"Right," said Dino, putting the box he was carrying down where he stood. "He's going to ask when we eat—what'll I tell him?"
That was true enough, Frank realized. The coachmen who came with the carriages they'd hired in Padua—there were some real advantages to being the son of one of Europe's leading industrialists, and a generous allowance to spend was one of them and Frank was by god not going to try doing that journey in cheap carts again—seemed to have only two topics of conversation, which were how slow they were going, and how long it seemed to be between meals. Still, his own stomach was starting to rumble a bit.
"I figure if you ask Piero to find us a cookshop or something where we can get dinner, it'll give him something to do while we unload the carriage."
"Sure," said Dino, and went outside.
The taverna was basically one big room with a big kitchen walled off at the back. The previous proprietor's living quarters were two floors above, if Frank remembered the plans right, with guest rooms on the floor in between. Servants got the attics and garrets. It had, in its day, been quite a decent place, judging by the trash. Sure, the furniture was only staying together because the woodworm was being careful not to breathe too hard, but it looked like it had been good stuff, once.
A quick look around confirmed that pretty much the whole building was in the same sort of condition. Four floors and a cellar, the bottom three the derelict taverna, the top two what could just about be called apartments.
The whole building was L-shaped, forming two sides of the coach yard with the stables at the back and the next-door building on the third side. The front of the courtyard was walled off with a high gate in the middle of it. A carriage would go through the gate, just, if everyone on top ducked. And what the contents consisted of mostly was pigeon-crap, broken furniture and trash. Cleaning up was going to be . . . interesting.
Still, there was a first job. From outside, he could hear the sound of the second carriage pulling up. And that meant—
He ran downstairs and outside, and there she was. There were some things that tradition just plain got right, and Frank had been looking forward to this.
He handed Giovanna down from the carriage seat next to Niccolo, the other driver—the inside of the carriage was stuffed full of baggage, and the trip to Rome had been barely faster than the last fiasco—and kissed her hungrily. "Okay," he said, "I don't know if they do this in Venice, but—"
Giovanna squealed when he reached down and caught her up in his arms. As he got her to the taverna door Dino was just coming out and stopped to hold the door open. "Gotta carry you across the threshold," Frank said, trying hard not to show that carrying Giovanna was causing assorted muscles to protest.
Giovanna just giggled, and Frank stepped across the threshold with her in his arms. Only when they were inside did he put her down and kiss her again. Damn, Frank thought, that felt good, as he broke off to a chorus of cheers and whistles from the guys, who had all got down from the roof of the carriage to watch.
Meanwhile, Giovanna was looking around her at their new home, and her reaction was the same as her cousin's. "Merda," she breathed. "Don't unpack yet! Get the carriages into that yard, we'll get some space cleared."
Frank turned around to where Dino, Fabrizzio and Benito stood around the door, and shouted, "Guys, you heard Giovanna! Get the carriages squared away and we'll start clearing up."
Little Benito got moving, but Dino and Fabrizzio just looked at each other. Frank could guess what was coming next. Time, he realized, to be distinctly firm with them. "Dino, Fabrizzio," he said, sauntering over and putting a hand on each of their shoulders, "am I about to hear some reactionary crap about women's work? Surely not?"
The Marcolis looked confused.
"I really, really hope not," Frank said. "You see, we've got a lot to do here, and we're all part of the same revolution, and we're all the same when it comes to doing the work of the revolution, right? Equality and Fraternity, remember?"
"Sure, Frank, but—"
Frank clapped Dino on the shoulder. "Dino, I know, I know. You've been raised all your life among"—Frank stopped to look either way, and lowered his voice—"reactionary elements, right?"
Dino frowned. "Papa always said—"
"Oh, not Papa," Frank said. "Your neighbors. Everyone else on Murano. Shiftless idle guys who let their wives do all the work around the house, right?" Frank knew absolutely that there were plenty of guys like that on Murano, just as there were in pretty much every time and place. "Guys like that are part of what the Committee is trying to fight against. Oppressors. Exploiters. You know, reactionaries."