The Handmaid's Tale(26)

It pleased me that she was willing to lie for me, even in such a small thing, even for her own advantage. It was a link between us.

I smiled at her. I hope nobody heard you, I said.

It did give me a turn, she said, as she stood in the doorway with the tray. At first I thought it was just your clothes, like. Then I said to myself, what’re they doing there on the floor? I though maybe you’d …

Run off, I said.

Well, but, she said. But it was you.

Yes, I said. It was.

And it was, and she went out with the tray and came back with a cloth for the rest of the orange juice, and Rita that afternoon made a grumpy remark about some folks being all thumbs. Too much on their minds, don’t look where they’re going, she said, and we continued on from there as if nothing had happened.


That was in May. Spring has now been undergone. The tulips have had their moment and are done, shedding their petals one by one, like teeth. One day I came upon Serena Joy, kneeling on a cushion in the garden, her cane beside her on the grass. She was snipping off the seed pods with a pair of shears. I watched her sideways as I went past, with my basket of oranges and lamb chops. She was aiming, positioning the blades of the shears, then cutting with a convulsive jerk of the hands. Was it the arthritis, creeping up? Or some blitzkrieg, some kamikaze, committed on the swelling genitalia of the flowers? The fruiting body. To cut off the seed pods is supposed to make the bulb store energy.

Saint Serena, on her knees, doing penance.

I often amused myself this way, with small mean-minded bitter jokes about her; but not for long. It doesn’t do to linger, watching Serena Joy, from behind.

What I coveted was the shears.


Well. Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat’s-ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they’d not long since been rooted out. There is something subversive about this garden of Serena’s, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamour to be heard, though silently. A Tennyson garden, heavy with scent, languid; the return of the word swoon. Light pours down upon it from the sun, true, but also heat rises, from the flowers themselves, you can feel it: like holding your hand an inch above an arm, a shoulder. It breathes, in the warmth, breathing itself in. To walk through it in these days, of peonies, of pinks and carnations, makes my head swim.

The willow is in full plumage and is no help, with its insinuating whispers. Rendezvous, it says, terraces; the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grows underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire. Even the bricks of the house are softening, becoming tactile; if I leaned against them they’d be warm and yielding. It’s amazing what denial can do. Did the sight of my ankle make him lighthearted, faint, at the checkpoint yesterday, when I dropped my pass and let him pick it up for me? No handkerchief, no fan, I use what’s handy.

Winter is not so dangerous. I need hardness, cold, rigidity; not this heaviness, as if I’m a melon on a stem, this liquid ripeness.


The Commander and I have an arrangement. It’s not the first such arrangement in history, though the shape it’s taken is not the usual one.

I visit the Commander two or three nights a week, always after dinner, but only when I get the signal. The signal is Nick. If he’s polishing the car when I set out for the shopping, or when I come back, and if his hat is on askew or not on at all, then I go. If he isn’t there or if he has his hat on straight, then I stay in my room in the ordinary way. On Ceremony nights, of course, none of this applies.

The difficulty is the Wife, as always. After dinner she goes to their bedroom, from where she could conceivably hear me as I sneak along the hall, although I take care to be very quiet. Or she stays in the sitting room, knitting away at her endless Angel scarves, turning out more and more yards of intricate and useless wool people: her form of procreation, it must be. The sitting-room door is usually left ajar when she’s in there, and I don’t dare to go past it. When I’ve had the signal but can’t make it, down the stairs or along the hall past the sitting room, the Commander understands. He knows my situation, none better. He knows all the rules.

Sometimes, however, Serena Joy is out, visiting another Commander’s Wife, a sick one; that’s the only place she could conceivably go, by herself, in the evenings. She takes food, a cake or pie or loaf of bread baked by Rita, or a jar of jelly, made from the mint leaves that grow in her garden. They get sick a lot, these Wives of the Commanders. It adds interest to their lives. As for us, the Handmaids and even the Marthas, we avoid illness. The Marthas don’t want to be forced to retire, because who knows where they go? You don’t see that many old women around any more. And as for us, any real illness, anything lingering, weakening, a loss of flesh or appetite, a fall of hair, a failure of the glands, would be terminal. I remember Cora, earlier in the spring, staggering around even though she had the flu, holding onto the doorframes when she thought no one was looking, being careful not to cough. A slight cold, she said when Serena asked her.

