Will you love me now? Big Man asked her.
I will, Zoya said.
Here again we will draw a curtain and give them some privacy. Suffice it to say that when they came back south, Big Man was light on his feet for the first time; he was walking ten meters off the ground. He hadn't known it could be so good.
Later on Zoya left him and broke his heart, unfortunately, and he had to get used to that, as well as to his organ being just a sweet little thing between his legs. It was kind of strange, but not really bad. It meant that when he met other human women he liked, he was sometimes able to form quite satisfactory relationships with them. And occasionally he would run into Zoya, and sometimes they would renew their old affair, with considerable passion. So that all in all, in the long run, looking at everything that had happened since and putting it all in the balance, he judged that it had been worth it. And the climbers on Mars continue to appreciate the decision as well.
An Argument for the Deployment of All Safe Terraforming Technologies
The Oxia River runs heavy with silt after storms on Margaritifer Terra, and the muddy water pours through the sandbars at the river's mouth and stains Chryse Gulf as red as blood, in a bloom extending three or four kilometers out toward the archipelago on the horizon. When the flow recedes, and the silt settles to the bottom, the river's channel is almost always changed. The mouth might have moved all the way to the other end of the beach. The old channel then silts up, its underwater banks continuing to serve as point breaks for incoming waves, until the waves wear them down. It's all new, week by week, storm by storm—except for the elements involved, of course: sun, sea, sky; the bluffs nosing out into the sea, the river canyon between them; the river's final beach-dammed lagoon, the dunes, the river water rippling out the break and over the tide bars to slide under the waves of the shorebreak. These are always there.
“Always” in the relative sense, of course. I mean that for years it had been this way. But on Mars the landscape is a matter of perpetual change. Punctuated equilibrium, as Sax once said, without the equilibrium. And the cooling of the 2210s, the years without summer, was such that if something were not done, this river-mouth scene would not exist like this for many more years.
But the methods that seemed to contain any hope of stopping the trend sounded drastic indeed. For someone who loves the land, the idea of a million thermonuclear explosions in the deep regolith is a shocking thing, an ugly thing. You can make all the arguments you like about the containment of radiation, about the essential heat from below, even about the disposal of old Terran weapons, and still it doesn't seem like something an environmentalist should approve.
And it didn't help that there were advocates using the stupidest language possible to argue for the various heavy-industrial methods being proposed. These were people who did not understand the power of language. They would speak casually of a “manifest destiny” for Mars, as if this phrase did not come from a determinate moment in American history, a moment inextricably tied to imperialist wars of conquest, to idiot yahoo patriotism, and to a genocide that most Americans still did not like to admit had occurred. So that to use that horrible old phrase to describe the rescue of the Martian biosphere was insane; but some people did it anyway.
And other people, like Irishka, were extremely put off by it. And all because of words. I sat through the whole of that session of the global environmental court, listening to the arguments pro and con, and though my work is in words I thought to myself, This is absurd, this is horrible. Language is nothing but a huge set of false analogies. There has to be a better way to make one's point.
So when the session was over I got Irishka and her partner Freya to come with me, and we took the equatorial piste west to Ares Fjord, then drove northwest up the shore of Chryse Gulf to the gravel road that went out to Soochow Point, above the Oxia River's broad beach of a mouth. Early one summer morning we drove around a turn in the sea-cliff road, and all was clear. The horizon was a clean line between sea and sky. Both were blue: the sky a very dark blue with purplish tinges, as if there were a red shell above the blue one; the sea a blue almost black, its water on this day transparent to a great depth. The land was the usual red rock, though here tinted blackish, as it tended to be through the region, darkening as you move east toward black Syrtis. There was no wind, and the stillness of the water was such that the waves broke as in a wave tank in a physics class, peeling cleanly across their breaks, purring in, leaving white tapestries fizzing behind them, until the shorebreak foamed up the wet red strand.
I saw right away that the bottom had changed again in the most recent storm. There was a new point break off to the far left side of the beach. And this offshore sandbar was angled perfectly to the morning's incoming swell, which was fairly big. Probably there was a hard wind blowing down Kasei's great canyon and fjord on the other side of Chryse Gulf, creating these waves some thirteen hundred kilometers away. We could see the swells right out to the horizon, crests perfectly spaced and slightly bowed toward us, like arcs of a circle bigger than the Chryse Gulf itself, sweeping in to curl around Soochow Point and onto our beach, one after the next, all pitching over first at the new point break, then breaking in a continuous clean line all the way across the beach to the new river mouth, far to the right. The break was swift but not too swift, and each was slightly different, of course, shallow bowls giving way to quick walls, or long tubular sections purling over in perfect clear waterfalls. Conditions could never be more perfect. “Oh my God,” Irishka said. “Heaven has come.”