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The State of the Art(34)

By:Iain M. Banks


stress-free as it sounds; the bizarre sexual mores of the locals could make it surprisingly awkward for

a woman simply to go up and start talking to a

man.I suspect if I hadn't been a good ten

centimetres taller than the average male I'd have

had more trouble than I did.

My other problem was the ship itself.It was always

trying to get me to visit as many places as possible,

do as much as I could, see all the people I was

able to; look at this, listen to that, meet her, talk to

him, watch that, wear this it wasn't so much that we

wanted to do different things - the ship rarely tried

to get me to do anything I wouldn't want to do -

simply that the thing wanted me to be doing

something all the time. I was its envoy to the city, its one human tendril, a root through which it

sucked with all its might, trying to feed the

apparently bottomless pit it called its memory.

I took holidays from the rush, in the remote, wild

places; Ireland's Atlantic coast and the Scottish

highlands and islands.In County Kerry, in Galway

and Mayo, in Wester Ross and Sutherland and

Mull and Lewis I dallied while the ship tried to

bring me back with threats and cajolings and

promises of all the exciting work it had for me to

do.

But in early March I was finished in London, so I

was sent to Germany and told to wander, asked to

drift and travel round and given a few places and

dates, things to do and see and think about.

Now that I had stopped using English, as it were, I felt free to start reading works in that language for

pleasure, and that was what I did in my spare time,

what little of it there was.

The year turned, gradually there was less snow, the

air became warmer, and after thousands upon

thousand of kilometres of roads and railway tracks

and dozens of hotel rooms, I was called back in

late April to the ship, to reel off my thoughts and

feelings to it.The ship was trying hard to get the

mood of the planet, to form the sort of impression

that only direct human interaction can provide the

raw material for.It was sorting and rearranging and

randomizing and re-sorting its data, looking for

patterns and themes, and trying to gauge and relate

all the sensations its human agents had

encountered, measuring them against whatever

conclusions of its own it had come to while

swimming through the ocean of facts and figures it

had already dredged from the world.We were by

no means finished, of course, and I and all the

others who were down on-planet would be there

for some months yet, but it was time to get some

first impressions.

2.2: A Ship With A View

'So you think we should contact, do you?'

I was lying, sleepy and contented and full after a

large dinner, sprawled over a cushion couch in a

rec area with the lights dimmed, my feet on the arm

of the seat, my arms folded, my eyes closed.A

gentle, warm draught, vaguely Alpine in its

fragrance, was displacing the smell of the food I

and some of my friends had consumed.They were

off playing some game in another part of the ship,

and I could just hear their voices over the Bach I

had persuaded the ship to like, and which it was

now playing for me.

'Yes I do.And as soon as possible, too.'

'They'd be upset.'

'Too bad.It's for their own good.' I opened my eyes

and flashed what was, I hoped, a palpably

contrived smile at the ship's remote drone, which

was sitting at a slightly drunken angle on the arm of

the couch.Then I closed my eyes again.

'Probably it would be, but that isn't the point,

really.'

'What is the point then, really?' I knew the answer

too well already, but kept hoping the ship would

come up with a more convincing reason than the

one I knew it was going to give.Maybe one day.

'How,' the ship said through the drone, 'can we be

sure we're doing the right thing?How do we know

what is - or would be - for their own good, unless,

over a very long period, we observe matched

areas of interest - in this case planets - and

compare the effects of contacting and not

contacting?'

'We ought to know well enough by now.Why

sacrifice this place to some experiment we already

know the results of?'

'Why sacrifice it to your own restless conscience?'

I opened one eye and looked at the remote drone

on the couch arm. 'A moment ago we agreed it

would probably be for the best, for them, if we

went in.Don't try and cloud the issue.We could do

it, we should do it.That's what I think.'

'Yes,' said the ship, 'but even so there would be

technical difficulties, given the volatility of the

situation.They're on a cusp; a highly heterogeneous

but highly connected - and stressedly connected -

civilization.I'm not sure that one approach could

encompass the needs of their different systems.The

particular stage of communication they're at,