Should I be jealous? asked Ella.
Of what? he said. I can’t tell you how bloody happy I was to get out of that bookshop.
A moment later he was kissing Ella. Ella was kind, he told himself. And somewhere within him he pitied Ella, and buried even deeper was an understanding that they would both suffer because of her kindness and his pity. He hated her kindness and he feared his pity, and he wanted only to escape it all forever. And the more he hated and feared and wished to escape, the more he kept kissing, and as their embraces grew more passionate, and as one moment passed into another and that day into the next, as life filled with life, his bleak mood passed, and he almost stopped thinking of the girl with the red camellia altogether.
He grew cheerful, and the furlough seemed at once to go too fast and at the same time be a never-ending swirl of parties, chance meetings and new acquaintances. Everyone seemed to want to meet Ella’s man, be they her friends or her parents’ friends. And in this way he met much of Melbourne society, and he came to see himself in their image—as a young man who would after the war rise to great things. And everything in this perfect life fitted so sweetly together—he and Ella, and Ella’s family, and their place in the world, which would shortly be his place also. And what had been so difficult with Ella now became unexpectedly easy: there were no longer any barriers between them, and it was as it had been before, perhaps even better, and he had completely forgotten both the bookshop and his own doubts.
On returning to Adelaide, he lost himself in the general staff work that he copyrightly so loathed. Outside a Nissen hut in the administration block of the Warradale camp—where he and some of the other medical staff had offices—dust blew in whirls around the parade ground, while inside, in the appalling oven-like heat, he tried to concentrate on the preparations for embarkation—supplies and equipment that were either non-existent or no one had thought necessary, along with a bewildering amount of paperwork of which he rarely saw the purpose or the end. Of a night there was the prospect of slightly cooler weather and parties with cold beer and iced rum punches, and he threw himself into them as well, seeking an oblivion that he sometimes found.
A postcard arrived from Keith Mulvaney, repeating his invitation to come and visit him at his pub, the King of Cornwall. A hand-tinted photo of the hotel featured on the front of the card, showing a grand, four-storey stone building—complete with a three-sided verandah on every level that looked straight out onto a long, empty beach—built, according to the card, in 1886. To judge from the boaters and moustaches worn by the men at the front of the hotel, the card itself was only a little more recent. Dorrigo misplaced it amidst the office files.
There was about everything and everyone a growing sense of frustration as reports came in of the Blitz in London, along with the first reports of the Australians in action in Libya against the Italians, yet they remained in camp in Adelaide. Rumours of impending embarkation and possible destinations—Greece, Britain, North Africa, an invasion of Norway—came and went.
Dorrigo immersed himself in life, the furious work and frenetic partying, and let everything else wash ever further away. Late one afternoon, at the bottom of a pile of stretcher requisition forms, he chanced upon Keith Mulvaney’s postcard of his beachside hotel. And the following weekend, when he had a twelve-hour leave pass and nothing better to do, Dorrigo Evans drove down the coast in a coal-fired Studebaker truck he had borrowed from his batman’s brother.
Near dusk, he arrived at a small settlement that served as a holiday village for Adelaidians. With the breeze off the ocean, and the sound of waves, the heat became not just tolerable, but something sensual and welcome. If the beach seemed as sweeping as it had been in the postcard, the King of Cornwall was both grander and more rundown than its photograph suggested, and there was about it the alchemical charm of old things fallen on hard times.
Inside was a long, dark bar in the South Australian style: high-ceilinged, and with a pleasant dimness after the brutal light of the South Australian summer. The hues of stained wood and dun colours seemed to soothe and rest the eyes after the blaze of the outdoor world. The overhead fans rhythmically brushed the low drum of drinkers’ conversation. Dorrigo went to the bar, where a barmaid was tidying some bottles on the rear shelf. Her back was turned, and he asked her if she could help him find Keith Mulvaney.
I’m Keith’s nephew, he added.
You must be Dorrigo, the barmaid said as she turned. Her blonde hair was pulled up in a chignon. I’m—
A cone of dull electric light that shone down onto the bar made her blue eyes glisten. For a moment there was something in them, then they emptied.