The Narrow Road to the Deep North(35)
Amy floated. Far out to sea a small yacht sat listless on the still water. When she turned back around to the beach she saw a middle-aged man in an old-fashioned woollen bathing suit staring at her. He was hairless, his skin like that of a fowl before it went into the oven. He abruptly looked away.
Once more, she knew that strange, haunting emotion that would not let her be: but what Amy Mulvaney wanted she was unable to say. She swam a few strokes further out, and it was as if the sea, the sun, the slight breeze were all willing her to do something, anything, but something. As she looked up and down the surf, she saw other people in line with her, so many people, expectant, hopeful, similarly waiting for the next wave to break, hoping to ride its power in to shore. As the ocean began banking up in a rolling wall behind her she noticed that running along its crest was a long line of yellow-eyed, silver fish.
As far as she could see all the fish were pointed in the same direction along the wave face, and all were swimming furiously as they sought to escape the breaking wave’s hold. And all the time the wave had them in its power and would take them where it would, and there was nothing that glistening chain of fish could do to change their fate. Amy felt herself beginning to rise back into the wave’s swelling, she tensed in anticipation and excitement, not knowing whether she would succeed in catching it, and, if she did, where she and the fish might end up.
16
COLONEL KOTA UNCLENCHED his hand and said—
He spread his legs, raised the sword and with a yell swung it down hard. The head seemed to leap away. The blood was still spurting in two fountains when we had to follow. It was hard to breathe. I was frightened of making a fool of myself. Some of the others hid their heads in their hands, one messed his stroke up so badly a lung half popped out. The head was still in place and the lieutenant had to finish off the mess. And all the time I was watching: what was a good stroke, what was a bad stroke, where to stand next to the prisoner, how to keep the prisoner calm and still. Thinking about it now, I can see that all the time I was looking, I was learning. And not only about beheading.
When my turn came I couldn’t believe that I was doing everything so calmly because inside I was horrified. Yet I unsheathed the sword my father had given me without shaking, wet it as the instructor had shown without dropping it, and for a moment watched as those water beads rolled together and slowly ran away. You wouldn’t believe how much watching that water helped me.
I stood behind the prisoner, got my balance, carefully examined his neck—skinny and old, filth in its folds; I’ve never forgotten that neck. Before it had begun it was over, and I was wondering why there were little globules of fat on my sword that wouldn’t rub off with the paper they handed me. That’s all I was thinking—where did that fat come from in such a scrawny man’s scrawny neck? His neck was dirty, grey, like dirt you piss on. But once I had cut it open the colours were so vivid, so alive—the red of his blood, the white of his bone, the pink of his flesh, the yellow of that fat. Life! Those colours were life itself.
I was thinking about how easy it had been, how bright and beautiful the colours were, and I was stunned it was already over. Only when the next cadet officer stepped forward did I see that my prisoner’s neck was still pumping blood out in two fountains, just like the lieutenant’s victim, but only a little, so it must have been some time after I killed him that I noticed.
I no longer felt anything for that man. To be honest, I despised him for accepting his fate so meekly and wondered why he wouldn’t fight. But who’d be any different? And yet, I was angry with him for letting me slaughter him.
Nakamura noticed how, as he told his story, Kota’s sword hand continued clenching and unclenching, as if rehearsing or practising.
And what I felt, Major Nakamura, the colonel continued, was something so large in my stomach that it was as if I were now another man. I had gained something, that’s what I felt. It was a great and terrible feeling. As if I had died too and was now reborn.
Before, I worried about how my men looked at me when I stood in front of them. But after, I just looked at them. That was enough. I no longer cared or was frightened. I just stared and saw into them—their fears, their sins, their lies—I saw everything, knew everything. Your eyes are evil, a woman said to me one night. I would just look at people and that would be enough to frighten them.
But after a while this feeling began to die. I started feeling confused. Lost. The men would start talking insolently again, quietly, behind my back. But I knew it. No one was frightened of me anymore. It’s like Philopon—once you have it, even if it makes you feel lousy, you just want it again.