The Hotel Eden(23)
For some reason, Eddie Zanduce responds to this: “I don’t see people. It’s not what I do. I can’t afford it.” Having said it, he immediately regrets how true it sounds to him. Why is he talking to her? “I’m tired,” he adds, and he is tired—of it all. He regrets his decision to have company, purchase it, because it has turned out to be what he wanted so long, and something about this girl has crossed into his view. She is smart and pretty and—he hates this—he does feel bad she’s a hooker.
And then she says the haunting thing, the advice that he will carry into the game later that night. “Why don’t you try to do it?” He looks at her as she finishes. “You’ve killed these people on accident. What if you tried? Could you kill somebody on purpose?”
At five twenty-five after driving the last forty minutes in a silence like the silence in the center of the rolling earth, Eddie Zanduce pulls into the Hilton lot and Carol Ann Menager says, “Right up there.” When he stops the car, she steps out and says to him, “I’ll be at the game. Thanks for the tea.”
AND NOW at two and one, a count he loves, Eddie Zanduce steps out of the box, self-conscious in a way he hasn’t been for years and years and can’t figure out until he ticks upon it: she’s here somewhere, taking the night off to catch a baseball game or else with a trick who even now would be charmed by her unaffected love for a night in the park, the two of them laughing like teenagers over popcorn, and now she’d be pointing down at Eddie, saying, “There, that’s the guy.” Eddie Zanduce listens to the low murmur of twenty-four thousand people who have chosen to attend tonight’s game knowing he would be here, here at bat, which was a place from which he could harm them irreparably, for he has done it eleven times before. The announcers have handled it the same after the fourth death, a young lawyer taken by a hooked line shot, the ball shattering his occipital bone the final beat in a scene he’d watched every moment of from the tock! of the bat—when the ball was so small, a dot which grew through its unreliable one-second arc into a huge white spheroid of five ounces entering his face, and what the announcers began to say then was some version of “Please be alert, ladies and gentlemen, coming to the ballpark implies responsibility. That ball is likely to go absolutely anywhere.” But everybody knows this. Every single soul, even the twenty Japanese businessmen not five days out of Osaka know about Eddie Zanduce, and their boxes behind first base titter and moan, even the four babies in arms not one of them five months old spread throughout the house know about the killer at the plate, as do the people sitting behind the babies disgusted at the parents for risking such a thing, and the drunks, a dozen people swimming that abyss as Eddie taps his cleats, they know, even one in his stuporous sleep, his head collapsed on his chest as if offering it up, knows that Eddie could kill any one of them tonight. The number eleven hovers everywhere as does the number twelve waiting to be written. It is already printed on best-selling T-shirt, and there are others, “I’ll be 12th,” and “Take Me 12th!” and “NEXT,” and many others, all on T-shirts which Eddie Zanduce could read in any crowd in any city in which the Orioles took the field. When he played baseball, when he was listed on the starting roster—where he’d been for seven years—the crowd was doubled. People came as they’d come out tonight on a chilly cloudy night in Baltimore, a night that should have seen ten thousand maybe, more likely eight, they flocked to the ballpark, crammed themselves into sold-out games or sat out—as tonight—in questionable weather as if they were asking to be twelfth, as if their lives were fully worthy of being interrupted, as if—like right now with Eddie stepping back into the batter’s box—they were asking, Take me next, hit me, I have come here to be killed.
Eddie Zanduce remembers Carol Ann Menager in the car. He hoists his bat and says, “I’m going to kill one of you now.”
“What’s that, Eddie?”
Caulkins, the Minnesota catcher, has heard his threat, but it means nothing to Eddie, and he says that: “Nothing. Just something I’m going to do.” He says this stepping back into the batter’s box and lifts his bat up to the ready. Things are in place. And as if enacting the foretold, he slices the first pitch, savagely shaving it short into the first-base seats, the kind of ugly truncated liner that has only damage as its intent, and adrenaline pricks the twenty-four thousand hearts sitting in that dangerous circle, but after a beat that allows the gasp to subside, a catch-breath really that is merely overture for a scream, two young men in blue Maryland sweatshirts leap above the crowd there above first base and one waves his old brown mitt in which it is clear there is a baseball. They hug and hop up and down for a moment as the crowd witnesses it all sitting silent as the members of a scared congregation and then a roar begins which is like laughter in church and it rides on the night air, filling the stadium.