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The Handmaid's Tale(3)

By:Margaret Atwood


I looked at the cigarette with longing. For me, like liquor and coffee, cigarettes are forbidden.

So old what’s-his-face didn’t work out, she said.

No, Ma’am, I said.

She gave what might have been a laugh, then coughed. Tough luck on him, she said. This is your second, isn’t it?

Third, Ma’am, I said.

Not so good for you either, she said. There was another coughing laugh. You can sit down. I don’t make a practice of it, but just this time.

I did sit, on the edge of one of the stiff-backed chairs. I didn’t want to stare around the room, I didn’t want to appear inattentive to her; so the marble mantelpiece to my right and the mirror over it and the bunches of flowers were just shadows, then, at the edges of my eyes. Later I would have more than enough time to take them in.

Now her face was on a level with mine. I thought I recognized her; or at least there was something familiar about her. A little of her hair was showing, from under her veil. It was still blonde. I thought then that maybe she bleached it, that hair dye was something else she could get through the black market, but I know now that it really is blonde. Her eyebrows were plucked into thin arched lines, which gave her a permanent look of surprise, or outrage, or inquisitiveness, such as you might see on a startled child, but below them her eyelids were tired-looking. Not so her eyes, which were the flat hostile blue of a midsummer sky in bright sunlight, a blue that shuts you out. Her nose must once have been what was called cute but now was too small for her face. Her face was not fat but it was large. Two lines led downwards from the corners of her mouth; between them was her chin, clenched like a fist.

I want to see as little of you as possible, she said. I expect you feel the same way about me.

I didn’t answer, as a yes would have been insulting, a no contradictory.

I know you aren’t stupid, she went on. She inhaled, blew out the smoke. I’ve read your file. As far as I’m concerned, this is like a business transaction. But if I get trouble, I’ll give trouble back. You understand?

Yes, Ma’am, I said.

Don’t call me Ma’am, she said irritably. You’re not a Martha.

I didn’t ask what I was supposed to call her, because I could see that she hoped I would never have the occasion to call her anything at all. I was disappointed. I wanted, then, to turn her into an older sister, a motherly figure, someone who would understand and protect me. The Wife in my posting before this had spent most of her time in her bedroom; the Marthas said she drank. I wanted this one to be different. I wanted to think I would have liked her, in another time and place, another life. But I could see already that I wouldn’t have liked her, nor she me.

She put her cigarette out, half-smoked, in a little scrolled ashtray on the lamp table beside her. She did this decisively, one jab and one grind, not the series of genteel taps favoured by many of the Wives.

As for my husband, she said, he’s just that. My husband. I want that to be perfectly clear. Till death do us part. It’s final.

Yes, Ma’am, I said again, forgetting. They used to have dolls, for little girls, that would talk if you pulled a string at the back; I thought I was sounding like that, voice of a monotone, voice of a doll. She probably longed to slap my face. They can hit us, there’s Scriptural precedent. But not with any implement. Only with their hands.

It’s one of the things we fought for, said the Commander’s Wife, and suddenly she wasn’t looking at me, she was looking down at her knuckled, diamond-studded hands, and I knew where I’d seen her before.

The first time was on television, when I was eight or nine. It was when my mother was sleeping in, on Sunday mornings, and I would get up early and go to the television set in my mother’s study and flip through the channels, looking for cartoons. Sometimes when I couldn’t find any I would watch the Growing Souls Gospel Hour, where they would tell Bible stories for children and sing hymns. One of the women was called Serena Joy. She was the lead soprano. She was ash-blonde, petite, with a snub nose and huge blue eyes which she’d turn upwards during hymns. She could smile and cry at the same time, one tear or two sliding gracefully down her cheek, as if on cue, as her voice lifted through its highest notes, tremulous, effortless. It was after that she went on to other things.

The woman sitting in front of me was Serena Joy. Or had been, once. So it was worse than I thought.





CHAPTER FOUR


I walk along the gravel path that divides the back lawn, neatly, like a hair parting. It has rained during the night; the grass to either side is damp, the air humid. Here and there are worms, evidence of the fertility of the soil, caught by the sun, half dead; flexible and pink, like lips.

