walked back to

Linter's, looking at shops and buildings and trying

not to get knocked down in the street.I bought a

paper on the way back, to see what our

unsuspecting hosts thought was newsworthy.It was

oil.Jimmy Carter was trying to persuade

Americans to use less petrol, and the Norwegians

had a blow-out in the North Sea.The ship had

mentioned both items in its more recent synopses,

but of course it knew Carter's measures weren't

going to get through without drastic amendment,

and that the drilling rig had had a piece of

equipment fitted upside down.I selected a

magazine as well, so arrived back at Linter's

clutching my copy of Stern and expecting to have

to drive away.I'd already made tentative plans;

going to Berlin via the First World War graves and

the old battle grounds, following the theme of war,

death and memorials all the way to the riven

capital of the Third Reich itself.

But Linter's car was there in the courtyard, parked

beside the Volvo.His auto was a Rolls Royce

Silver Cloud; the ship believed in indulging

us.Anyway, it claimed that making a show was

better cover than trying to stay inconspicuous;

Western capitalism in particular allowed the rich

just about the right amount of behavioural leeway

to account for the oddities our alienness might

produce.

I went up the steps and pressed the bell.I waited

for a short while, hearing noises within the flat.A

small notice on the far side of the courtyard caught

my attention, and brought a sour smile to my face.

Linter appeared, unsmiling, at the door; he held it

open for me, bowing a little.

'Ms Sma.The ship told me you'd be coming.'

'Hello.' I entered.

The apartment was much larger than I'd

anticipated.It smelled of leather and new wood; it

was light and airy and well decorated and full of

books and records, tapes and magazines, paintings

and objets d'art, and it didn't look one little bit like the place I'd had in Kensington.It felt lived in.

Linter waved me towards a black leather chair at

one end of a Persian carpet covering a teak floor

and went over to a drinks cabinet, turning his back

to me. 'Do you drink?'

'Whisky,' I said, in English. 'With or without the e .'

I didn't sit down, but wandered around the room,

looking.

'I have Johnny Walker Black Label.'

'Fine.'

I watched him clamp one hand round the square

bottle and pour.Dervley Linter was taller than me,

and quite muscular.To an experienced eye there

was something not quite right - in Earth human

terms - about the set of his shoulders.He leaned

over the bottles and glasses like a threat, as though

he wanted to bully the drink from one to the other.

'Anything in it?'

'No thanks.'

He handed me the glass, bent to a small fridge,

extracted a bottle and poured himself a Budweiser

(the real stuff, from Czechoslovakia).Finally, this

little ceremony over, he sat down.Bahaus chair,

and it looked original.

His face was calm, serious.Each feature seemed to

demand separate attention; the large, mobile mouth,

the flared nose, the bright but deep-set eyes, the

stage-villain brows and surprisingly lined

forehead.I tried to recall what he'd looked like

before, but could only remember vaguely, so it was

impossible to tell how much of the way he looked

now had been carried over from what would be

classed as his 'normal' appearance.He rolled the

beer glass around in his large hands.

'The ship seems to think we should talk,' he

said.He drank about half the beer in one gulp and

placed the glass on a small table made of polished

granite.I adjusted my brooch.'You don't think we

should though, no?'

He spread his hands wide, then folded them over

his chest.He was dressed in two pieces of an

expensive looking black suit; trousers and

waistcoat. 'I think it might be pointless.'

'Well I don't know does there have to be a point to

everything?I thought the ship suggested we might

have a talk, that's -'

'Did it?'

'- all.Yes.' I coughed. 'I don't it didn't tell me

what's going on.'

Linter looked steadily at me, then down at his

feet.Black brogues.I looked around the room as I

sipped my whisky, looking for signs of female

habitation, or for anything that might indicate there

were two people living here.I couldn't tell.The

room was crowded with stuff; prints and oils on

the walls, most of the former either Breughels or

Lowrys; Tiffany lampshades, a Bang and Olafsen

Hifi unit, several antique clocks, what looked like

a dozen or so Dresden figurines, a Chinese cabinet