Andy’s room—originally one large bedroom that the Barbours had divided in half—faced Park Avenue. Horns cried in the crosswalk at rush hour and the light burned gold in the windows across the street, dying down around the same time as the traffic began to thin. As the night wore on (phosphorescent in the streetlamps, violet city midnights that never quite faded to black) I turned from side to side, the low ceiling over the bunk pressing down on me so heavily that sometimes I woke convinced I was lying underneath the bed instead of on top of it.
How was it possible to miss someone as much as I missed my mother? I missed her so much I wanted to die: a hard, physical longing, like a craving for air underwater. Lying awake, I tried to recall all my best memories of her—to freeze her in my mind so I wouldn’t forget her—but instead of birthdays and happy times I kept remembering things like how a few days before she was killed she’d stopped me halfway out the door to pick a thread off my school jacket. For some reason, it was one of the clearest memories I had of her: her knitted eyebrows, the precise gesture of her reaching out to me, everything. Several times too—drifting uneasily between dreaming and sleep—I sat up suddenly in bed at the sound of her voice speaking clearly in my head, remarks she might conceivably have made at some point but that I didn’t actually remember, things like Throw me an apple, would you? and I wonder if this buttons up the front or the back? and This sofa is in a terrible state of disreputableness.
Light from the street flew in black bands across the floor. Hopelessly, I thought of my bedroom standing empty only a few blocks away: my own narrow bed with the worn red quilt. Glow-in-the-dark stars from the planetarium, a picture postcard of James Whale’s Frankenstein. The birds were back in the park again, the daffodils were up; this time of year, when the weather got nice, sometimes we woke up extra early in the mornings and walked through the park together instead of taking the bus to the West Side. If only I could go back and change what had happened, keep it from happening somehow. Why hadn’t I insisted we get breakfast instead of going to the museum? Why hadn’t Mr. Beeman asked us to come in on Tuesday, or Thursday?
Either the second night after my mother died or the third—some time at any rate after Mrs. Barbour took me to the doctor to get my headache seen to—the Barbours were throwing a big party at the apartment that it was too late for them to cancel. There was whispering, a flurry of activity that I could scarcely take in. “I think,” said Mrs. Barbour when she came back to Andy’s room, “you and Theo might enjoy staying back here.” Despite her light tone, clearly it was not a suggestion but an order. “It’ll be such a bore, and I really don’t think you’ll enjoy yourselves at all. I’ll ask Etta to bring you a couple of plates from the kitchen.”
Andy and I sat side by side on the lower bunk of his bed, eating cocktail shrimp and artichoke canapés from paper plates—or, rather, he ate, while I sat with the plate on my knees, untouched. He had on a DVD, some action movie with exploding robots, showers of metal and flame. From the living room: clinking glasses, smells of candle wax and perfume, every now and then a voice rising brilliantly in laughter. The pianist’s sparkling, up-tempo arrangement of “It’s All Over Now, Baby Blue” seemed to be floating in from an alternate universe. Everything was lost, I had fallen off the map: the disorientation of being in the wrong apartment, with the wrong family, was wearing me down, so I felt groggy and punch-drunk, weepy almost, like an interrogated prisoner prevented from sleeping for days. Over and over, I kept thinking I’ve got to go home and then, for the millionth time, I can’t.
iv.
AFTER FOUR DAYS, OR maybe it was five, Andy loaded his books in his stretched-out backpack and returned to school. All that day, and the next, I sat in his room with his television turned to Turner Classic Movies, which was what my mother watched when she was home from work. They were showing movies adapted from Graham Greene: Ministry of Fear, The Human Factor, The Fallen Idol, This Gun for Hire. That second evening, while I was waiting for The Third Man to come on, Mrs. Barbour (all Valentino-ed up and on her way out the door to an event at the Frick) stopped by Andy’s room and announced that I was going back to school the next day. “Anybody would feel out of sorts,” she said. “Back here by yourself. It isn’t good for you.”
I didn’t know what to say. Sitting around on my own watching movies was the only thing I’d done since my mother’s death that had felt even vaguely normal.