My master and I went out into the street and along an alleyway to a small open space like a village green: there was a duck pond in the centre with battered wooden benches around it. We sat on one of these and watched children play on a hobby horse and chase an inflated pig's bladder.
'I think we'd best go back to Malevel,' Benjamin said.
'You have a theory, master?'
He scratched the tip of his nose. 'The beginnings of one, Roger, but they're still shadows in my mind.'
'And the murders in the cookshop?' I asked.
'I don't know. True, there could be something of interest in the accounts but don't forget, Roger, we have a rough copy of these. Perhaps those cooks knew something else and had to be silenced before they remembered it and began to talk.'
'The work of the Slaughterer?' I asked.
'Possibly, but how could even a professional assassin enter a house with four people in it and slay them all without meeting any resistance?' He got to his feet, fingers drumming the hilt of his sword.
'You are apprehensive, master?'
'No, Roger, I am frightened. If we leave on that ship, then it's the end for both of us. I don't think we're intended to come back. In ancient Israel the Jews used a scapegoat, an animal they burdened with their sins, to cast out into the desert to die. We are the King's scapegoats: that sea voyage will be our death.'
'This theory of yours?' I asked.
'It's based on the King,' Benjamin replied. 'I know your true opinion of him, Roger, and I agree with it. Henry of England would never give anything away. Oh, Henry wanted Imperial ships but he also wanted to make a fool of Europe's princes and collect as much silver and gold as he could. Such a ploy would please Henry: he could retreat into his private chamber with Norreys and the others to laugh and sneer until his sides were fit to burst. But come on, Roger, let's return. I am sure the Slaughterer will soon make his presence felt.'
'Do you think he will, master?'
'Oh yes. But not to help us. I believe we are about to enter the lion's den.'
'And Master Cornelius?' I asked.
'Oh, one of his men is watching us from a comer of a nearby alleyway' Benjamin slipped his dagger in and out of the sheath. 'I do wonder about him,' he murmured. 'Could he be the Slaughterer, the assassin? All he has to do is wait until his master gets bored and returns to the Imperial court.'
'Aye,' I added, 'and leave us poor bastards to the mercy of our King!'
Chapter 12
We returned to the Flickering Lamp not in the best of humours. Benjamin sent a constable to the Guildhall about the murders at the cookshop. He then became lost in his own thoughts, sitting at the table in his chamber talking to himself, writing out comments in that strange cipher he always used. I hung around the taproom looking for any villainy which might emerge. Yet, I'll be honest, I began to wonder if it was time Benjamin and I bolted like rabbits for France or Spain, well clear of Henry's wrath. I drank and ate a little too much. I became mournful about Castor and Lucy and decided to write a poem about both of them. Boscombe tried to rally my spirits, recalling my escapades the previous evening with the Bawdy folk. But I wasn't in the mood. Doctor Agrippa visited us. He was closeted with Benjamin and then left as mysteriously as he had arrived. Towards dusk I decided to take the air. I was in the alleyway outside the tavern when a beggar boy caught my finger. He was a thin-faced little waif, with eyes almost as large as his face under greasy, spiked hair.
'Come, come .. .' the poor, little bugger stuttered. 'The man is waiting for . . .' He closed his eyes. 'I have forgotten,' he moaned, 'the rest of the message
'Message?' I asked.
'Yes' he replied. 'But come ...'
Like the fool I was, I followed him up the street. The little boy led me through a side door of the Church of the Crutched Friars. It was deserted, and the sound of my boots rang hollow through the nave. Someone had lit candles before the statue of the Virgin. I remembered Lord Charon and my spine began to tingle so I stopped the boy and crouched down.
'Who sent you?' I asked.
'Come,' the child repeated. 'Your friend is waiting.'
He led me across, out through the corpse door at the other side of the church and into the overgrown cemetery towards the charnel house. This was the Ossuary or, if you aren't too well educated, the Bone House. When the graveyard becomes too full, bodies are dug up and the bones simply slung into this long, open shed. The boy took me to a gravestone near the Ossuary and told me to sit down. I did so and drew my dagger, which I gripped beneath my cloak. When I looked round, the boy had gone. Now there's something about old Shallot: on the one hand I am the most cowardly of cowards but, on the other, I hate to show it. I didn't want to go running back to the tavern with my knees knocking so instead I sat and quivered like a jelly. My imagination was stirred by the shrieks of some bloody owl until my nerve broke. I turned and screamed into the darkness for the bird to piss off. Only then did I see it. Across the graveyard was a huge plinth, some tomb built by a London merchant who wanted to be remembered but who was probably forgotten before his corpse grew cold in his grave. The huge, rectangular stone slab was covered in moss and lichen. Now, candles arranged along it glowed eerily through the darkness.