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The Crossing(78)

By:Cormac McCarthy


They followed the others up the hill, the crowd moving slowly for the old people and the old people urging them to pass and go on. None would. The empty house on the crest of the rise above them stood bleak and lightless but music was coming from the long walled compound where the shops and establos were once sited, the domiciles of the overseers. Light fell out through the tall bay doors and cressets of oil or pitch fashioned out óf buckets burned at either side of the stone archway at the entrance and here the ejiditarios were queued and they shuffled forward with their centavos and their pesos clutched in their hands to offer them up to the doorman where he stood in his polished black suit. Two young men carrying a litter passed through the crowd. The litter was made from poles and sheeting and the old man lying on it was dressed in coat and tie and he clutched a wooden rosary and stared grimly at the arch of sky above him. Billy looked at the child the woman was carrying but the child was asleep. When they reached the gates the woman paid and the gatekeeper thanked her and rattled the coppers into a bucket on the ground beside him and they passed through into the courtyard.

The gaudy little wagons had been drawn up at the farther end of the enclosure. Lamps stood in a semicircle on the packed clay ground before them and lamps had been hung from a rope stretched overhead and in the uptight overhead the faces of young boys watched along the parapet like rows of theatrical masks displayed there. The mules that stood between the wagonshafts were fitted out in braid and tinsel and velvet trappings and the mules and caravans alike were the same that conveyed the little company over the back roads of the republic to stand at night in just these costumes while the lamps were lit and the crowds pushed forward in some backland plaza or alameda where a man passed up and back and swung before him like a censer a waterpail pierced with nailholes by which to lay the dust and the primadonna moved in lascivious silhouette behind a wagonsheet donning her costume or turning to regard herself in a mirror which none could see but all could imagine to be present.

He watched the play with interest but could make little of it. The company was perhaps describing some adventure of their own in their travels and they sang into each other’s faces and wept and in the end the man in buffoon’s motley slew the woman and slew another man perhaps his rival with a dagger and young boys ran forward with the curtain hems to draw them shut and the mules standing in their traces raised their heads up out of their sleep and began to shift and step.

There was no applause. The crowd sat quietly on the ground. Some of the women were crying. After a while the majordomo who had spoken to them prior to the performance stepped out through the curtain and thanked them for their attendance and stepped to one side and bowed as the boys carried the curtains open again. The actors stood before them hand in hand and bowed and curtseyed and there was a smattering of applause and then the curtain closed for good.

In the morning before it was quite light he walked out of the compound and down to the river. He walked out over the plank bridge on its stone piers and stood looking down at the clear cold waters of the Casas Grandes running out of the mountains to the south. He turned and looked downstream. A hundred feet away in water to her thighs stood the primadonna naked. Her hair was down and it was wet and clinging to her back and it reached to the water. He stood frozen. She turned and swung her hair before her and bent and lowered it into the river. Her breasts swung above the water. He took off his hat and stood with his heart laboring under his shirt. She raised up and gath?ered her hair and twisted out the water. Her skin so white. The dark hair under her belly almost an indelicacy.

She bent once more and trailed her hair in the water with a swaying motion sideways and then stood and swung it about her in a great hoop of spray and stood with her head back and her eyes closed. The sun rising over the gray ranges to the east lit the upper air. She held one hand up. She moved her body, she swept both hands before her. She bent and caught her falling hair in her arms and held it and she passed one hand over the surface of the water as if to bless it and he watched and as he watched he saw that the world which had always been before him everywhere had been veiled from his sight. She turned and he thought she might sing to the sun. She opened her eyes and saw him there on the bridge and she turned her back and walked slowly up out of the river and was lost to his view among the pale standing trunks of the cottonwoods and the sun rose and the river ran as before but nothing was the same nor did he think it ever would be.

He walked slowly back up to the compound. In the new sunrise the shadows of workers setting out for the fields with their shouldered hoes passed one by one along the eastern facing wall of the granary like figures in some agrarian drama. He got his breakfast from the Mufioz woman and walked out with his saddle over his shoulder and caught his horse and saddled him and mounted up and rode out to see the country.