I lay back on the bed and told my master all I could remember from the moment he left our manor to his fortuitous arrival at Newgate prison. Now and again Benjamin would stop and question me about some point and then I'd continue. Sometimes he'd ask me to stop whilst he wrote something down on a piece of parchment. I must have spoken for at least an hour.
'Why is all this so important?' I concluded.
'Pies,' Benjamin enigmatically replied. 'It's all about pies.' He wouldn't say any more. I became cross but Benjamin had already returned to his papers, muttering under his breath. Now, full of wine and safe from the terrors, I drifted into sleep and spent the next day in bed, grieving over Lucy and wondering what revenge I could inflict on the Poppletons. Now and again my little brain (Excuse me a while -1 see my chaplain sniggering. A sharp rap across his knuckles brings him back into order so I can return to the turmoil of my youth) would come up with some brilliant scheme of vengeance, before returning to our present troubles.
Now, the more I thought of Malevel the more convinced I became that, if Castor could have talked, we would have now known why the cellar was so important. Benjamin kept well away from me all day, being more busy in the taproom. Late that evening he shook me awake from my slumbers.
'Get up, Roger! Up now! Arm yourself!'
His face was grim. I noticed he had his leather wrist guards on and his war-belt strapped around his waist, sword and dagger hung in the Italian style. He had his guarded look, the same expression that had threatened violent retribution if I approached the marvellous Miranda.
'Where are we going?' I asked, pulling my boots on.
'We are going for supper,' Benjamin replied.
I glanced at the hour candle burning in its glass on a shelf.
'Boscombe will not be pleased, the ovens will be out...'
'I don't give a fig what Boscombe thinks!' Benjamin retorted. 'It will happen on the turn of a card.' He smiled wryly. 'Or, in this case, a knock on the door.'
We went down to the taproom. Boscombe grumbled but brought across two tankards of ale and a platter of cold meat, onions and apples neatly sliced. The pot boys and scullions had long left. The taproom was empty. Boscombe busied himself about, humming under his breath. A watchman stopped in the lane outside.
'It's eleven o'clock and all is well! Pray for your souls that they stay out of Hell!'
Benjamin stopped, a piece of food halfway to his mouth.
There was a loud rapping on the door.
'Answer that, Shallot,' Boscombe called.
'Master Boscombe, we are eating,' Benjamin replied.
Cursing and muttering under his breath, the taverner went to the door and pulled it open. I heard someone say something and Boscombe's exclamation.
'What? Impossible! I . . . !' His voice took on a nervous stammer. 'I don't know what you're talking about!'
I pricked up my ears because I am sure I caught mention of the names Berkeley and Notley. The change in Benjamin was startling. He stood up and drew his sword. I watched, open-mouthed, as Boscombe closed the door: drawing the bolts across, he turned slowly. He saw my master's drawn sword and smiled.
'Oh, Master Benjamin, what's the matter?'
'You know full well,' my master replied. 'The constable just knocked on the door and told you a strange story: how he met two men outside the church of Crutched Friars who gave their names as Berkeley and Notley, and said they had an appointment with you to discuss certain matters.'
Boscombe took a step forward, his genial smile faded, his eyes watchful. I noticed he was standing differently now, on the balls of his feet, like a man ready to run or leap.
'And I heard your reply,' my master said softly. 'You used the word "impossible". You were caught on the hop, were you not, Master Boscombe? Why is it impossible to meet two men who, in theory, you shouldn't know at all? Both men are dead. Notley's corpse hasn't even been discovered. Roger knows because he has seen his severed head. You know because you killed him. You are Jakob von Archetel, nicknamed the Schlachter.' Boscombe drew a bit closer.
'Earlier this evening,' my master continued, 'I took the constable into my confidence. I asked him to deliver that message tonight, just after the watchman had proclaimed the eleventh hour.'
'My name is Andrew Boscombe,' the taverner replied. 'I hail from the West Country.'
'The real Andrew Boscombe probably did,' Benjamin replied. 'But you are no more English than poor old Castor. I've listened to your tongue quite carefully. Now and again I can catch the rolling "R", the guttural "G". You are a Hainaulter - probably from around the town of Dordrecht. Once you were not only a subject of the Emperor Charles V but a high-ranking official, engaged in his secret business as a Noctale. About fifteen years ago you fled to England. You are a consummate actor, a born mimic. You probably did live in the West country for a while but, later, used your wealth to travel to London and buy this tavern. To all intents and purposes, Andrew Boscombe, the honest, jovial taverner, the man who loves a jest, play-acting and mummery. But, when the candles are extinguished, when the darkness comes, you are the Slaughterer, London's most skilful and subtle assassin. You are responsible for the deaths of many: Notley, Berkeley, those two poor cooks Oswald and Imelda. Above all, sir, you are responsible for those deaths at Malevel though how you did it and who you worked with is still a mystery.'