"There's at least one of the ayatollah bunches that's gotten hold of their own duplicating machine, Neumann says. One of the Vignelli machines. Got it used from Freytag when he bought a new model. They've been on the market for more than a year now—the machines, I mean. A trickle at first. Now it's a pretty wide stream. They're coming out of Tyrol, mostly, but there are already some knock-offs on the market."
Nathan gave up and asked a straight question. "What does that mean?"
"It means they're funded. The group of would-be ayatollahs, I mean. And well-funded. Even second-hand, a Vignelli will set you back a couple thousand dollars. The price will be coming down, of course, but for now, it's almost entirely print shops that are buying them. For small runs, they're cheaper than setting type."
"And?"
"Higgenbottom thinks somebody ought to know. And since you're Wes Jenkins' son-in-law and he's still the grand pooh-bah over in Fulda and since they had a problem with those pamphlets a while back . . ."
"You're nominating me for the fall guy."
"That's pretty much it."
At least they'd picked on him because of Wes and didn't know anything about his relationship to Francisco Nasi. Nathan picked up his pen.
Dear Don Francisco.
He'd better write to Wes, too. Just in case Waters or Higgenbottom asked about it, some day. CYA. Always.
Grantville
Jacques-Pierre Dumais decided that he would talk to Velma Hardesty at the 250 Club, sitting at a table right out in the open. Why not? Veda Mae Haggerty had introduced them to one another in public. Madame Hardesty was upon occasion a waitress there. Duck and Big Dog drank there; he worked for them. It was natural enough for him to come in with them, at first, and then to come back. The regulars didn't object, because the Garbage Guys had all vouched for him.
If you went slinking around, someone was eventually bound to notice that you were slinking.
As far as Jacques-Pierre was concerned, Grantville's greatest contribution to the education of seventeenth century spies was that delightful couple, Boris Badenoff and Natasha. He had transcribed every episode of the tapes featuring the Russian pair, the squirrel, and the moose, listening to them over and over. With sketches of the best scenes, after he had learned to use the "pause" button. He sent them back to Henri de Rohan for use in training. A splendid object lesson in how not to gather intelligence. Himself, he preferred to go places where he had some reason to be and speak openly with people who also had some logical reason to be there.
He stopped to examine the place carefully on his way in. The 250 Club had missed out on most of Grantville's ongoing redevelopment. The building itself backed up to a rise. Above it, the hill rose fairly high. There wasn't really anything behind the building except a narrow walkway, because it was too close to the slope. That cut had been made, Duck had told him, nearly a half-century before the Ring of Fire.
The front of the building was a dull red. The back was painted in a faded dark green, a kind of paint that weathered, but did not peel. Part of the walkway had always been kept open to allow the beer delivery man to run his hand truck to the back door. It was hard to tell the color in places. Before the Ring of Fire, everywhere there wasn't junk, generations of beer deliverymen and meter readers had rubbed against the paint and sworn over damaging their clothes. The rest of the walkway used to be blocked by a pile of old refrigerators, broken bar furniture, and other miscellaneous junk that eventually merged into the former scrapyard if a person went that far. The junk was gone now. The Garbage Guys had paid Ken Beasley enough to make it worth his while to let them have it. The color of the paint was a little brighter where the junk had protected it.
Redevelopment had hit the area around it. Dumais had seen historical photographs at the museum. Before the Ring of Fire, facing the 250 Club from the road, on the right, there had been a small scrapyard with a few dead cars—not really a wrecking yard, just random accumulation—with a fence made of wired-up pieces of sheet-iron roofing. The Garbage Guys had bought up everything there, also, the owner being too cheap to donate it to recycling. Now there were new buildings and new businesses. On the left, the road curved away from you, and the parking still went around to that side of the building, not that anyone needed a parking lot any more. The next thing in that direction was—once upon a time—a failed gas station, with a rusty brown 1971 Mercury with a torn vinyl top and the right-front wheel missing parked under the portico. The car was long gone for parts. A down-time blacksmith had bought the building and stripped it. Now it was a butcher shop.