Then the music stopped abruptly and there was only the uneasy shifting of the crowd, the slow drone of the buses. The pennants and signs came gradually to rest, to a collective embarrassment as if someone had died and they went on that way until the last bus was by, the little faces looking out solemn as refugees, onto the bridge and so out of the city. The crowds ebbed into the streets and thinned and the traffic began, the cars moving and the streetcars clicking past.
He was still standing on the sidewalk and now he saw the city, steamed and weaving in heat, and rising above the new facings of glass and tile the bare outlandish buildings, towering columns of brick adorned with fantastic motley; arches, lintels, fluted and arabesque, flowered columns and crowstepped gables, bay windows over corbels carved in shapes of feet, heads of nameless animals, Pompeian figures … here and there, gargoyled and crocketed, wreathed dates commemorating the perpetration of the structure. Rows of pigeons dozed on the high ledges and the heat rose in visible waves up from the paving. He patted the folded dollar again and started up Gay Street. When he got to the Strand he stopped and studied the pictures advertising the Saturday serial and fingered the quarter. Then he turned left and went up to Market Square. On the corner a man was screaming incoherently and brandishing a tattered Bible. Next him stood an old woman strapped into an accordion, mute and patient as a draft horse. He crossed the street behind the half-circle of spectators. The man stopped screaming and the accordion began and they sang, the two voices hoarse and high-pitched rising in a sad quaver to the calliope-like creaking of the instrument.
He went up the far side of the square under the shadow of the market house past brown country faces peering from among their carts and trucks, perched on crates, old women with faces like dried fruit set deep in their hooded bonnets, shaggy, striated and hooktoothed as coconut carvings, shabby backlanders trafficking in the wares of the earth, higgling their goods from a long row of ancient vehicles backed obliquely against the curb and freighted with fruits and vegetables, eggs and berries, honey in jars and boxes of nuts, bundles of roots and herbs from sassafras to boneset, a bordello of potted plants and flowers. By shoe windows where shoddy foot-gear rose in dusty tiers and clothing stores in whose vestibules iron racks stood packed with used coats, past bins of socks and stockings, a meat market where hams and ribcages dangled like gibbeted miscreants and in the glass cases square porcelain trays piled with meat white-spotted and trichinella-ridden, chunks of liver the color of clay tottering up from moats of watery blood, a tray of brains, unidentifiable gobbets of flesh scattered here and there.
Among overalled men and blind men and amputees on roller carts or crutches, flour and feed bags piled on the walk and pencil pedlars holding out their tireless arms, past stalls and cribs and holes-in-the-wall vending tobacco in cut or plug, leaf or bag, and snuff, sweet or scotch, in little tins, pipes and lighters and an esotery of small items down to pornographic picture books. Past cafés reeking with burned coffee, an effluvium of frying meat, an indistinguishable medley of smells.
Under the Crystal’s marquee of lightbulbs a group of country men stood gazing hard past the box office where a tired-looking woman sat beneath a sign: Adults 25—Children 11—watching the film through a missing panel of curtain. Sounds of hooves and gunfire issued onto the street. He couldn’t see past or over them and went on by, up the square, until he stood before a window garnished with shapes of wood and metal among which he recognized only a few common handtools. He held his hand up to one eye to break the glare of light on the glass and he could see them in the dim interior, hanging from their nail on the wall. He checked the dollar and went in. His footfalls were muffled on the dark oiled floors, bearing him into an atmosphere heavy with smells of leather and iron, machine-oil, seed, beneath strange objects hung from hooks in the ceiling, past barrels of nails, to the counter. They were hanging down by their chains and looking fierce and ancient among the trace chains and harness, bucksaws and axehelves. A clerk passed behind the counter and waited on a man idly turning a brass doorknob in his hand. Together they disappeared, into the gloom, ducking under a fringe of dangling strap leather, to the rear of the store. A few minutes later a gray haired man came up the aisle and leaned on the counter looking down at him.
Can I hep ye, son? he said.
How much are they? He motioned vaguely past the man as if there were but one item of merchandise displayed there. The traps … your traps there.
The man turned. Traps? Steel traps.
Yessir.
Well, he said, let’s see … what size?