The bull-huge man wore the green and gold of a high priest preparing the low rites, but he was no one the apostate recognized. The high priest he had known was dead, then. Well, the spider goddess promised many things, but physical immortality wasn’t one. Her priests could die. The thought was a comfort. The apostate pulled his cheap wools closer around him and disappeared into the wet labyrinth of broadways and alleys.
T
he Division split Camnipol down its center like God’s knife wound. Half a dozen true bridges spanned the abyss from its rim, standing high above the empty air, massive webworks of stone and iron. Any number of improvised chain-and-rope constructions reached across it lower down where the walls came closer together. If one were sitting near its edge, the history of the city was laid bare, ruin laid upon ruin laid upon ruin until the ancient architecture vanished, indistinguishable from stone apart from the occasional archway or green-bleeding bronzework. Since the age of dragons and before, there had been a city where Camnipol stood, growing upon and out of the ruins of the city before it. Even now, poor men and women of the thirteen races lived deep in the flesh of the city, inhabiting lightless caves that had been the storehouses and ballrooms and palaces of their ancestors.
“You never really think about drainage,” Smit said, looking out into the grey air.
“I don’t believe I do,” the apostate said, shrugging off his cloak. “Was there a reason you felt I should?”
The troupe had taken shelter in a common yard at the Division’s edge. The cart’s thin doors were open, but they hadn’t lowered the stage. Cary sat cross-legged with her back against the wide wheel, sewing beads to the blue gown. They were going to play The Bride’s Folly that night, and the role of Lady Partia called for a bit more frippery. Sandr and Hornet were at the back of the high shelter with sticks in their hands, walking the choreography of the final battle where Anson Arranson exposed the treachery of his commander. Charlit Soon, their newest actor, sat with her hands under her thighs, her lips moving as if in prayer. It was her first night playing in The Bride’s Folly, and her anxiety was endearing. Mikel was nowhere to be seen, likely off to the market and haggling for meat and river fish. There would be plenty of time for him to return and make ready. It was only the gloomy weather that made everything seem late.
“Well, you think about it,” Smit said, nodding at the rain, “the things that really make a city are about controlling nature, aren’t they? This here rain may not look like much, but Camnipol’s a big city. It all adds up. Right now, just looking at it, it’s like God upended a river on the place. All that water’s got to go somewhere.”
“The sea, the sea, the endless sea,” the apostate said, quoting a play they’d done two years before. “As all water finds the salt waves, so all men end in death.”
“Well sure,” Smit said, rubbing his chin, “but the important thing’s how it gets from here to there, isn’t it?”
The apostate smiled.
“Smit, my dear, I believe you’ve just committed metaphor.”
The actor blinked a false innocence.
“Did I? And here I thought we were talking about gutters.”
The apostate smiled. For fifteen years now, he had traveled the world with his little band of players. They had sung for kings and brutish mobs. He’d taught players from eight of the thirteen human races, and taken lovers from three. Master Kit, he’d been. Kitap rol Keshmet. It was a name he’d given himself even before that, when he had delivered himself into the world out of a womb of desert stone and madness. He’d played a thousand roles. And now, God help him, there was time for one more.
One last.
“Cary?” the apostate said. “A word?”
The long-haired woman nodded, slipped her needle into her sleeve, and laid the handful of beads carefully into a cupping fold of the gown’s cloth. It looked casual and unthinking, but not one bead would escape that little nest. The apostate nodded, smiling, and strolled toward the next shelter in the common yard, empty apart from a cold iron brazier and a stone bench. The brick paving was wet where the rain struck, the subtle red and green deepened and enriched until they seemed enameled. He sat on the little bench and Cary sat at his side.
Now that the time had come, he couldn’t ignore the sorrow any longer. It had been there for weeks. The fear was an old companion by now; a fire lit in a common house in Porte Oliva months before when he had first heard word that a banner of the goddess flew in Antea. Sorrow had only come later, and he had put it aside as long as he could, telling himself that the thickness in his throat, the weight in his breast, would keep. They would keep no more.