The relief was immense. Quiet dismissal. Perfect, perfect joy of throwing it all away. I found a classical station on the radio—Christmas plainchant, somber and liturgical, less melody than a spectral commentary on it—and thought about running myself a bath.
But that could wait. Instead I opened the desk and found a folder of hotel stationery. Gray cathedral stone, minor hexachords. Rex virginum amator. Between fever, and canal water lapping outside, the space around me had fallen quietly into haunted doubleness, a border zone which was both hotel room and the cabin of a gently tossing ship. Life on the high seas. Death by water. Andy, when we were kids, telling me in his eerie Martian-boy voice that he’d heard on the Learning Channel that Mary protected sailors, that one of the protections of the Rosary was that you would never die by drowning. Mary Stella Maris. Mary Star of the Sea.
I thought of Hobie at midnight mass, kneeling in the pew in his black suit. Gilding wears away naturally. On a cabinet door, on the flap of a bureau, there are often a quantity of tiny indentations.
Objects seeking out their rightful owners. They had human qualities. They were shifty or honest or suspicious or fine.
Really remarkable pieces do not appear on the scene from nowhere.
The hotel pen wasn’t great, I wished I had a better one, but the paper was creamy and thick. Four letters. Hobie’s and Mrs. Barbour’s would have to be the longest, as they were the persons who most deserved an explanation and also because they were the only persons who, if I died, would actually care. But I would write to Kitsey as well—to assure her that it wasn’t her fault. Pippa’s letter would be the shortest. I wanted her to know just how much I loved her while also letting her know that she bore not one particle of blame for not loving me back.
But I wouldn’t say that. It was rosepetals I wanted to throw, not a poison dart. The point was to let her know, briefly, how happy she had made me while leaving out all the more obvious part.
When I shut my eyes, I was struck by clinically sharp flashes of memory that the fever brought bursting up from nowhere, like tracer rounds going off in the jungle, lurid flares of highly detailed and emotionally complex material. Harpstrings of light through the barred windows of our old apartment on Seventh Avenue, scratchy sisal matting and the red waffled texture it left in my hands and knees when I was playing down on the floor. A tangerine party dress of my mother’s with shiny things on the skirt I always wanted to touch. Alameda, our old housekeeper, mashing plantains in a glass bowl. Andy, saluting me before stumbling down the gloomy hall of his parents’ apartment: Aye, Captain.
Medieval voices, austere and otherworldly. The gravity of unadorned song.
I didn’t actually feel upset, that was the thing. Instead it was more like the last and worst of my root canals when the dentist had leaned in under the lamps and said almost done.
December 24
Dear Kitsey,
I’m terribly sorry about this but I want you to know that it has nothing to do with you, and nothing to do with any of your family. Your mother will be receiving a separate letter which will have a bit more information but in the meantime I want to assure you, privately, that my course of action has not been influenced by anything that has happened between us, especially events of late.
Where this stiff voice, and unnaturally stiff handwriting had come from—incongruous with the cloudbursts of memory and hallucination crashing in on me from all sides—I did not know. The wet sleet pelting against the windowpanes had a kind of deep historical weight to it, starvation, armies marching, a never-ending drizzle of sadness.
As you well know, and have pointed out to me yourself, I have numerous problems that began long before I met you, and none of these problems are your fault. If your mother has questions for you about your role in recent events, I should urge you to refer her to Tessa Margolis, or—even better—Em, who will be more than delighted to share her views on my character. Also—completely unrelated matter, but I also urge you not to let Havistock Irving into your apartment again, ever.
Kitsey as a child. Fine hair straggling in her face. Shut up you goofballs. Cut it out or I’ll tell.
Last but not least—
(my pen hovering over this line)
last but not least I want to tell you how beautiful you looked at the party and how touched I was that you wore my mother’s earrings. She was crazy about Andy—she would have loved you too, and would have loved for us to be together. I’m sorry it didn’t work out. But I do hope things work out for you. Really.
Best love,
Theo
Sealed; addressed; put aside. They’d have stamps at the front desk.