I open the white picket gate and continue, past the front lawn and towards the front gate. In the driveway, one of the Guardians assigned to our household is washing the car. That must mean the Commander is in the house, in his own quarters, past the dining room and beyond, where he seems to stay most of the time.

The car is a very expensive one, a Whirlwind; better than the Chariot, much better than the chunky, practical Behemoth. It’s black, of course, the colour of prestige or a hearse, and long and sleek. The driver is going over it with a chamois, lovingly. This at least hasn’t changed, the way men caress good cars.

He’s wearing the uniform of the Guardians, but his cap is tilted at a jaunty angle and his sleeves are rolled to the elbow, showing his forearms, tanned but with a stipple of dark hairs. He has a cigarette stuck in the corner of his mouth, which shows that he too has something he can trade on the black market.

I know this man’s name: Nick. I know this because I’ve heard Rita and Cora talking about him, and once I heard the Commander speaking to him: Nick, I won’t be needing the car.

He lives here, in the household, over the garage. Low status: he hasn’t been issued a woman, not even one. He doesn’t rate: some defect, lack of connections. But he acts as if he doesn’t know this, or care. He’s too casual, he’s not servile enough. It may be stupidity, but I don’t think so. Smells fishy, they used to say; or, I smell a rat. Misfit as odour. Despite myself, I think of how he might smell. Not fish or decaying rat: tanned skin, moist in the sun, filmed with smoke. I sigh, inhaling.

He looks at me, and sees me looking. He has a French face, lean, whimsical, all planes and angles, with creases around the mouth where he smiles. He takes a final puff of the cigarette, lets it drop to the driveway, and steps on it. He begins to whistle. Then he winks.

I drop my head and turn so that the white wings hide my face, and keep walking. He’s just taken a risk, but for what? What if I were to report him?

Perhaps he was merely being friendly. Perhaps he saw the look on my face and mistook it for something else. Really what I wanted was the cigarette.

Perhaps it was a test, to see what I would do.

Perhaps he is an Eye.


I open the front gate and close it behind me, looking down but not back. The sidewalk is red brick. That is the landscape I focus on, a field of oblongs, gently undulating where the earth beneath has buckled, from decade after decade of winter frost. The colour of the bricks is old, yet fresh and clear. Sidewalks are kept much cleaner than they used to be.

I walk to the corner and wait. I used to be bad at waiting. They also serve who only stand and wait, said Aunt Lydia. She made us memorize it. She also said, Not all of you will make it through. Some of you will fall on dry ground or thorns. Some of you are shallow-rooted. She had a mole on her chin that went up and down while she talked. She said, Think of yourselves as seeds, and right then her voice was wheedling, conspiratorial, like the voices of those women who used to teach ballet classes to children, and who would say, Arms up in the air now; let’s pretend we’re trees.

I stand on the corner, pretending I am a tree.


A shape, red with white wings around the face, a shape like mine, a nondescript woman in red carrying a basket, comes along the brick sidewalk towards me. She reaches me and we peer at each other’s faces looking down the white tunnels of cloth that enclose us. She is the right one.

“Blessed be the fruit,” she says to me, the accepted greeting among us.

“May the Lord open,” I answer, the accepted response. We turn and walk together past the large houses, towards the central part of town. We aren’t allowed to go there except in twos. This is supposed to be for our protection, though the notion is absurd: we are well protected already. The truth is that she is my spy, as I am hers. If either of us slips through the net because of something that happens on one of our daily walks, the other will be accountable.

This woman has been my partner for two weeks. I don’t know what happened to the one before. On a certain day she simply wasn’t there any more, and this one was there in her place. It isn’t the sort ofthing you ask questions about, because the answers are not usually answers you want to know. Anyway there wouldn’t be an answer.

This one is a little plumper than I am. Her eyes are brown. Her name is Ofglen, and that’s about all I know about her. She walks demurely, head down, red-gloved hands clasped in front, with short little steps like a trained pig’s on its hind legs. During these walks she has never said anything that was not strictly orthodox, but then, neither have I. She may be a real believer, a Handmaid in more than name. I can’t take the risk.