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The Devil's Opera(50)

By:Eric Flint and David Carrico


These were the men in Marla Linder and Franz Sylwester’s inner circle. He noted them and made sure he knew the names and faces. These were the men who had come to Magdeburg and coalesced into a nucleus of musicians around which the new music seemed to pour out like water from a fountain. It behooved him to know them, and know them well.

“My thanks to you all,” he responded to the introductions. “I am here to simply see how my words fit with the music. Do not let me stop or interfere with anything.” He looked around for a chair, but saw they were all occupied. There was only a stool in one corner. He strode over and took a seat, resting his chin on his clasped hands atop his walking stick.

For the next half hour he was a silent witness to a master at work. The Amsels and Paul Georg Seiler were also just observers, but the others played the music, three violins, two flutes, and a harp. Marla worked with them as separate groups first: beating time; leading them to phrase certain notes together; adjusting the tempo here, the volume there; cajoling, urging, driving them to achieve a fusion of sound. Friedrich noticed that both Franz and Matthaüs Amsel were making notes along the way.

At the end of the half hour, Marla brushed an errant strand of hair out of her face, looked at them all, and said, “All right, let’s try it together. English first.”

She stepped to one side and Franz stepped forward. “One, two, three,” he counted. The three violinists began, playing unison notes, low-pitched and regular on the beat. At the end of the second measure, Marla opened her mouth.

“Do you hear the people sing…”

Logau sat, transfixed. He almost forgot to breathe. God above, the woman’s voice was like nothing he had ever heard. He had heard her sing from a distance once, but to be in this room, to sit almost within arm’s reach of her, and to hear her sing so…so indescribably. For once, he, the man of words, had no words at hand that could describe such a sensation.

The song was short, and all too soon Marla’s voice ceased sounding. Logau twitched and sat up straight, taking a deep breath.

“Good,” Marla said matter-of-factly. “We’ll work the parts some more later, but that was good. Now with the German words, so Herr Logau—Friedrich—can hear his work and judge its fitness. From the top, gentlemen.”

Again Franz gave the count; again the violins began the low rhythmic pulsing. Again Marla’s lips opened, and beauty poured forth.

Logau forced himself to ignore the siren song of Marla’s voice and concentrate on the words. Image followed image: angry men singing, men who would no longer be slaves, men responding to the sound of the drums, all for the sake of tomorrow. Then came the verse calling these men forth to stand forth and be a part of reaching that future.

The chorus of angry men sounded again. It was followed by the second verse calling men to sacrifice and martyrdom. And then the chorus again, the final time, flutes skirling and violins somehow evoking martial airs.

The last line rang out, and the song again came to a close. Logau closed his eyes for a moment, calming his heart. He opened them again, to find the gaze of all the others fixed on him.

He licked his lips, for a moment uncertain. “Frau Marla, are you sure…” He cleared his throat and tried again. “Are you certain you want to sing this song, now, the way things are?”

“Now, yes, by all means now,” Marla replied forcefully. “This song was made for this time. I will stand before the face of the chancellor and throw this in his teeth if I must. Just watch me.”

Logau looked around the room, suddenly aware that he was an alien in this group. Thomas and Hermann echoed Marla’s smile. The others, even Johann Amsel, who was not much more than a youth, wore hard-eyed expressions. He was struck by the resemblance to a painting he had once seen of Alexander the Great surrounded by his captains. He saw in this room that same edge, that same ferocity, that same obdurate hardness that was in the faces of the captains in that picture. Being on the receiving end of those stares was not a comfortable sensation.

He stood, gave a slight bow to Marla, and addressed her formally. “As you will, Frau Linder.” He was not astonished to hear that his voice was a bit unsteady. He stepped to the table and collected his hat, then turned to face them all again. “And do you know when you will unleash this upon an unsuspecting world?”

Marla’s face softened, the smile slipping away. “On January 19th, at the Green Horse Tavern.”

Logau gave a final nod. “I will be there.” He settled his hat on his head, touched his walking stick to the brim. “Good day to you, Frau Linder, meine Herren.”