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The Narrow Road to the Deep North(42)

By:Richard Flanagan


We’re not just two, he said.

Of course we’re two, or we’re nothing, Amy said. What do you mean, we’re not two?

But he didn’t know what he meant. At that moment he felt that he existed in the thoughts and feelings and words of other people. Who he was he had no idea. He didn’t have words or ideas for what they were or what would become of them. It seemed to him that the world simply allowed for some things and punished others, that there was neither reason nor explanation, neither justice nor hope. There was simply now, and it was better just to accept this.

But still she talked on, trying to decipher an undecipherable world; still she asked of him his intentions, his ideas, his desires; still he felt she was trying to trap him into some expression of commitment that she could then reject outright as impossible. It was as if she wanted him to name whatever it was they had, but if he did that he would kill that very same thing.

In the dim light he heard her vow—

One day I’ll go. One day I’ll go and he’ll never find me.

It was hard to believe her. He said nothing. She was silent. He felt he had to say something.

Why are you telling me?

Because I don’t love Keith. Don’t you see?

And these words struck them both as a new and unsettling revelation.

For a time they were both silent. Other than the green circle of time that waited opposite them they were in complete darkness in which their bodies dissolved. They found not each other in the dark, but pieces that became a different whole. He felt he might fly apart into a million fragments were it not for her arms and body holding him.

Listen, she said. We’re sea-time.

But the sea had died off and the only sound was that of the one-handed Bakelite clock. He knew it was untrue; that when he kissed the shell of her ear she was asleep, and that the only true thing in the universe at that moment was them together in that bed. But he was not at peace.





21



THE MORNING AIR was already like an oven before the sun was properly up. She helped Dorrigo make the bed so their disgrace would not be visible to the maid. She watched him washing himself: his hands a wet bowl, his gleamy face falling from them a steaming pudding. It was his arms that she noticed above all, dark-skinned, the way he picked up and held things, the jug of cold water, the shaving brush, the safety razor. With a gentle power, not brute force. His tautness. The difference of him.

He was leaning down and burying his head in the water basin now, an arm splayed either side like a lamb’s wonky legs. But he was nothing like a lamb—more like a wolf, she thought, holding himself there steady, poised, waiting, a black wolf, his gorgeous black hair in his armpits slicked with soap. His chest. His shoulders as he held up an arm as if stopping something—cars, trains, her heart—and then dropped it as if it were nothing.

She wanted to bury her face in those armpits there and then and taste them, bite them, shape into them. She wanted to say nothing and just run her face all over him. She wished she wasn’t wearing that print dress—green, such a bad colour, such a cheap dress, so unflattering and her breasts she wanted up and out, not lost and covered up. She watched him, his muscles little hidden animals running across his back, she watched him moving, wanted to kiss that back, those arms, the shoulders, she watched him look up and see her.

The eyes, the black eyes. Unseeing and seeing.

She said something to hurry away from that look but she stayed. What he was thinking she never knew. She had once asked; he said he had no idea. Later, she thought he was scared. He was handsome. She didn’t like that about him either. Too sure, she felt, too knowing—one more thing she later realised she had been wrong about. The knowing and the unknowing.

Him. To a tee.

When he saw her still staring at him, he looked away and down, his face flushed.

She longed to know everything about him, to tell him everything about her. But who was she? She had come down from Sydney to visit with a friend who had family in Adelaide and she had ended up staying, getting a job behind the King of Cornwall’s bar. There she met Keith Mulvaney. He was a boring man but kind in his way, things had happened, and who was she? The daughter of a Balmain sign painter who had died when she was thirteen, one of seven children who made their way the best they could. She had never met a man like Dorrigo.

Is the floor more interesting than me? she said.

Why on earth did she say that? She was a wicked woman, she was a disgraceful woman; she knew it, and sometimes she didn’t care if the world knew it, she would not regret it if she were on her deathbed now. She regretted nothing. She handed him his shirt.

No, he said.

He smiled. His smile, his bicep moving like a ball back and forth under his skin as he took the towel from her and buried his smile in it. Moving and unmoving.