“It is a song about God’s final judgement,” Ysabeau said.
Benjamin’s hands moved. When they stilled, the child’s body hung limply, head bent back at an impossible angle. Though he hadn’t killed the child, Matthew hadn’t been able to save her, either. Hers was another death Matthew would carry with him forever. Rage burned in my veins, clear and bright.
“Enough. This ends. Tonight.” I grabbed a set of keys that someone had thrown on the table. I didn’t care which car they belonged to, though I hoped it was Marcus’s—and therefore fast. “Tell Verin I’m on my way.”
“No!” Ysabeau’s anguished cry stopped me in my tracks. “The window. Can you enlarge that part of the picture for me, Nathaniel?”
“There’s nothing out there but snow and trees,” Hamish said, frowning.
“The wall next to the window. Focus there,” Ysabeau pointed to the grimy wall on the screen as though Nathaniel could somehow see her. Even though he couldn’t, Nathaniel obligingly zoomed in.
As a clearer picture emerged, I couldn’t imagine what Ysabeau thought she saw. The wall was stained with damp and had not been painted for some time. It might once have been white, like the tiles, but it was grayish now. The image on the screen continued to resolve and sharpen as Nathaniel worked.
Some of the grimy smudges turned out to be a series of numbers marching down the wall. “My clever child,” Ysabeau said, her eyes running red with blood and grief. She stood, her limbs trembling. “That monster. I will tear him to pieces.”
“What is it, Ysabeau?” I asked.
“The clue was in the song. Matthew knows we are watching him,” Ysabeau said.
“What is it, Grand-mère?” Marcus repeated, peering at the image. “Is it the numbers?”
“One number. Philippe’s number.” Ysabeau pointed to the last in the series.
“His number?” Sarah asked.
“It was given to him at Auschwitz-Birkenau. After the Nazis captured Philippe trying to liberate Ravensbrück, they sent him there,” Ysabeau said.
These were names out of nightmares, places that would forever be synonymous with the savagery of mankind.
“The Nazis tattooed it on Philippe—over and over again.” The fury built in Ysabeau’s voice, making it ring like a warning bell. “It is how they discovered he was different.”
“What are you saying?” I couldn’t believe it, and yet . . .
“It was Benjamin who tortured Philippe,” Ysabeau said.
Philippe’s image swam before me—the hollow eye socket where Benjamin had blinded him, the horrible scars on his face. I remembered the shaky handwriting on the letter he’d left for me, his body too damaged to control a pen’s movement.
And the same creature who had done that to Philippe now had my husband.
“Get out of my way.” I tried to push past Baldwin as I raced for the door. But Baldwin held me tight.
“You aren’t going to wander into the same trap that he did, Diana,” Baldwin said. “That’s exactly what Benjamin wants.”
“I’m going to Auschwitz. Matthew is not going to die there, where so many died before,” I said, twisting in Baldwin’s grip. “Matthew isn’t at Auschwitz. Philippe was moved from there to Majdanek on the outskirts of Lublin soon after he was captured. It’s where we found my father. I went over every inch of the camp searching for other survivors. There was no room like that in it.”
“Then Philippe was taken somewhere else before being sent to Majdanek—to another labor camp.
One run by Benjamin. It was he who tortured Philippe. I am certain of it,” Ysabeau insisted.
“How could Benjamin be in charge of a camp?” I’d never heard of such a thing. Nazi concentration camps were run by the SS.
“There were tens of thousands of them, all over Germany and Poland—labor camps, brothels, research facilities, farms,” Baldwin explained. “If Ysabeau is right, Matthew could be anywhere.”
Ysabeau turned on Baldwin. “You are free to stay here and wonder where your brother is, but I am going to Poland with Diana. We will find Matthew ourselves.”
“Nobody is going anywhere.” Marcus slammed his hand on the table. “Not without a plan. Where exactly was Majdanek?”
“I’ll pull up a map.” Phoebe reached for the computer.
I stilled her hand. There was something disturbingly familiar about that blanket. . . . It was tweed, a heathery brown with a distinctive weave.
“Is that a button?” I looked more closely. “That’s not a blanket. It’s a jacket.” I stared at it some more. “Peter Knox wore a jacket like that. I remember the fabric from Oxford.”