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The Crown of Embers(2)

By:Rae Carson


Hector gives the order, my driver whips the reins, and the carriage lurches forward. My Royal Guard, in its gleaming ceremonial armor, falls in around us. They march a deep one-two-one-two as we leave the shade of the carriage house for desert sunshine.

The moment we turn onto the Colonnade, the air erupts with cheering.

Thousands line the way, packed shoulder to shoulder, waving their hands, flags, tattered linens. Children sit on shoulders, tossing birdseed and rose petals into the air. A banner stretches the length of six people and reads, HAPPY BIRTHDAY TO HER MAJESTY QUEEN LUCERO-ELISA!

“Oh,” I breathe.

Ximena grasps my hand and squeezes. “You’re a war hero, remember?”

But I’m also a foreigner queen, ruling by an accident of marriage and war. Warmth and pride blossom in my chest, to see my people accepting me with their whole hearts.

Then Ximena’s face sobers, and she leans over and whispers, “Remember this moment and treasure it, my sky. No sovereign remains popular forever.”

I nod from respectful habit, but I can’t keep the frown from creeping onto my face. My people are giving me a gift, and she takes it away so soon.

The steep Colonnade is lined on either side by decadent three-story townhomes. Their sculpted sandstone cornices sparkle in the sun, and silk standards swing from flat garden rooftops. But as we descend from the height of the city, cheered all the way, the townhomes gradually become less stately, until finally we reach the city’s outer circle, where only a few humble buildings rise from the war rubble.

I ignore the destruction as long as I can, gazing instead at the city’s great wall. It rises the height of several men, protecting us from the swirling desert beyond. I crane my neck and glimpse the soldiers posted between the wall’s crenellations, bows held at the ready.

The main gate stands open for daytime commerce. Framed by the barbed portcullis is our cobbled highway. Beyond it are the sweeping dunes of my beautiful desert, wind smoothed and deceptively soft in the yellow light of midday. My gaze lingers too long on the sand as we turn onto the Avenida de la Serpiente.

When I can avoid it no longer, I finally take in the view that twists my heart. For Brisadulce’s outer circle is a scar on the face of the world, blackened and crumbled and reeking of wet char. This is where the Invierne army broke through our gate, where their sorcerous animagi burned everything in sight with the blue-hot fire of their Godstone amulets.

A ceiling beam catches my eye, toppled across a pile of adobe rubble. At one end the wood grain shows pristine, but it blackens along its length, shrinking and shriveling until it ends in a ragged stump glowing red with embers. A wisp of smoke curls into the air.

The outer ring is rife with these glowing reminders of the war we won at such a cost. Months later, we still cannot wholly quench their fire. Father Nicandro, my head priest, says that since magic caused these fires, only magic can cool them. Either magic or time.

My city may burn for a hundred years.

So I smile and wave. I do it with ferocity, like my life depends on it, as if a whole glorious future lies before us and these sorcerous embers are not worth a passing irritation.

The crowd loves me for it. They scream and cheer, and it is like magic, a good magic, how after a while they win me over to hope, and my smile becomes genuine.

The street narrows, and the crowd presses in as we push forward. Hector’s hand goes to his scabbard as he inches nearer to the carriage. I tell myself that I don’t mind their proximity, that I love their smiling faces, their unrestrained energy.

But as we approach the massive amphitheater with its stone columns, I sense a subtle shift, a dampening of spirits—as if everyone has become distracted. The guards scan the crowd with suspicion.

“Something isn’t right,” Ximena whispers.

I glance at her with alarm. From long habit, my fingertips find the Godstone, seeking a clue; it heats up around friends and becomes ice when my life is in peril. Do I imagine that it is cooler than usual?

The theater is shaped like a giant horseshoe, its massive ends running perpendicular to the avenida. As we near it, movement draws my gaze upward. High above the crowd stands a man in a white wind-whipped robe.

My Godstone freezes—unhelpfully—and ice shoots through my limbs as I note his hair: lightest yellow, almost white, streaming to his waist. Sunlight catches on something embedded in the top of his wooden staff. Oh, God.

I’m too shocked to cry out, and by the time Hector notices the white figure, it’s too late: My carriage is within range. The crowd is eerily silent, as if all the air has gotten sucked away, for everyone has heard descriptions of the animagi, Invierne’s sorcerers.