The birds are already awake, sweetening the air with their song. Nighttime animals scuttle to their burrows and lairs, making way for the heavier tread of those who go abroad in daylight hours. My progress is slow, as I must halt frequently to allow my body to cramp or surge. I am wearing a loose linen kirtle and carry a soft woolen blanket and my knife. I need nothing more. Placing my palm over my heaving belly I whisper, ‘Be patient, little one.’ I continue through the copse to the secluded spot on the shore of the lake I have chosen. Here the ground slopes gently into the water, and the earth is sandy with few stones and no reeds or rushes, so that after some effort I am able to lie down comfortably enough. The second I immerse my body in the silky waters of Llyn Syfaddan, I feel my pains ease. The child continues to move inside me as it should, but my suffering is greatly reduced by the magical properties of the sacred lake. I have foreseen this moment. I have nothing to fear. And whatever my prince might secretly wish for, I know that my babe is a girl. I have chosen not to share this knowledge with him. Let him hold his infant in his arms, let him gaze into her eyes, let him feel her tiny heart beat strong and brave in her breast—he will have no room in his soul for disappointment then.
As I work to bring my child into this world, I can feel vibrations through the water and I know the Afanc is near. She has come to witness the birth of a new witch. Knowing that she is with me gives me strength. I do not want to cry out, for to do so might give me away. There have been no further attempts on my life, but I have scarce been on my own, and here and now I am certainly at my most vulnerable. I close my eyes and quiet my clamoring thoughts. I bring my will and my strength to bear and with neither fuss nor ceremony my daughter slips from me into the life-giving lake water. I quickly lift her up. Oh! She is a most miraculous thing! So small and yet so fierce. She is the mirror of myself. I see the light in her soul shining from her. Like me, she has been kissed with magic. Like me, she will be a child of the moonlight. Like me, she will be under the protection of grandmother-Afanc.
‘Welcome, my little one,’ I kiss her brow. She does not cry, but looks about her, tiny fists clenched, calm but aware even now of where she is. Of what she is. And my joy manifests itself in a glowing light, tinged blue, that surrounds myself and my babe.
The surface of the lake bubbles. I hold my breath. Will she come closer? Will she show herself, even as the day brightens and she could so easily be seen? I take my knife and swiftly cut the snaking rope that has nourished my infant these long months. I wrap the child in the woolen blanket and hold her to me as I stand. Together we watch and wait. There is a stillness in the air, as if the very woods were also stopped from breathing. The birds hush. Ripples spin out across the lake. And now, silently, with such grace as to move the hardest of hearts to weeping, the Afanc rises up from the deep. She is even more beautiful revealed in the early sunshine! I lift up my newborn, holding her high. She neither wails nor whimpers. She is not afraid. The mother-of-the-lake lowers her noble head to inspect this tiny new prophet.
‘She will keep your secret as I have done,’ I promise.
The Afanc sighs, looking deep into my eyes a moment longer, and then moves back, causing gentle waves to lap at me. Without a single splash she slips beneath the surface and is gone.
I kiss my child, holding her close to me again. ‘You are fortunate indeed, my young witch, for the blessing of the Afanc is the greatest protection of all.’
16
TILDA
Tilda glances in the direction of the setting sun. As it drops behind the snow-covered mountains beyond the lake, it bleeds its color into the winter sky. Such a spectacle would, ordinarily, have halted her in her work, causing her to gaze in wonder. But today it serves only to remind her that the day is nearly over, and time is slipping through her fingers. It is now only two days until Christmas, and she has promised to celebrate with Dylan and his uncle, so she has only a few hours left before she will have to tidy herself up and tear herself away from the cottage. More important, she will have to put away the bracelet. Or at least, resist wearing it. The thought brings an anticipatory pang of longing. She marvels at how quickly she has moved from being afraid of what it brings her to being ecstatic about it. After the firing, Dylan had suggested a celebratory meal in the Red Lion. She had felt his disappointment when she had invited Lucas, and his relief when Lucas had declined the offer, saying he had more things to take care of at the dig site. In truth, she would rather have stayed at home. The success of the firing and the bewildering vision had ignited all her creative impulses to bursting point. She wanted to lock herself in the studio and draw what she had seen. Wanted to capture the image of the incredible creature that had appeared to her. Wanted to record all the minute details of what had danced and leapt before her eyes. Wanted to compare again the intricate design on the bracelet with her now-finished, glazed and fired artwork.