Serena herself sometimes takes a few days off, tucked up in bed. Then she’s the one to get the company, the Wives rustling up the stairs, clucking and cheerful; she gets the cakes and pies, the jelly, the bouquets of flowers from their gardens.

They take turns. There is some sort of list, invisible, unspoken. Each is careful not to hog more than her share of the attention.

On the nights when Serena is due to be out, I’m sure to be summoned.


The first time, I was confused. His needs were obscure to me, and what I could perceive of them seemed to me ridiculous, laughable, like a fetish for lace-up shoes.

Also, there had been a letdown of sorts. What had I been expecting, behind that closed door, the first time? Something unspeakable, down on all fours perhaps, perversions, whips, mutilations? At the very least some minor sexual manipulation, some bygone peccadillo now denied him, prohibited by law and punishable by amputation. To be asked to play Scrabble, instead, as if we were an old married couple, or two children, seemed kinky in the extreme, a violation too in its own way. As a request it was opaque.

So when I left the room, it still wasn’t clear to me what he wanted, or why, or whether I could fulfil any of it for him. If there’s to be a bargain, the terms of exchange must be set forth. This was something he certainly had not done. I thought he might be toying, some cat-and-a-mouse routine, but now I think that his motives and desires weren’t obvious even to him. They had not yet reached the level of words.


The second evening began in the same way as the first. I went to the door, which was closed, knocked on it, was told to come in. Then followed the same two games, with the smooth beige counters. Prolix, quartz, quandary, sylph, rhythm, all the old tricks with consonants I could dream up or remember. My tongue felt thick with the effort of spelling. It was like using a language I’d once known but had nearly forgotten, a language having to do with customs that had long before passed out of the world: café au lait at an outdoor table, with a brioche, absinthe in a tall glass, or shrimp in a cornucopia of newspaper; things I’d once read about but had never seen. It was like trying to walk without crutches, like those phony scenes in old TV movies. You can do it. I know you can. That was the way my mind lurched and stumbled, among the sharp r’s and t’s, sliding over the ovoid vowels as if on pebbles.

The Commander was patient when I hesitated, or asked him for a correct spelling. We can always look it up in the dictionary, he said. He said we. The first time, I realized, he’d let me win.

That night I was expecting everything to be the same, including the good-night kiss. But when we’d finished the second game, he sat back in his chair. He placed his elbows on the arms of the chair, the tips of his fingers together, and looked at me.

I have a little present for you, he said.

He smiled a little. Then he pulled open the top drawer of his desk and took something out. He held it a moment, casually enough, between thumb and finger, as if deciding whether or not to give it to me. Although it was upside-down from where I was sitting, I recognized it. They were once common enough. It was a magazine, a women’s magazine it looked like from the picture, a model on glossy paper, hair blown, neck scarfed, mouth lipsticked; the fall fashions. I thought such magazines had all been destroyed, but here was one, left over, in a Commander’s private study, where you’d least expect to find such a thing. He looked down at the model, who was right-side-up to him; he was still smiling, that wistful smile of his. It was a look you’d give to an almost extinct animal, at the zoo.

Staring at the magazine, as he dangled it before me like fishbait, I wanted it. I wanted it with a force that made the ends of my fingers ache. At the same time I saw this longing of mine as trivial and absurd, because I’d taken such magazines lightly enough once. I’d read them in dentists’ offices, and sometimes on planes; I’d bought them to take to hotel rooms, a device to fill in empty time while I was waiting for Luke. After I’d leafed through them I would throw them away, for they were infinitely discardable, and a day or two later I wouldn’t be able to remember what had been in them.