The Redeemer(52)
He turned over his notepad, placed his pen parallel to it and walked the few steps to the front door. He struggled for a few seconds until he realised it opened inwards. The face he met was as surprised as his own, and for a moment they stood looking at each other. Harry noticed a sweet, perfumed smell, as if the other person used a strong aromatic deodorant.
'Jon?' the man asked tentatively.
'Of course,' Harry said. 'Sorry, we were expecting someone else. One moment.'
Harry went back to the sofa. 'It's for you.'
The instant he flopped down into the soft cushion, it struck Harry that something had happened, right now in the last few seconds. He checked his pen was still parallel with the pad. Untouched. But there was something, his brain had detected something he couldn't place.
'Good evening?' he heard Jon say behind him. Polite, reserved form of address. Rising intonation. The way you greet someone you don't know. Or when you don't know what they want. There it was again. Something happened, something grated. There was something about him. He had used Jon's first name when he asked after him, but it was obvious Jon didn't know him.
'What message?' Jon said.
Then it clicked into place. The neck. The man was wearing something around his neck. A neckerchief. The cravat knot. Harry put both hands on the coffee table to lever himself up, and the cups went flying as he screamed: 'Shut the door!'
But Jon stood staring through the doorway, as if hypnotised. He stooped to listen.
Harry stepped back one pace, jumped over the sofa and sprinted for the door.
'Don't—' Jon said.
Harry aimed and launched himself. Then everything seemed to stop. Harry had experienced it before, when the adrenalin kicks in and changes your perception of time. It was like moving in water. And he knew it was too late. His right shoulder hit the door, his left Jon's hip and his eardrum received the sound waves of the exploding gunpowder and a bullet leaving a gun.
Then came the bang. The bullet. The door slamming into the frame and locking. Jon hitting the cupboard and the kitchen unit. Harry swivelled onto his side and looked up. The door handle was being pressed down.
'Fuck,' Harry whispered, getting to his knees.
The door was shaken hard, twice.
Harry grabbed Jon's belt and dragged him, lifeless, over the parquet floor to the bedroom.
There was a scratching sound outside the door. Then another bang. Splinters flew from the middle of the door, one of the cushions on the sofa jerked, a column of greyish-black down rose to the ceiling and the carton of semi-skimmed milk began to gurgle. A jet of milk described a weak, white arc onto the table.
The damage a nine-millimetre projectile can do is underrated, thought Harry, turning Jon onto his back. One drop of blood ran from a hole in his forehead.
Another bang. The tinkle of glass.
Harry flipped his mobile out of his pocket and punched in Beate's number.
'OK, OK, don't hassle me, I'm coming,' Beate answered after the first ring. 'I'm outsi—'
'Listen,' Harry interrupted. 'Radio all patrol cars to get here now. With their sirens blaring. Someone is outside the flat peppering us with lead. And you keep away. Received?'
'Received. Stay on the line.'
Harry put the mobile on the floor in front of him. Scraping sound against the wall. Could he hear them? Harry sat motionless. The scraping came nearer. What kind of walls were they? A bullet that could go through an insulated front door would have no problems with a stud wall of plasterboard and fibreglass. Even nearer. It stopped. Harry held his breath. And that was when he heard. Jon was breathing.
Then a sound rose from the general rumble of city noise and it was music to Harry's ears. A police siren. Two police sirens.
Harry listened for scraping. Nothing. Make a run for it, he prayed. Beat it. And was heard. The sound of footsteps down the corridor and the stairs.
Harry lay back on the cold parquet floor and stared at the ceiling. There was a draught coming from under the door. He closed his eyes. Nineteen years. Christ. Nineteen years until he could go into retirement.
12
Wednesday, 17 December.
Hospital and Ashes.
IN THE SHOP WINDOW HE SAW THE REFLECTION OF A POLICE car pulling up in the street behind him. He kept walking, forcing himself not to run. As he had done a few minutes ago when he raced down the stairs from Jon Karlsen's flat, came out onto the pavement and almost knocked over a young woman with a mobile phone in her hand, sprinted across the park, westwards, to the busy streets where he was now.
The police car was moving at the same speed as he was. He saw a door, opened it and had the impression he had stepped into a film. An American film with Cadillacs, bootlace ties and young Elvises. The music on the speakers sounded like an old hillbilly record at three times the speed and the bartender's suit looked like it had been lifted from the LP cover.