When that little sale was over in the fusty sale-room, and those Victorian ashes scattered, he went out into the misty October sunshine feeling as if cosiness had died out of the world, and the board ‘To Let’ was up, indeed. Revolutions on the horizon; Fleur in Spain, no comfort in Annette; no Timothy’s on the Bayswater Road. In the irritable desolation of his soul he went into the Goupenor Gallery. That chap Jolyon’s water-colours were on view there. He went in to look down his nose at them – it might give him some faint satisfaction. The news had trickled through from June to Val’s wife, from her to Val, from Val to his mother, from her to Soames, that the house – the fatal house at Robin Hall – was for sale, and Irene going to join her boy out in British Columbia, or some such place. For one wild moment the thought had come to Soames: ‘Why shouldn’t I buy it back? I meant it for my –!’ No sooner come than gone. Too lugubrious a triumph; with too many humiliating memories for himself and Fleur. She would never live there after what had happened. No, the place must go its way to some peer or profiteer. It had been a bone of contention from the first, the shell of the feud; and with the woman gone, it was an empty shell. ‘For Sale or To Let’. With his mind’s eye he could see that board raised high above the ivied wall which he had built.
He passed through the first of the two rooms in the Gallery. There was certainly a body of work! And now that the fellow was dead it did not seem so trivial. The drawings were pleasing enough, with quite a sense of atmosphere, and something individual in the brush work. ‘His father and my father; he and I; his child and mine!’ thought Soames. So it had gone on! And all about that woman! Softened by the events of the past week, affected by the melancholy beauty of the autumn day, Soames came nearer than he had ever been to realization of that truth – passing the understanding of a Forsyte pure – that the body of Beauty has a spiritual essence, uncapturable save by a devotion which thinks not of self. After all, he was near that truth in his devotion to his daughter; perhaps that made him understand a little how he had missed the prize. And there, among the drawings of his kinsman, who had attained to that which he had found beyond his reach, he thought of him and her with a tolerance which surprised him. But he did not buy a drawing.
Just as he passed the seat of custom on his return to the outer air he met with a contingency which had not been entirely absent from his mind when he went into the Gallery – Irene, herself, coming in. So she had not gone yet, and was still paying farewell visits to that fellow’s remains! He subdued the little involuntary leap of his subconsciousness, the mechanical reaction of his senses to the charm of this once-owned woman, and passed her with averted eyes. But when he had gone by he could not for the life of him help looking back. This, then, was finality – the heat and stress of his life, the madness and the longing thereof, the only defeat he had known, would be over when she faded from his view this time; even such memories had their own queer aching value. She, too, was looking back. Suddenly she lifted her gloved hand, her lips smiled faintly, her dark eyes seemed to speak. It was the turn of Soames to make no answer to that smile and that little farewell wave; he went out into the fashionable street quivering from head to foot. He knew what she had meant to say: ‘Now that I am going for ever out of the reach of you and yours – forgive me; I wish you well.’ That was the meaning; last sign of that terrible reality – passing morality, duty, common sense – her aversion from him who had owned her body, but had never touched her spirit or her heart. It hurt; yes – more than if she had kept her mask unmoved, her hand unlifted.
Three days later, in that fast-yellowing October, Soames took a taxicab to Highgate Cemetery and mounted through its white forest to the Forsyte vault. Close to the cedar, above catacombs and columbaria, tall, ugly, and individual, it looked like an apex of the competitive system. He could remember a discussion wherein Swithin had advocated the addition to its face of the pheasant proper. The proposal had been rejected in favour of a wreath in stone, above the stark words: ‘The family vault of Jolyon Forsyte: 1850’. It was in good order. All trace of the recent interment had been removed, and its sober grey gloomed reposefully in the sunshine. The whole family lay there now, except old Jolyon’s wife, who had gone back under a contract to her own family vault in Suffolk; old Jolyon himself lying at Robin Hill; and Susan Hayman, cremated so that none might know where she might be. Soames gazed at it with satisfaction – massive, needing little attention; and this was important, for he was well aware that no one would attend to it when he himself was gone; and he would have to be looking out for lodgings soon. He might have twenty years before him, but one never knew. Twenty years without an aunt or uncle, with a wife of whom one had better not know anything, with a daughter gone from home. His mood inclined to melancholy and retrospection.