Her feeling for him he at first refused to believe. Later he dismissed it as lust, and finally, when he could no longer deny it, grew puzzled by its animality, its power and its scarcely believable ferocity. And if this life force sometimes felt too large and too inexplicable for a man with as low an estimate of himself as Dorrigo Evans it was also, he came to recognise, inexorable, inescapable, and overwhelming, and he surrendered himself to it.
Desire now rode them relentlessly. They became reckless, taking any opportunity to make love, seizing shadows and minutes that might abruptly end in discovery, daring the world to see them and know them as them, partly willing it, partly wanting it, partly evading it and partly hiding it, but always thrilling in it. The ocean rising and breaking through the King of Cornwall’s thick bluestone walls; their exertions inside, slowly merging into one, bodies beading and bonding in a slither of sweat. They made love on beaches, in the ocean, and, less easily, in the Cabriolet, the street behind the King of Cornwall, over a barrel of Coopers Red in the cool retreat of the cellar, and once in the kitchen very late at night. He could not resist the undertow of her.
After lovemaking he was haunted by her face, expressionless, so close, so far away; looking up into him and through him, beyond him. At such times, she would seem lost in some trance. The eyebrows so definite, so strong; the burning blue of her eyes, silver in the night light, seemingly not focused on him but staring straight at him; her slightly opened lips, not smiling, only the gentlest of slowing pants that he would lean down and turn his cheek to, in order to feel their slightest breeze on his skin, so he might know that this was not a vision, but her, her in bed with him. And he knew not joy, or pride, but amazement. In the darkened hotel room he thought he had never seen anything so beautiful.
Once, when Keith had gone to town early for a meeting, she came to his room in the morning. They chatted, and when she went to leave they embraced, kissed and fell to the bed. With her legs spilling over the bed and him half-standing, half-crouching, he entered her. And when he looked down at her face she seemed not to be there or even conscious of him.
Her eyes grew brighter and brighter but were strangely unfocused. Her lips were parted just enough for her shallow pants to escape, a short, repetitive cascade of sighs in part response to him and in part to some ecstasy that was hers alone. It frightened him how lost her face seemed to be. As though what she really sought from him was this obliteration, an oblivion, and their passion could only lead to her erasure from the world. As if he was only ever a vehicle for her to ride to another place, so distant, so unknown to him that a dull resentment momentarily rose in him. And as she began violently clutching and pulling him into her, he understood that his own body was somehow making the same journey. Did she think all this was him? he wondered. It was not him. It was a mystery to him also.
So it went on, that never-ending summer that ended like a joyriders’ car smash on the Sunday night Keith told Amy he knew, and that he had always known.
23
KEITH MULVANEY BEGAN at the beginning, and it was clear nothing had escaped him. He drove even more slowly than he copyrightly did, for with the blackout laws there were no streetlamps, no visible houselights, and all car headlights were covered with slotted shades.
I know, he said. I’ve always known.
The car floor shuddered beneath Amy’s feet. She tried to lose herself in its vibrations but the vibrations just seemed to be saying to her DORRY—DORRY—DORRY. She did not dare look at her husband, instead staring straight ahead into the night.
From the first, he said. When he came to the bar asking for me.
Miles seemed to pass between sentences. The car seemed to be lost in an endless, rattling blackness. She was trying very hard to push it out of her mind but all she could feel was the sadness emanating from Keith, a sadness that seemed to empty the world. Though the car shuddered and thrummed, all about her seemed only silence, solitude and the most terrible stillness. She had only ever known him like this when his beloved sister had died of tuberculosis the summer before.
Perhaps this, too, is a form of grief, she thought. There is no joy, no wonder, no laughter, no energy, no light, no future. Hope and dreams are cold ash from a dead fire. There is neither conversation nor argument. For, in truth, what is there to be said? It is death. The death of love, thought Amy. He sat there, leaning ahead, so many split sticks of despair protruding out of a sack of ill-fitting clothes: brown Oxford bags, green twill shirt, a muddy woollen tie.
I thought that was cheeky, Keith said.
Amy Mulvaney objected as best she could without telling the truth, that the truth was there was nothing going on then. She said that they were at that time strangers, save for one chance meeting—at the bookshop, which, as she reminded Keith, she had told him about, which, after a fashion, she had—where nothing had happened.