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The Killings at Badger's Drift(82)

By:Caroline Graham






The marquee was the size of a barrage balloon. It billowed and flapped whilst half a dozen men struggled with pegs and hammers to tether it down. Two dozen crates of champagne and twelve trestle tables stood nearby together with a tottery mountain of interlocking bentwood chairs. Under the canvas the exquisitely nurtured aristocratic green, trampled by heavy boots, was already giving off that enclosed warm smell redolent of a thousand refreshment tents - a scent of tea urns and sweet hay and freshly cut bread.

As Barnaby walked down the terrace steps for the last time he saw Henry Trace wheeling himself between florists and caterers; nodding, smiling, pointing, getting in the way. Even from a distance of several feet his happiness was tangible. Barnaby looked around for Katherine Lacey.

‘Why, Chief Inspector.’ Henry propelled himself skilfully across the flagstones. ‘How nice. Have you come to wish us joy?’ His smile faded as he saw the policeman’s face. He stopped his chair some little distance away as if this gap might somehow mitigate whatever tidings Barnaby had brought.

‘I’m very sorry, Mr Trace, but I have some bad news.’

‘Is it about Phyllis? I already know . . . they rang up. I’m afraid it looks a bit insensitive going ahead here but everything was so advanced’ - he gestured across the lawn - ‘that I decided . . .’ His voice ran down. There was a long pause whilst he stared at the two men, dread gathering in his eyes.

Barnaby spoke for a few moments, gently, knowing there was no way to make the cruel words merciful. Troy, who had always hoped that one day he would be in a position to see a member of the upper crust getting their comeuppance, found himself looking away from the shrunken figure in the wheelchair.

‘Can you give me any idea of Miss Lacey’s whereabouts?’ Barnaby waited, repeated his question and waited again. He was about to ask it a third time when Henry Trace said, ‘She’s gone over to the cottage . . .’ His voice was unrecognizable. ‘Someone rang up . . .’

‘What! Did she say who it was?’

‘No. I took the call . . . it was a woman . . . in some distress I think. She sounded very old.’

‘Jesus!’ Even as he spoke Barnaby started to move. Troy ran alongside. ‘Leave the car . . . quicker through the spinney.’

They cut through the garden of Tranquillada, past the startled constable, and crashed through the hedge to the spinney. Barnaby tore at the hazels and forced his way through into the woods. He ran like the wind, kicking sticks and everything else out of his way savagely. Troy heard him mutter, ‘Bloody fool . . . bloody bloody fool.’ And, not knowing who or what Barnaby meant, felt himself caught up in the slipstream of urgency engendered by the other man’s flight.

Back on the terrace Henry Trace slumped in the chair. The bustling continued around him unabated. Boxes of champagne flutes went by and a hamper of napery. A pretty girl in a pink overall was wiring white carnations into an arch over the door. She was singing. Henry closed his eyes and braced himself for another wave of pain. It came in quietly but in no time was tearing at him with vicious ferocity.

‘Excuse me, sir . . . ?’ Pause. ‘Sir?’

‘Yes?’

‘I’m just going to do the gypsophila. I thought it’d look rather pretty wound through the balustrades then sort of tumbling down the steps . . . ?’

He looked at her, then across at the marquee which was now gaily decorated with bunting. People were hurrying about, calling to each other. The mountain of chairs was being dismantled and carried into the tent. He must do something to stop the momentum. Even as he prayed there was some mistake he knew there was no mistake. Everything Barnaby had told him fitted. Everything must be true. But what could he say to the girl? He looked at her kind smiling face.

‘Yes,’ he said, turning his chair to go indoors, ‘tumbling down the steps will be fine.’





Chapter Two

‘Take the kitchen,’ cried Barnaby, ‘I’ll check upstairs.’

All three bedrooms were empty and looked just as they had before: the little single bed still straining pristinely for effect, the double a tangled mess. Barnaby checked the wardrobe and was just opening a large trunk on the landing when he heard Troy cry out. He flew down the stairs and found his sergeant standing in the studio in front of the easel. He looked completely stupefied.

‘But . . .’ he gaped at Barnaby. ‘Who is it?’

Barnaby glanced at the canvas. Resting on the rim of the easel was an envelope addressed ‘To Whom It May Concern’. He snatched it up and walked quickly out of the room. Troy, his face the colour of a boiled lobster, followed.