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The Return of the Dancing Master(16)

By:Henning Mankell


There wasn’t a breath of wind. He stood still and looked around. Molin had moved from his house in Bramhultsvagen in Boras to be in this remote spot in the depths of the forest. And somebody had found their way here in order to kill him. Lindman looked at the house. The smashed windows. He approached the front door and tried it. Locked. Then he walked around the building. Every window was broken. From the rear he could see water glittering through the trees. He tried the shed door. It was open. Inside it smelled of potatoes, and he took note of a wheelbarrow and various garden implements. He went out again.

Molin was isolated here, he thought. That must be what he’d been looking for. Even in his Borås days he’d longed to be alone, and that’s what attracted him here.

He wondered how Molin had discovered this house. Who had he bought it from? And why here, in the depths of the Harjedalen forests? He walked up to one of the windows on the short wall. There was a kicksled parked next to the house wall. He used it as a stepladder to open the broken window from the inside. Carefully he removed the protruding bits of glass and clambered into the house. It struck him that there was always a special smell in places where the police had been. Every trade has its own smell. That applies to us as well.

He was in a small bedroom. The bed was made, but it was covered in patches of dried blood. The forensic examination had no doubt been completed, but he preferred not to touch anything. He wanted to see exactly the same things as the forensic officers had seen. He would start where they had left off. But what did he think he was doing? What did he think he might be able to uncover? He told himself he was in Molin’s house as a private citizen. Not as a policeman or a private detective, just a man who had cancer and who wanted to find something other than his illness to think about.

He went into the living room. Furniture had been overturned. There were bloodstains on the walls and on the floor. Only now did he realize how horrific Molin’s death must have been. He hadn’t been stabbed or shot and fallen dead on the spot. He’d been subjected to a violent attack, and it looked as though he’d been chased and had resisted. He walked carefully around the room. Stopped at the CD player that was standing open. No disc in it, but an empty case beside the player. Argentinean tango. He continued his exploration. Molin had lived a life devoid of ornament, it seemed. No pictures, no vases. No family photographs either.

A thought struck him. He went back to the bedroom and looked in the wardrobe. No police uniform. So Molin seemed to have gotten rid of it. Most retired police officers kept their uniforms.

He went back to the living room, and from that into the kitchen. All the time he was trying hard to imagine Molin walking at his side. A lonely man of about seventy-five. Getting up in the morning, making meals, getting through the day. A man is always doing something, it seemed to him. The same must have applied to Molin. Nobody just sits on a chair all day. Even the most passive of people do something. But what had Molin done? How had he spent his days? He went back to the living room and scrutinized the floor. Next to one of the bloodstained footprints was a piece of a jigsaw puzzle. There were other pieces strewn over the floor. He stood up, and felt a shooting pain in his back. The cancer, he thought. Or had he just slept awkwardly in his car last night? He waited until the pain had gone. Then he went over to the bookcase with the CD player. Bent down and opened a cabinet. It was full of boxes that he thought at first contained various games. He took out the top one, and saw that it was a jigsaw puzzle. He looked at the picture on the front of the box. A painting by an artist called Matisse. Had he heard that name before, perhaps? He wasn’t sure. The subject was a large garden, with two women dressed in white in the background. He turned to the rest of the pile. Nearly all of them were based on paintings. Big puzzles with lots of pieces. He opened the next cabinet. That was full of jigsaw puzzles too, none of them opened. He stood up gingerly, afraid that the pain might return. So Molin spent a lot of his time doing jigsaw puzzles, he thought. Odd. But then again, maybe no odder than his own hobby, collecting pointless press clippings about the Elfsborg football club.

He looked around the room again. It was so quiet he could hear his own pulse beating. He really ought to get in touch with the Ostersund police officer with the unusual first name. Maybe he should drive there on Monday and have a talk with him? Then again, the murder investigation had nothing to do with him. He had better be quite clear about that. He hadn’t come to Harjedalen to carry out some kind of private investigation into who had killed Herbert Molin. No doubt there was a straightforward explanation. There generally was. Murder nearly always had something to do with money or revenge. Alcohol was generally involved. And the culprit usually came from a circle of close contacts—family and friends.